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Columns, Hidden Gems, MusicJuly 12, 2014<July 12, 2014

Hidden Gems: Metric – Strange Weather

by Nitesh
Features, Interviews, MusicJuly 11, 2014<July 10, 2014

Starbucks, Sunlight, and the Hierarchies of Cool: A Conversation with Teen Daze

by Luke
ArtJuly 10, 2014<July 10, 2014

Looking Back: Supports/Surfaces, An Art Movement

by Morgan
Music, Nostalgia TracksJuly 10, 2014<July 10, 2014

Nostalgia Tracks: Thao & The Get Down Stay Down’s “The Feeling Kind”

by Alexis
Features, Interviews, Music, ReviewsJuly 8, 2014<July 8, 2014

Craft Spells: Sincerity from Seattle // a conversation with Justin Vallesteros

by Conrad
Editorials, PhotographyJuly 8, 2014<July 10, 2014

Evie McShane Editorial

by Liza
Music, Our Take, ReviewsJuly 8, 2014<July 8, 2014

Our Take: A Review of Alt J’s New Single “Left Hand Free”

by Liza
Features, Interviews, Photography, VideoJuly 3, 2014<August 20, 2024

A Conversation with Natalie Deryn Johnson (NatalieInMotion)

by Cynthia Liu
Features, From The Zine, Interviews, MusicJuly 3, 2014<July 3, 2014

A conversation with Julianna Barwick

by Nitesh
Music, Our Take, ReviewsJune 30, 2014<July 1, 2014

Our Take: A Review of Bon Iver’s New Single “Heavenly Father”

by Liza
Art, Weekly DiscoveriesJune 30, 2014<June 30, 2014

This Week’s Discoveries: Pt. 1

by Liza
Features, Interviews, PhotographyJune 27, 2014<June 30, 2014

A Conversation with Vivienne Mok

by Alexis
Features, Music, ReviewsJune 25, 2014<June 30, 2014

The Boy You Knew: A Review of Alex G’s New Album DSU

by Stephen
Music, Our Take, ReviewsJune 24, 2014<June 30, 2014

Our take: A Review of The Shin’s New Single “So Now What”

by Nitesh
Features, MusicJune 23, 2014<June 24, 2014

A conversation with Wafia

by Cristina
Posts pagination
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Brand New

  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens!
  • Atwood Magazine’s Top Artist Discoveries of 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song”
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’
  • Tales from the Garden: Seven Lions Is Making and Breaking the Formula

:: discover something new ::

Recent Posts

  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession December 14, 2025
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’ December 13, 2025
  • Tales from the Garden: Seven Lions Is Making and Breaking the Formula December 12, 2025
  • Atwood Magazine’s Best Concerts of 2025! December 12, 2025
  • Interview: Clover County on the ‘Finer Things,’ Romanticising Life, and Rediscovering Her Whimsy December 12, 2025
  • “Rev It, Brake It, Love Ya, Mean It”: Savannah Conley Cuts Loose on “Love You Mean It,” a Fun, Feverish Indie Rock Rebirth December 12, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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