Features, Music, Reviews, Track-by-TrackJuly 28, 2020<July 28, 2020 Fracture & Fragility: Inside Haux’s Breathtaking Debut Album ‘Violence in a Quiet Mind’ by Mitch Mosk
Features, Music, Reviews, Track-by-TrackJuly 27, 2020<July 27, 2020 Album Review: Inside the Forlorn Human Depths of Eliot Bronson’s ‘Empty Spaces’ by Mitch Mosk
Music, ReviewsJuly 24, 2020<July 24, 2020 Review: MisterWives Deliver with Soul Replenishing, Funk-Filled Third Album ‘SUPERBLOOM’ by Kelly McCafferty Dorogy
Music, ReviewsJuly 22, 2020<July 22, 2020 Review: Protomartyr Refine Their Old Sound with New Instruments on ‘Ultimate Success Today’ by Oliver Crook
Features, Music, Reviews, Track-by-TrackJuly 10, 2020<July 10, 2020 Feature: Little Kid Dive into the Depths of Their Spellbinding ‘Transfiguration Highway’ by Mitch Mosk
Music, ReviewsJuly 10, 2020<December 15, 2020 Review: The Beths Tackle the Dark Side of Living Your Dream on ‘Jump Rope Gazers’ by Oliver Crook
Interviews, MusicJuly 10, 2020<July 10, 2020 Interview: Many Beaches May Be Closed, But Iration’s New Album “Coastin'” Can Teleport You There by Josh Weiner
Music, ReviewsJuly 9, 2020<December 1, 2020 On Being Gone Forever: Phoebe Bridgers’ ‘Punisher’ as a Meditation on Death by James Crowley
Debut, Music, ReviewsJuly 9, 2020<July 9, 2020 Review: Clarence James’ Debut ‘Fucked Me Up’ Is DIY Heartbreak at Its Finest by Mitch Mosk
Debut, Features, Music, ReviewsJuly 8, 2020<July 8, 2020 Track-by-Track: Hazlett Injects Life’s Depths into Stirring, Intimate ‘Thundering Hopes’ EP by Mitch Mosk
8.5 Music, Our Take, ReviewsJuly 8, 2020<December 15, 2020 Our Take: HAIM Find Solace in LA & Each Other on ‘Women in Music Pt. III’ by Guest Writer
Features, Music, Reviews, RoundtableJuly 7, 2020<June 29, 2024 Roundtable Discussion: A Review of Lady Gaga’s ‘Chromatica’ by Atwood Magazine Staff
10 Features, Interviews, Music, Our TakeJuly 6, 2020<December 15, 2020 Feature: Zaia Dwells in Intimate Depths on Extraordinary ‘VERY ALONE’ EP by Mitch Mosk
Music, ReviewsJuly 6, 2020<September 24, 2022 Review: The Fictional ’60s Nostalgia of Les Hay Babies’ ‘Boîte aux Lettres’ by Frankie Rose
9.3 Features, Music, Our Take, Reviews, Track-by-TrackJuly 3, 2020<December 15, 2020 Feature: AJIMAL & Guy Massey Breathe Life into Breathtaking Album ‘As It Grows Dark / Light’ by Mitch Mosk
For the Love of Music
For the Love of Music
