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GALAXXIES © Tasha Marie Photograph
Debut, Music, Music Videos, PremieresOctober 11, 2018<October 11, 2018

Premiere: An Inner Focus on GALAXXIES’ Stunning Debut “Conflicted”

by Mitch Mosk
Gregory Alan Isakov © Rebecca Caridad
Features, Interviews, MusicOctober 11, 2018<October 21, 2021

Songs of Triumph and Redemption: Gregory Alan Isakov’s Breathtaking ‘Evening Machines’

by Mitch Mosk
oh sleep © 2018
Music, Premieres, ReviewsOctober 10, 2018<October 10, 2018

Premiere: oh sleep’s Dreamily Breathtaking ‘try to rest’ EP

by Mitch Mosk
Alice Pisano © Rob Blackham
Music, PremieresOctober 10, 2018<October 10, 2018

Premiere: “Celebrate Life,” Alice Pisano’s Heartfelt Reminder to Love Yourself

by Kelly McCafferty Dorogy
CYN © Garth Badger
Columns, Music, Today's SongOctober 10, 2018<October 10, 2018

Today’s Song: A Gorgeous Outpour of Heartbreak, Hope, and Honesty with CYN’s “I’ll Still Have Me”

by Adrian Vargas
Orions Belte - 'Mint' Album Artwork © Steph Hope
Music, Reviews, Track-by-TrackOctober 9, 2018<October 9, 2018

Track-by-Track: Orions Belte’s Excitingly Fresh Debut Album ‘Mint’

by Mitch Mosk
Hippo Campus © Pooneh Ghana
Features, Interviews, MusicOctober 9, 2018<December 10, 2018

Interview: How Raw Vulnerability Shaped Hippo Campus’ Second Album, Bambi

by Abby Jones
The Bad Dreamers © 2018
Music, PremieresOctober 9, 2018<October 9, 2018

Premiere: Bad Dreamers’ Impassioned Indie Pop Ascent, “Reach You”

by Mitch Mosk
Emma's Lounge © Rich Levine
Features, Music, Premieres, ReviewsOctober 9, 2018<October 9, 2018

Album Premiere: On ‘Confluence’, Emma’s Lounge Create a Playful Collage of Influences & Moods

by Frankie Rose
"Love It If We Made It" - The 1975 © Dirty Hit
Columns, Music, Today's SongOctober 9, 2018<December 5, 2018

The 1975 Revive Their Jazz Sound & Discuss Inevitable Feelings in “Sincerity Is Scary”

by Caitlin Ison
ST.MARTiiNS © 2018
Features, Interviews, MusicOctober 9, 2018<October 12, 2018

Interview: ST.MARTiiNS’ Irresistibly Alluring “ur so pretty”

by Mitch Mosk
Lightfoils © Neil Yodnane
Music, PremieresOctober 8, 2018<October 8, 2018

Premiere: Lightfoils Revel in the Warm, Hazy Glow of “Summer Nights”

by Mitch Mosk
And the Echo © Blair McElroy
Music, Music Videos, PremieresOctober 8, 2018<October 8, 2018

Premiere: And The Echo’s “Made for You” Details Their Musical Love Affair

by Mitch Mosk
Mempho Music Festival 2018
Festival, Music, News, PreviewsOctober 5, 2018<October 5, 2018

(Y)Our Music Guide to Mempho Music Festival, October 2018

by Baylee Less
Atwood Magazine's Weekly Roundup 10-05-2018
Columns, Features, Music, Playlists, Weekly RoundupOctober 5, 2018<October 23, 2018

Atwood Magazine’s Weekly Roundup: October 5, 2018

by Atwood Magazine Staff
Posts pagination
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Brand New

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’

:: discover something new ::

Recent Posts

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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