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Tupac Shakur
Music, ReviewsSeptember 24, 2023<September 24, 2023

Why the Message of Tupac Shakur’s “Keep Ya Head Up” Still Resonates with Us, 30 Years After Its Release

by Jada Moore
Josh Weiner
Columns, Meet Our WritersSeptember 23, 2023<September 23, 2023

Meet Our Writers: Boston’s Josh Weiner!

by Josh Weiner
stillblue © 2023
Columns, Music, Today's SongSeptember 23, 2023<September 23, 2023

Today’s Song: Miami’s stillblue Assert That Love Exists With “Wait for Me”

by Laurent Chavannes
Glassio & Beauty Queen © 2023
Columns, Music, Today's SongSeptember 22, 2023<September 22, 2023

The Friendly Fire and Smoldering Seduction of Glassio & Beauty Queen’s “A Friend Like You”

by Mitch Mosk
semiwestern's Ty Bohrnstedt and his dog
Debut, Features, Interviews, Music, Track-by-TrackSeptember 22, 2023<September 24, 2023

Unpolished, Melodic, & Introverted: semiwestern’s Self-Titled Debut Is a Dusty, Lo-Fi Seduction

by Mitch Mosk
Abby Holliday © Grace Holliday
Features, Interviews, Music, Track-by-TrackSeptember 22, 2023<September 22, 2023

Track-by-Track: Abby Holliday’s ‘I’M OK NO I’M NOT (Deluxe Edition)’ Is an Intimate & Cinematic Expansion

by Mitch Mosk
Atwood Magazine's Weekly Roundup | September 22, 2023
Columns, Features, Music, Weekly RoundupSeptember 22, 2023<September 22, 2023

Atwood Magazine’s Weekly Roundup: September 22, 2023

by Atwood Magazine Staff
Phillip Phillips © George Whiddon
Features, Interviews, MusicSeptember 21, 2023<September 21, 2023

Interview with Phillip Phillips: “If you love someone, you’ve got to love them hard.”

by Brianna Corrine
Holly Humberstone © Constantine, Spence
Columns, Music, Today's SongSeptember 21, 2023<September 21, 2023

Today’s Song: Holly Humberstone’s “Into Your Room” and the Beautiful Brutality of Love

by Mitch Mosk
Me Nd Adam © Rob Loud
Interviews, MusicSeptember 21, 2023<September 21, 2023

Interview: Me Nd Adam Discuss Their Insightful New Album ‘American Drip, Pt. II’

by Chloe Robinson
Out of Sorts - Atta Boy
Columns, Music, Nostalgia TracksSeptember 21, 2023<September 21, 2023

Atta Boy’s “Walden Pond” Reminds Us of What We’ve Lost & Tells Us How to Get It Back

by Audrey Connelly
Maiah Wynne's "Drive Me Mad" music video still
Music, PremieresSeptember 21, 2023<September 21, 2023

Premiere: Maiah Wynne’s Smile-Inducing “Drive Me Mad” Is a Ray of Folk-Pop Sunshine

by Mitch Mosk
Didirri is 'Caught in the Act' © Ian Laidlaw
Debut, Features, Interviews, MusicSeptember 20, 2023<March 2, 2025

Interview: Didirri’s ‘Caught in the Act’ Is a Debut Full of Feeling, Healing, Intimacy & Intent

by Mitch Mosk
Brett Newski in Hamburg © Sebastian Madej
Columns, Music, Today's SongSeptember 20, 2023<September 20, 2023

Today’s Song: NEWSKI’s Slacker Anthem “This Love Is a Fluke” Is a Wayward Ode to Self-Loathing & Loitering

by Mitch Mosk
Natalie Wilson © 2023
Debut, Features, Interviews, MusicSeptember 20, 2023<September 20, 2023

Interview: Natalie Wilson Searches for Meaning in Early Adulthood With Debut EP ‘Track Season’

by Miles Campbell
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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