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CocoRosie: (L) Sierra Casady, (R) Bianca Casady © Daria Miasoedova
Features, Interviews, MusicApril 8, 2025<October 7, 2025

“It’s All Just in the Idea of Owning It”: CocoRosie Embrace Boldness Through Their Genre-Bending Eighth Album, ‘Little Death Wishes’

by Kayleigh Schweiker
Matty Reynolds © Matt Lewis
Columns, Music, Today's SongApril 8, 2025<April 8, 2025

Today’s Song: Matty Reynolds Proves That Distance Makes the Heart Grow Fonder in “Timbuktu”

by Miranda Urbanczyk
mary in the junkyard © Herbie Bone
Columns, Music, Today's SongApril 7, 2025<April 7, 2025

mary in the junkyard’s Hauntingly Raw “bear walk” Reckons with Love, Loss, & Longing

by Mitch Mosk
Ben Barnes © Ciara McMullan
Debut, Features, Interviews, MusicApril 7, 2025<April 7, 2025

Interview: Ben Barnes on His Move from Screen to Stage, Authenticity as an Artist, & Debut LP ‘Where the Light Gets In’

by Brianna Corrine
Miley Cyrus © Glen Luchford
Columns, Music, This Just In, Today's SongApril 4, 2025<April 4, 2025

Miley Cyrus’ “End of the World” Is a Disco-Fueled Love Letter to Apocalyptic Parties

by Danielle Holian
Hannah Cohen © Josh Goleman
Features, Interviews, MusicApril 4, 2025<June 4, 2025

“Anything Can Mean Everything”: Hannah Cohen Plants New Roots with ‘Earthstar Mountain,’ an Intimate Love Letter to the Catskills

by Mitch Mosk
I Said I Love You First - Selena Gomez & Benny Blanco 8.1
Music, ReviewsApril 4, 2025<April 4, 2025

Our Take: Selena Gomez and Benny Blanco Embrace Vulnerability in ‘I Said I Love You First’

by Danielle Holian
Babe Rainbow © Izzie Austin
Features, Interviews, MusicApril 4, 2025<April 4, 2025

Interview: Reconnecting to Their Roots, Babe Rainbow Go Deep into Nature & Psychedelia on ‘Slipper imp and shakaerator’

by Miranda Urbanczyk
Florist © V Haddad
Music, ReviewsApril 4, 2025<April 4, 2025

Review: Florist Ruminate on Bigger Questions and Explore Their Duality on ‘Jellywish’

by Kevin Krein
Atwood Magazine's 116th Editor's Picks!
Columns, Editor's Picks, Features, MusicApril 3, 2025<April 3, 2025

Editor’s Picks 116: Nami, Borderline, Litany, Lucy Dacus, Social Order, & zzzahara!

by Mitch Mosk
Jenner Fox Band "Right Away" © 2025
Music, PremieresApril 3, 2025<April 3, 2025

Premiere: Jenner Fox Band Illuminate Stillness, Distance, & the Warm Glow of Connection in the Radiant “Right Away”

by Mitch Mosk
CLOVER © Dani Sundream
Music, PremieresApril 3, 2025<March 12, 2026

Premiere: CLOVER Unravels and Exhales in Her Soul-Baring “Atlas,” a Haunting & Healing Surrender to the Weight We Carry Within

by Mitch Mosk
Sam Fender © Sarah Louise Bennett
Features, Music, Reviews, RoundtableApril 2, 2025<April 2, 2025

Roundtable Discussion: A Review of Sam Fender’s ‘People Watching’

by Atwood Magazine Staff
Alicia Clara © Taryn Fleischmann
Interviews, MusicApril 2, 2025<April 2, 2025

Interview: Sinking into Alicia Clara’s Dreamy Soundscapes

by Marissa DeLeon
Levi Foster © Annelise Loughead
Columns, Music, Today's SongApril 2, 2025<April 2, 2025

Today’s Song: Levi Foster Delivers a Tear-Jerking Tale with “Walter”

by Chloe Robinson
Posts pagination
1 … 59 60 61 62 63 … 727

Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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