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Better Oblivion Community Center © Nik Freitas
Debut, Features, Music, ReviewsJanuary 31, 2019<January 31, 2019

Review: With Better Oblivion Community Center, Conor Oberst & Phoebe Bridgers Unite in Indie Folk Heaven

by Abby Jones
Dancing on Tables © Rory Barnes
Music, Music Videos, PremieresJanuary 31, 2019<January 31, 2019

Premiere: Heartbreak & Longing in Dancing on Tables’ Breakup Ballad “Black”

by Mitch Mosk
Betty, Pt. 1 - Betty Who 2019
Columns, Music, Today's SongJanuary 31, 2019<February 6, 2019

Today’s Song: Betty Who Lends a Hand on “Friend Like Me”

by Anthony Kozlowski
Screenshot from Peace Playing 1998 On A Roof © 2019
Essays, MusicJanuary 30, 2019<January 30, 2019

A Dumpster of Thoughts on Writing, Music, and Peace Playing “1998” on a Roof

by Lindsay Call
Editor's Picks 01-28-2019
Columns, Editor's Picks, Features, MusicJanuary 30, 2019<March 19, 2019

Editor’s Picks: January 28, 2019

by Mitch Mosk
The Japanese House © courtesy of the artist
Music, ReviewsJanuary 30, 2019<September 13, 2022

Two Steps Forward & One Step Back with The Japanese House’s “Maybe You’re the Reason”

by Jesse Herb
Georgia Meek © Alex Cullen
Music, PremieresJanuary 30, 2019<March 12, 2026

Premiere: Pressure & Sacrifice in Georgia Meek’s Passionate Anthem “Pray”

by Mitch Mosk
FIDLAR © David Black
Features, Interviews, MusicJanuary 30, 2019<June 3, 2019

Interview: FIDLAR’s Zac Carper Ventures into Uncharted Territory on ‘Almost Free’

by Nick Baron
exes x jome press photo
Music, Premieres, ReviewsJanuary 30, 2019<February 19, 2019

Premiere: Coping with Grief in EXES & JOME’s Poignant “Stay Still”

by Mitch Mosk
Beirut © Olga Baczynska
Music, Today's SongJanuary 30, 2019<January 30, 2019

Today’s Song: Beirut Delivers a Tense, Expansive Musical Journey with “Landslide”

by Adrian Vargas
Brillboard 1/30/2019
Brillboard, Music, PlaylistsJanuary 30, 2019<February 5, 2019

The Brillboard: Blue, 01/30/2019

by Jason Brillon
Gypsy Temple by Travis Trautt
Music, Music Videos, PremieresJanuary 29, 2019<January 29, 2019

Premiere: Majesty and Passion in Gypsy Temple’s Uplifting “Pick a Number”

by Mitch Mosk
Catharine Daddario stars in Wyland's "Nowhere Now" video
Music, Music Videos, PremieresJanuary 29, 2019<January 29, 2019

Premiere: Discovery & Transformation in Wyland’s Cinematic “Nowhere Now” Video

by Mitch Mosk
Margot © Ben Andrewes
Music, Music Videos, PremieresJanuary 29, 2019<January 29, 2019

Premiere: Margot’s Driving “Coffee Stained Scars” Evokes Isolation, Disconnect, & Alone Time

by Mitch Mosk
Foals © Alex Knowles
Columns, Music, Today's SongJanuary 29, 2019<January 29, 2019

Today’s Song: Swagger & Spiritual Claustrophobia in Foals’ “Exits”

by Danny Vagnoni
Posts pagination
1 … 534 535 536 537 538 … 727

Brand New

  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”

:: discover something new ::

Recent Posts

  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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