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Gregory Alan Isakov © Rebecca Caridad
Features, Interviews, MusicOctober 11, 2018<October 21, 2021

Songs of Triumph and Redemption: Gregory Alan Isakov’s Breathtaking ‘Evening Machines’

by Mitch Mosk
oh sleep © 2018
Music, Premieres, ReviewsOctober 10, 2018<October 10, 2018

Premiere: oh sleep’s Dreamily Breathtaking ‘try to rest’ EP

by Mitch Mosk
Alice Pisano © Rob Blackham
Music, PremieresOctober 10, 2018<October 10, 2018

Premiere: “Celebrate Life,” Alice Pisano’s Heartfelt Reminder to Love Yourself

by Kelly McCafferty Dorogy
CYN © Garth Badger
Columns, Music, Today's SongOctober 10, 2018<October 10, 2018

Today’s Song: A Gorgeous Outpour of Heartbreak, Hope, and Honesty with CYN’s “I’ll Still Have Me”

by Adrian Vargas
Orions Belte - 'Mint' Album Artwork © Steph Hope
Music, Reviews, Track-by-TrackOctober 9, 2018<October 9, 2018

Track-by-Track: Orions Belte’s Excitingly Fresh Debut Album ‘Mint’

by Mitch Mosk
Hippo Campus © Pooneh Ghana
Features, Interviews, MusicOctober 9, 2018<December 10, 2018

Interview: How Raw Vulnerability Shaped Hippo Campus’ Second Album, Bambi

by Abby Jones
The Bad Dreamers © 2018
Music, PremieresOctober 9, 2018<October 9, 2018

Premiere: Bad Dreamers’ Impassioned Indie Pop Ascent, “Reach You”

by Mitch Mosk
Emma's Lounge © Rich Levine
Features, Music, Premieres, ReviewsOctober 9, 2018<October 9, 2018

Album Premiere: On ‘Confluence’, Emma’s Lounge Create a Playful Collage of Influences & Moods

by Frankie Rose
"Love It If We Made It" - The 1975 © Dirty Hit
Columns, Music, Today's SongOctober 9, 2018<December 5, 2018

The 1975 Revive Their Jazz Sound & Discuss Inevitable Feelings in “Sincerity Is Scary”

by Caitlin Ison
ST.MARTiiNS © 2018
Features, Interviews, MusicOctober 9, 2018<October 12, 2018

Interview: ST.MARTiiNS’ Irresistibly Alluring “ur so pretty”

by Mitch Mosk
Lightfoils © Neil Yodnane
Music, PremieresOctober 8, 2018<October 8, 2018

Premiere: Lightfoils Revel in the Warm, Hazy Glow of “Summer Nights”

by Mitch Mosk
And the Echo © Blair McElroy
Music, Music Videos, PremieresOctober 8, 2018<October 8, 2018

Premiere: And The Echo’s “Made for You” Details Their Musical Love Affair

by Mitch Mosk
Mempho Music Festival 2018
Festival, Music, News, PreviewsOctober 5, 2018<October 5, 2018

(Y)Our Music Guide to Mempho Music Festival, October 2018

by Baylee Less
Atwood Magazine's Weekly Roundup 10-05-2018
Columns, Features, Music, Playlists, Weekly RoundupOctober 5, 2018<October 23, 2018

Atwood Magazine’s Weekly Roundup: October 5, 2018

by Atwood Magazine Staff
Eminem - 'Kamikaze' © 2018
Music, Our Take, ReviewsOctober 5, 2018<October 5, 2018

Our Take: With ‘Kamikaze’, Maybe Slim Shady Does Care What You Think, For Once?

by Josh Weiner
Posts pagination
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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