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The Beaches © Becca Hamel
Features, Interviews, Music, Track-by-TrackSeptember 15, 2023<September 19, 2023

“Sad Girly Triumph”: The Beaches Go Track-By-Track Through ‘Blame My Ex,’ Their Anthemic & Aching Sophomore LP

by Mitch Mosk
Sofía Valdés © Olivia Parker and Parker Hao
Features, Interviews, Music, Track-by-TrackSeptember 14, 2023<September 14, 2023

Feature: Sofía Valdés Dives into ‘Silvia,’ Her Intimate, Vulnerable, & Soul-Stirring Seduction

by Mitch Mosk
K.Flay © Danielle Ernst
Features, Interviews, MusicSeptember 14, 2023<September 14, 2023

Interview: K.Flay Reflects on Her Triumphant New Album, ‘MONO’

by Michael Greco
Ava Della Pietra © 2023
Music, Music Videos, PremieresSeptember 14, 2023<September 14, 2023

Premiere: NYC’s Ava Della Pietra Steps into a Bold New Era with “ego,” an Unapologetic Anthem of Empowerment

by Mitch Mosk
Sydney Sprague © Ellie Carty 2023
Columns, Music, Today's SongSeptember 14, 2023<September 14, 2023

Sydney Sprague’s “Smiley Face” and a Sprightly Stroll Through the Meadows of Feigned Emotions

by Guest Writer
Winten © Matthew Shaw
Debut, Features, Interviews, Music, Track-by-TrackSeptember 13, 2023<September 13, 2023

“A Love Letter to Myself”: Melbourne’s Winten Dives into Her Breathtaking Debut Album ‘Waving to My Girl’

by Mitch Mosk
Scotch Mist © Carina Allen
Features, Interviews, Music, Track-by-TrackSeptember 13, 2023<September 13, 2023

Feature: Scotch Mist’s ‘Cabo Blanco’ Is a Sweaty & Seductive Fever Dream of 21st Century Funk

by Mitch Mosk
Buxton © Karolina Cantu
Music, PremieresSeptember 13, 2023<September 13, 2023

Premiere: Buxton’s “Mane of Gold” Shines With the Weight, Warmth, & Western Wonder of ‘A Family Light’

by Mitch Mosk
Ben Howard © Toby Coulson
Features, Interviews, MusicSeptember 13, 2023<March 29, 2024

Interview: Ben Howard Talks New Record ‘Is It?,’ Mini-Strokes, & Italian Novelists

by Sam Franzini
Cry Baby © Gabe Ruckus
Artist to Watch, Columns, Music, Today's SongSeptember 13, 2023<September 13, 2023

Artist to Watch: Cry Baby Usher in a New Era on “Pretend,” a Soul-Stirring Eruption of Noughties Nostalgia & Modern Charm

by Mitch Mosk
Far Caspian self-portrait © Joel Johnston
Features, Interviews, MusicSeptember 12, 2023<October 26, 2023

Gibberish, Vulnerability, & Evolving Past People Pleasing: A Conversation with Far Caspian

by Kate Millar
Ethansroom © Noah Tidmore
Music, PremieresSeptember 12, 2023<September 12, 2023

Premiere: ethansroom Learns to Let Go in “Laughing Out Loud,” a Dusty & Cinematic Indie Rock Reverie

by Mitch Mosk
Wilderado © Laura Webster
Columns, Music, Today's SongSeptember 12, 2023<September 12, 2023

Today’s Song: Wilderado Paint a Warm Western Landscape Somewhere “In Between” Right Here and Now

by Mitch Mosk
Looms © 2023
Music, PremieresSeptember 11, 2023<September 11, 2023

Premiere: Looms’ New Single “The Water” Depicts the Heavy Weight of a Sinking Friendship

by Mitch Mosk
Bruce Springsteen: Between What’s Flesh and What’s Fantasy © Aidan Moyer
Concerts, Music, ReviewsSeptember 11, 2023<January 6, 2024

Between What’s Flesh & What’s Fantasy: Bruce Springsteen and His Hometown at MetLife Stadium, NJ

by Aidan Moyer
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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