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Pink Skies © Shabnam Ferdowsi
Music, Music Videos, PremieresSeptember 4, 2018<September 4, 2018

Premiere: Social Media, Addiction, and Zombies in Pink Skies’ “Just to Get By”

by Mitch Mosk
Painkiller - Beach Bunny music
Columns, Music, Today's SongSeptember 4, 2018<September 4, 2018

Unraveling the Headache of Anxiety as Told by Beach Bunny in “Painkiller”

by Caitlin Ison
Joey Dosik © Curtis Essel
Debut, Features, Interviews, MusicSeptember 4, 2018<March 2, 2025

Exploring a New Frontier: A Conversation with Joey Dosik

by Adrian Vargas
Atwood Magazine's Weekly Roundup 08-10-2018
Columns, Features, Music, Weekly RoundupAugust 31, 2018<September 13, 2018

Atwood Magazine’s Weekly Roundup: August 31, 2018

by Atwood Magazine Staff
Wafia © Zoe Lawrence
Columns, Music, Today's SongAugust 31, 2018<September 20, 2018

Today’s Song: Wafia Finds Closure on Empowering Anthem “I’m Good”

by Nicole Almeida
Coyote Choir - Sing!
Debut, Music, Music Videos, PremieresAugust 31, 2018<August 31, 2018

Premiere: Come on and “Sing!” with Coyote Choir’s Inspiring Debut Single

by Mitch Mosk
HARDCASTLE © 2018
Debut, Music, PremieresAugust 30, 2018<August 30, 2018

Premiere: HARDCASTLE Get Poignantly Retrospective with Debut “I Never Knew”

by Abby Jones
Neurons - Ecstatic Union album art
Features, Music, PremieresAugust 30, 2018<August 30, 2018

Album Premiere: Connecting with the Euphoric, Sensual Energy of Ecstatic Union’s ‘Neurons’

by Mitch Mosk
Blue Light - Mr. Carnivore
Debut, Features, Music, PremieresAugust 30, 2018<September 13, 2018

Album Premiere: The Raw Meat of Mr. Carnivore’s Passionate Debut ‘Blue Light’

by Mitch Mosk
Humble Braggers © 2018
Music, PremieresAugust 30, 2018<August 30, 2018

Premiere: Humble Braggers’ Decadent Dance-Pop Song “Am I Okay”

by Mitch Mosk
LYVES © Alberto Balazs
Music, PremieresAugust 30, 2018<August 30, 2018

Premiere: LYVES and Jalen Santoy Remain Present with “Certain Things”

by Maggie McHale
Jennifer Denali © 2018
Debut, Music, PremieresAugust 29, 2018<September 13, 2018

Premiere: Sultry Soul and Suffering in Jennifer Denali’s Passionate Debut “Painkiller”

by Mitch Mosk
The Ready Set © 2018
Music, Music Videos, PremieresAugust 29, 2018<August 29, 2018

Premiere: The Ready Set and Call Me Karizma Fuck with “Black Magic”

by Maggie McHale
People Museum © Daniel Grey
Debut, Music, PremieresAugust 29, 2018<August 29, 2018

Premiere: People Museum Embrace the Contradictions of Losing Your Religion on “Bible Belt”

by Carolyn Fasone
This Is a Journal - H. Kenneth
Debut, Features, Music, PremieresAugust 29, 2018<August 29, 2018

Album Premiere: A Taste of Life in H. Kenneth’s Vibrant Debut ‘This Is a Journal’

by Mitch Mosk
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Brand New

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’

:: discover something new ::

Recent Posts

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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