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Oh My Messy Mind EP - James Bay
Features, Music, ReviewsMay 13, 2019<March 2, 2025

James Bay’s Beautifully Heartbreaking ‘Oh My Messy Mind’ EP

by Mitch Mosk
Atwood Magazine's Weekly Roundup 2019-05-10
Columns, Features, Music, Weekly RoundupMay 10, 2019<May 10, 2019

Atwood Magazine’s Weekly Roundup: May 10, 2019

by Atwood Magazine Staff
Quinn Lewis © 2019
Interviews, MusicMay 10, 2019<May 10, 2019

Interview: Quinn Lewis Has Found His Voice, and He’s Not Afraid to Use It

by Mitch Mosk
Holdan 2019
Debut, Music, PremieresMay 10, 2019<May 10, 2019

Premiere: Holdan Debuts Dreamy “Foggy Lake” with Atmospheric Excellence

by Mitch Mosk
Brasko © Zachary Gray
Columns, Music, Today's SongMay 10, 2019<May 10, 2019

Today’s Song: Brasko’s Sexy New Summer Bop “Lipstick Stains”

by Monica Mellon
GEA © 2019
Music, ReviewsMay 9, 2019<May 9, 2019

Review: Let GEA’s ‘Snow’ EP Carry You Away into a Higher Plane of Existence

by Carolyn Fasone
Noah Dane © Montana Lee
Debut, Music, PremieresMay 9, 2019<May 9, 2019

Premiere: Cancer, Coping, and Catharsis in Noah Dane’s Stirring Debut “There Goes”

by Mitch Mosk
Ladybird by Mappe Of
Columns, Music, Today's SongMay 9, 2019<June 5, 2019

Today’s Song: Mappe Of’s Tender “Ladybird” Shines with Natural Beauty

by Mitch Mosk
Sydney Franklin, Luke James Shaffer © Edward Benitez
Music, PremieresMay 9, 2019<May 9, 2019

Premiere: Sydney Franklin & Luke James Shaffer’s “Blood in the Water” Swells with Heartache in Harmony

by Ilana Kalish
John The Blind © Jimmy Fontaine
Music, PremieresMay 9, 2019<May 9, 2019

Premiere: John The Blind Trusts His Intuition on Prismatic “Paranoid”

by Ethan Germann
Iris Lune © Nir Arieli
Music, PremieresMay 8, 2019<May 8, 2019

Premiere: The Violent Delight of Iris Lune’s Soul-Shaking “Headlights”

by Mitch Mosk
Foxanne © David Ross Lawn
Music, PremieresMay 8, 2019<May 8, 2019

Premiere: Foxanne Honor a Life with One Last Round of “Applause”

by Mitch Mosk
Violet Crime © Alex Zarek
Music, Music Videos, PremieresMay 8, 2019<May 8, 2019

Premiere: Violet Crime’s “Heard You Like The Rolling Stones” Is a Self-Aware Love Song

by James Crowley
Mettavolution - Rodrigo y Gabriela
Music, Our Take, ReviewsMay 8, 2019<May 8, 2019

Our Take: Rodrigo y Gabriela Forge a Fiery New Path for Nuevo Flamenco on ‘Mettavolution’

by Danny Vagnoni
Permission - Lady Lark
Debut, Music, PremieresMay 7, 2019<May 10, 2019

Album Premiere: Lady Lark Lights Up the Night with ‘Permission’

by Mitch Mosk
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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