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Hamish Anderson © Elaine Torres
Music, PremieresApril 3, 2019<April 2, 2019

Premiere: Hamish Anderson’s Soul-Filled & Smooth “What You Do to Me”

by Kelly McCafferty Dorogy
Stephen of Her's at Johnny Brenda's © Natalie Crane
Essays, Features, MusicApril 2, 2019<April 3, 2019

In Memoriam: Remembering the Life, Spirit, and Energy of Her’s

by Natalie Crane
Puddle Splasher © 2019
Music, PremieresApril 2, 2019<April 2, 2019

Premiere: Puddle Splasher Dive Deep with “Everyone Else”

by Caitlin Ison
Promise to Send
Music, Music Videos, PremieresApril 2, 2019<April 2, 2019

Premiere: Tanbark’s “Promise to Send” Video Immerses Us in Dreamy Nostalgia

by Mitch Mosk
Noé © Claire Cali
Music, PremieresApril 2, 2019<April 2, 2019

Premiere: Noé Returns to Her Roots with the Endearingly Empowered “La Fève”

by Frankie Rose
Surprises © Taylor Thomas Paschal
Debut, Music, PremieresApril 2, 2019<April 2, 2019

Premiere: Letting Loose with Surprises’ Raw, Catchy & Volatile “Natural Disaster”

by Mitch Mosk
Maybird © Teagan West
Music, PremieresApril 2, 2019<April 2, 2019

Premiere: Maybird Find a Blissful Solitude in “To You”

by Caitlin Ison
Man © Hunters Race, Unsplash
Does Anybody Remember Laughter?April 1, 2019<February 3, 2023

Amazing! Area Business School Graduate Wishes He’d Stuck With Guitar

by Danny Vagnoni
Tara Terra © Morgan Ciesielski
Music, PremieresApril 1, 2019<April 2, 2019

Premiere: Tara Terra Return with Irresistibly Raw “Ithaca”

by Mitch Mosk
Does Anybody Remember Laughter?April 1, 2019<April 2, 2019

Tunes & Tumblers: Pour Yourself a Refreshing Glass of NPR

by Anthony Kozlowski
Who is Your White Guy Indie Icon Spirit Animal? Graphic © the author
Does Anybody Remember Laughter?April 1, 2019<April 25, 2024

Quiz: Which White Guy Indie Icon Are You?

by Lindsay Call
Sorry lyric video screenshot © 2019
Does Anybody Remember Laughter?April 1, 2019<April 1, 2019

Breaking: Local Woman Confirms It Is, In Fact, Too Late Now To Say Sorry

by Lindsay Call
Does Anybody Remember Laughter?April 1, 2019<April 3, 2019

Premiere: Pete Davidson’s “thank u, next” Cover Is All BDE

by James Crowley
Atwood-Magazines-Weekly-Roundup-3-29-2019
Columns, Features, Music, Weekly RoundupMarch 29, 2019<April 1, 2019

Atwood Magazine’s Weekly Roundup: March 29, 2019

by Atwood Magazine Staff
The Weird Years © Shervin Lainez
Features, Interviews, Music, ReviewsMarch 29, 2019<March 29, 2019

Feature: The Weird Years Dive into Their Self-Titled Masterpiece

by Mitch Mosk
Posts pagination
1 … 528 529 530 531 532 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Weekly Roundup
    • Music You Should Know
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