8.8 Music, Our Take, ReviewsApril 10, 2020<December 15, 2020 Our Take: STRFKR’s ‘Future Past Life’ Offers Refreshing Take on Electro-Centricity by Harper Beattie
7.9 Music, Our Take, ReviewsApril 10, 2020<August 16, 2021 Our Take: Niall Horan Brings Light to a Quiet World with Sophomore Album ‘Heartbreak Weather’ by Erica Danielle Garcia
Features, Music, Reviews, RoundtableApril 9, 2020<June 29, 2024 Roundtable Discussion: A Review of ‘3.15.20’, Childish Gambino’s Memorable (Supposedly) Final Act by Atwood Magazine Staff
8.9 Interviews, Music, Our Take, Reviews, Track-by-TrackApril 7, 2020<December 15, 2020 Track-by-Track: Inside Michael Baker’s Achingly Beautiful Sophomore Album ‘Salt’ by Mitch Mosk
Features, Music, PremieresApril 7, 2020<May 15, 2020 Album Premiere: Brian Dunne’s Hopeful & Hopeless ‘Selling Things’ Is a New Timeless Classic by Mitch Mosk
Features, Interviews, MusicApril 6, 2020<April 6, 2020 Feature: Nap Eyes Want ‘Snapshot of a Beginner’ to Become the Keys to Your Brain by Oliver Crook
Features, Music, Reviews, RoundtableApril 3, 2020<June 29, 2024 Roundtable Discussion: A Review of Dua Lipa’s ‘Future Nostalgia’ by Atwood Magazine Staff
Features, Interviews, MusicApril 3, 2020<May 15, 2020 Finding Connection in Isolation: Overcoats’ Hopeful & Empowering Album ‘The Fight’ by Mitch Mosk
Features, Interviews, Music, Reviews, Track-by-TrackApril 2, 2020<April 6, 2020 Feature: Dive into William Wild’s Breathtakingly Beautiful, Transformative Album ‘Push Ups’ by Mitch Mosk
8.3 Music, Our Take, ReviewsApril 2, 2020<December 15, 2020 Our Take: Little Dragon’s ‘New Me, Same Us’ Is a Sublime Evolution by Danny Vagnoni
Debut, Music, Our Take, ReviewsMarch 31, 2020<December 15, 2020 Acoustics, Electropop & Inner Turmoil Add up to Leila Sunier’s Successful Debut EP ‘If Only to Bleed Out the White Noise’ by Josh Weiner
9 Music, Our Take, ReviewsMarch 30, 2020<December 15, 2020 Our Take: All Queue Up for the Party of the Year on Dua Lipa’s ‘Future Nostalgia’ by Josh Weiner
9.7 Debut, Features, Music, Our Take, Reviews, Track-by-TrackMarch 27, 2020<December 15, 2020 Feature: Delacey Dives into Her Grungy, Emotional, Messy Debut Album ‘Black Coffee’ by Mitch Mosk
Music, Our Take, ReviewsMarch 26, 2020<December 15, 2020 Review: An Atmospheric Trip to Brazil with Ricardo Richaid’s ‘Travesseiro Feliz’ by Ben Niesen
Debut, Music, ReviewsMarch 24, 2020<March 24, 2020 Review: Melbourne’s Big Yawn Arrive Mightily on the Underground Scene with Delirious Debut ‘No!’ by Guest Writer
For the Love of Music
For the Love of Music
