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Yeses EP - Yeses
Music, Premieres, ReviewsOctober 17, 2018<October 16, 2018

EP Premiere: Yeses Debuts with Majestic Alt-Folk Wonder

by Mitch Mosk
Jack Cullen
Columns, Music, Today's SongOctober 17, 2018<October 16, 2018

Today’s Song: Singer/Songwriter Jack Cullen Debuts with Love Letter, “Learn”

by Kelsey Fitzgerald
MAY © 2018
Columns, Music, Today's SongOctober 16, 2018<October 16, 2018

Today’s Song: The Intimate Beauty of MAY’s Haunting & Dark “Baby Save Me Tonight”

by Mitch Mosk
Justin Levinson © 2018
Music, PremieresOctober 16, 2018<October 16, 2018

Premiere: Walk the Rainy Day Streets with Justin Levinson to his Jazzy “A Part of Me” (ft. Anna Nalick)

by Carolyn Fasone
Sleep State © Shannon Pitts
Music, Music Videos, PremieresOctober 15, 2018<October 15, 2018

Premiere: Sleep State’s Irresistible “Dyin’ When I See Ya” Reclaims the Worst. Date. Ever.

by Mitch Mosk
The Dig © Shervin Lainez
Features, Interviews, Music, PremieresOctober 15, 2018<October 15, 2018

Arriving “Home,” The Dig Conclude their Year of Music with Dreamy Warmth, Joy, and Balance

by Mitch Mosk
Pearla © Dara Bankole
Columns, Music, Today's SongOctober 15, 2018<October 15, 2018

Today’s Song: Dreamily Dealing with Acceptance Through Pearla’s “Forgive Yourself” & “Pumpkin”

by Frankie Rose
Dave Keuning of The Killers © Dana Trippe
Debut, Features, Interviews, MusicOctober 12, 2018<October 12, 2018

Feature: The Killers’ Dave Keuning Debuts with Energy, Drive, and “Restless Legs”

by Mitch Mosk
COIN © David O'Donohue
Features, Interviews, Music, This Just InOctober 12, 2018<June 20, 2024

A “Simple Romance”: Zooming in on the Right Now with COIN

by Audrey Steeves
HENRY © 2018
Music, PremieresOctober 12, 2018<October 12, 2018

Premiere: UK’s HENRY Debuts with Passion in Visceral “Give My All to You”

by Mitch Mosk
Breath - Belau
Interviews, Music, ReviewsOctober 12, 2018<March 2, 2025

Interview: Belau Take an Intoxicating & Immersive “Breath” with Sophie Lindinger

by Mitch Mosk
Lone Kodiak © Sterling Reed
Music, PremieresOctober 11, 2018<October 11, 2018

Premiere: Lone Kodiak Are Reinvigorated in Passion-Fueled “Blank Stares”

by Mitch Mosk
Mempho Music Festival 2018 © Baylee Less
Festival, MusicOctober 11, 2018<October 11, 2018

Review: Mempho Music Festival, October 2018

by Baylee Less
Maggie Rogers © Olivia Bee
Columns, Music, Today's SongOctober 11, 2018<October 26, 2018

Today’s Song: Vulnerability, Gratitude, and Change Inspire Maggie Rogers’ “Light On”

by Meredith Nardino
GALAXXIES © Tasha Marie Photograph
Debut, Music, Music Videos, PremieresOctober 11, 2018<October 11, 2018

Premiere: An Inner Focus on GALAXXIES’ Stunning Debut “Conflicted”

by Mitch Mosk
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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