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Billy Lockett © 2018
Columns, Music, Today's SongAugust 23, 2018<August 23, 2018

Today’s Song: Billy Lockett Explores Heartache with Affecting Return, “Fading into Grey”

by Luke Pettican
THE HOTTMAN SISTERS © Carley Scott Fields
Music, Music Videos, PremieresAugust 23, 2018<August 23, 2018

Premiere: The Hottman Sisters Ignite in a Passionate, Roaring “Fire”

by Mitch Mosk
LOVA © 2018
Music, PremieresAugust 23, 2018<August 29, 2018

Premiere: Embracing LOVA’s Self-Love Anthem “Impress Myself”

by Mitch Mosk
Bad Rabbits © Steve Osemwenkhae
Music, PremieresAugust 23, 2018<August 23, 2018

Premiere: Bad Rabbits Release a Coming-of-Age Tale with “Ain’t a Crime”

by Frankie Rose
Ottawa © Bradley Atom
Music, PremieresAugust 23, 2018<November 26, 2018

Premiere: Soaking in Euphoria with Ottawa’s Energetic “Undercover”

by Mitch Mosk
Apropos © 2018
Debut, Music, PremieresAugust 23, 2018<August 23, 2018

Premiere: Love Hurts So Good in Apropos’ “Talk Like That” ft. Isaiah Dreads

by Mitch Mosk
Moses Sumney © Ibra Ake
Features, Music, Our Take, ReviewsAugust 22, 2018<August 22, 2018

Our Take: Moses Sumney’s ‘Black in Deep Red, 2014’ Captures the Tumult & Triumph of Protest

by Nick Baron
Sonny Elliot © Nina Sutton-Welch
Music, PremieresAugust 22, 2018<August 22, 2018

Premiere: Sonny Elliot’s Delicate “Broken Glasses” Glows with Unconditional Love

by Mitch Mosk
The Foreword © 2018
Debut, Music, PremieresAugust 22, 2018<August 22, 2018

Premiere: The Foreword Embrace Optimism in Bright Folk-Pop Debut “Made Up Misery”

by Mitch Mosk
YEARS - Axel Flovent © 2018
Music, Music Videos, PremieresAugust 22, 2018<August 22, 2018

Premiere: Overcoming Inner Demons with Axel Flóvent’s Breathtaking “Years”

by Mitch Mosk
SVIBES © 2018
Debut, Features, Music, PremieresAugust 22, 2018<August 22, 2018

Premiere: The Beautiful Torment of SVIBES’ “The Ra Ra Ra” & “Strange Vibes”

by Mitch Mosk
TOOTIMETOOTIMETOOTIME - The 1975
Features, Music, Reviews, This Just InAugust 22, 2018<August 29, 2018

Pop, Frivolity, & Attitude: A Review of The 1975’s “TOOTIMETOOTIMETOOTIME”

by Atwood Magazine Staff
Dizzy © Leeor Wild
Debut, Features, Interviews, MusicAugust 21, 2018<August 29, 2018

Ascending from Suburbia and Adolescence: A Conversation with Dizzy

by Nicole Almeida
Ever More Nest © Summer Dorr
Debut, Music, Music Videos, PremieresAugust 21, 2018<August 21, 2018

Premiere: Drifting Away in Ever More Nest’s Grounding Debut “Major Tom”

by Mitch Mosk
Aidan Carroll © Deneka Peniston
Music, PremieresAugust 21, 2018<August 21, 2018

Premiere: A Soul Exposed in Aidan Carroll’s Visceral “Misunderstood”

by Mitch Mosk
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Brand New

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA

:: discover something new ::

Recent Posts

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie April 12, 2026
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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