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Zuli © Kimberly Young Sun
Music, Music Videos, PremieresJune 18, 2019<June 18, 2019

Premiere: Zuli’s Soulful Heartache Shines in “ur mistaken”

by Mitch Mosk
James TW 2019
Features, Interviews, MusicJune 18, 2019<June 18, 2019

Interview: Reading Through James TW’s Debut ‘Chapters’

by Luke Pettican
Crumb - Jinx Album Art
Debut, Music, Our Take, ReviewsJune 18, 2019<June 18, 2019

Our Take: Crumb’s ‘Jinx’ Paves New Roads for Independent Music

by Matthew Dunn
FUSHIA © Isabelle Edsmyr
Columns, Music, Today's SongJune 18, 2019<June 18, 2019

Today’s Song: FUSHIA’s Meaningful Alt-Pop Single “Gold”

by Ben Beamish
Lila Drew © Miriam Marlene
Features, Music, ReviewsJune 17, 2019<June 18, 2019

Feature: Lila Drew Opens Up Her Confessional Debut EP ‘locket (side one)’

by Mitch Mosk
Far Caspian
Interviews, Music, ReviewsJune 17, 2019<June 17, 2019

Adulthood, Family, and the Ties that Bind Them Together: A Conversation with Far Caspian

by Adrian Vargas
Jamestown Revival © Paul Pryor
Music, ReviewsJune 17, 2019<June 17, 2019

Review: Brilliance in Simplicity Makes Jamestown Revival’s ‘San Isabel’ a Triumph

by Kelly McCafferty Dorogy
Naaz © Peggy Kuiper
Columns, Music, Today's SongJune 17, 2019<June 26, 2019

Today’s Song: Naaz Demands to be Heard with “TAPED”

by Luke Pettican
Roundup061419
Features, Music, Weekly RoundupJune 14, 2019<June 14, 2019

Atwood Magazine’s Weekly Roundup: June 14, 2019

by Atwood Magazine Staff
X Ambassadors © Lauren Kallen
Features, Interviews, MusicJune 14, 2019<June 17, 2019

Interview: Forging a Path Forward with X Ambassadors

by Audrey Steeves
Mundy's Bay © Véronique Levesque
Features, Music, ReviewsJune 14, 2019<June 14, 2019

So Far Yet So Near: Questioning Distances with Mundy’s Bay’s ‘Control Room’

by Frankie Rose
Doom Days, Bastille's third album, will release June 14, 2019 via Virgin Records 7.9
Music, Our Take, ReviewsJune 14, 2019<December 15, 2020

Our Take: Bastille Dissect the Anxiety and Euphoria of Modern Life on ‘Doom Days’

by Meredith Nardino
Ray Silvers © Lillie Miller
Columns, Music, Today's SongJune 14, 2019<July 31, 2019

Today’s Song: Ray Silvers’ Paradisiacal “Drive” is the Perfect Song to Fall in Love To

by Nicole Almeida
Busyhead - Noah Kahan 9
Debut, Interviews, Music, Our Take, ReviewsJune 14, 2019<September 17, 2021

Our Take: Noah Kahan’s Intimate ‘Busyhead’ Is a Powerfully Moving Debut Album

by Mitch Mosk
Foxygen © Nicky Giraffe
Features, Interviews, MusicJune 13, 2019<June 14, 2019

Interview: Foxygen Don’t Give a Fuck Anymore, and That’s Quite Alright

by Nick Baron
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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