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Atwood Magazine Editor's Picks 107
Columns, Editor's Picks, Features, MusicJanuary 17, 2025<January 17, 2025

Editor’s Picks 107: Bartees Strange, Willow Avalon, Sly Jr., The 7:45s, The Zew, & Thee Holy Brothers!

by Mitch Mosk
Daffo © Sam Penn
Columns, Music, Today's SongJanuary 17, 2025<January 14, 2025

Daffo’s “Winter Hat” Stunningly Captures the Quiet Grief of Growing Up

by Noa Jamir
Tom Conneely & Birds of Paradise © Kory Thibeault
Music, PremieresJanuary 16, 2025<January 16, 2025

“Wildfire in your eyes”: Tom Conneely & Birds of Paradise Reminisce on Love Lost in Wistful “I Know It”

by Mitch Mosk
Anna Shoemaker at the PRIV.Y Pop-Up © Noah Berghammer
Concerts, MusicJanuary 16, 2025<January 16, 2025

The Anna Shoemaker Pop-Up Show: Iced Coffee in December

by Guest Writer
Fake Dad "ON/OFF" © Cassie Claire Howell
Interviews, MusicJanuary 16, 2025<January 16, 2025

Interview: Fake Dad Discuss Doomscrolling, Burnout, Posers, & Their Song “ON/OFF”

by Chloe Robinson
Wednesday © Charlie Boss, 2022
Columns, Music, Music You Should Know, ReviewsJanuary 16, 2025<January 16, 2025

“Show me all your smart blood”: Wednesday’s “Fate Is…” Tows the Line Between Snark & Vulnerability

by Juls Patterson
ROSÉ & Bruno Mars "APT." © John V. Esparza
Columns, Music, Today's SongJanuary 16, 2025<January 20, 2025

Today’s Song: ROSÉ & Bruno Mars Make History With “APT.”

by Danielle Holian
Suki Waterhouse © Jeremy Soma
Features, Reviews, RoundtableJanuary 15, 2025<January 15, 2025

Roundtable Discussion: A Review of Suki Waterhouse’s ‘Memoir of a Sparklemuffin’

by Atwood Magazine Staff
Gizmo Varillas © Sebastian Madej
Artist to Watch, Music, Music Videos, PremieresJanuary 15, 2025<January 15, 2025

“One heart, one soul, one life”: Gizmo Varillas’ Inner Light Shines on “Into the Night,” a Sun-Kissed Love Song to Life Itself

by Mitch Mosk
Sky Ferreira © Morgan Maher
Columns, Music, Today's SongJanuary 15, 2025<January 14, 2025

Today’s Song: Sky Ferreira Is Back, Bolder, and Better than Ever on “Leash”

by Isabella Le
Gigi Perez © 2025
Debut, Interviews, MusicJanuary 14, 2025<January 14, 2025

Interview: Gigi Perez Isn’t Afraid of Grief; She Welcomes It

by Mariam Bagdady
Kazy Lambist © 2025
Features, Interviews, MusicJanuary 14, 2025<January 14, 2025

Interview with Kazy Lambist: An Electro Master from Montpellier Spikes His Recipe With Mediterranean Seasoning

by Josh Weiner
brand new girl, brand new machine EP - Chiara Savasta
Music, Music You Should Know, ReviewsJanuary 14, 2025<January 14, 2025

Music You Should Know: Chiara Savasta Projects Energized Self-Assurance With ‘brand new girl, brand new machine’ EP

by Frankie Rose
Hana Giraldo © 2025
Columns, Music, Today's SongJanuary 14, 2025<January 14, 2025

Hana Giraldo Sizzles on Her Catwalk Commanding Anthem “Play My Sh*t (Alexa)”

by Grace Holtzclaw
Threetles: McCartney, Harrison, and Lennon circa 1974
Art, MusicJanuary 8, 2025<January 8, 2025

Ring Out the Old, Ring in the New: The Beatles at the Twilight of ‘74

by Aidan Moyer
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Brand New

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’

:: discover something new ::

Recent Posts

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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