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SHADOWKASTERS - The Rocket Summer
Features, Interviews, Music, Track-by-TrackAugust 3, 2023<August 3, 2023

“Coexistence of Dark and Bright”: The Rocket Summer Dives into ‘SHADOWKASTERS,’ His Fiery & Free-Spirited 8th LP

by Mitch Mosk
Saturn 17 © 2023
Columns, Music, Today's SongAugust 3, 2023<August 3, 2023

Today’s Song: Getting Drawn into the Orbit of saturn 17 with “magazine”

by Marissa DeLeon
Mouraine © Mat Dunlap
Debut, Features, Interviews, Music, Track-by-TrackAugust 3, 2023<August 3, 2023

In Search of Gold: Mouraine Shines With Passion & Purpose on Radiant Debut Album

by Mitch Mosk
By Now - Jessica Woodlee
Columns, Music, Today's SongAugust 2, 2023<August 2, 2023

Today’s Song: Jessica Woodlee Explores How to React When Things Don’t Go As Planned on “By Now”

by Josh Weiner
Blondes © Charlie Harris
Features, Interviews, Music, Track-by-TrackAugust 2, 2023<August 2, 2023

Track-by-Track: Blondes’ ‘In Separation’ EP Is an Oasis of Raw Emotion & Radiant Energy

by Mitch Mosk
There are certain chord preferences that sound the “best.”
Essays, MusicAugust 2, 2023<August 2, 2023

The Prevalence (or Disappearance) of Four-Chord Songs

by Julia Dzurillay
The Bright Light Social Hour © Jaycee Grover
Music, PremieresAugust 2, 2023<August 2, 2023

Premiere: The Bright Light Social Hour Deliver Smoldering Psychedelia on “Lifers Only” Off 5th Album, ‘Emergency Leisure’

by Mitch Mosk
KARD © Freya Rinaldi
Features, Interviews, MusicAugust 2, 2023<August 2, 2023

Interview: Co-ed K-Pop Group KARD Speaks on Challenging the Norm & Taking Risks at the Dallas Stop of Their World Tour

by Freya Rinaldi
Little Fuss © Caleb Whelan
Features, Music, Premieres, Track-by-TrackAugust 2, 2023<August 2, 2023

EP Premiere: Boston’s Little Fuss Sizzle & Soar on the Irresistible ‘Lovely Distraction’

by Mitch Mosk
Sofia Machray © Olivia Melhop
Features, Interviews, Music, Track-by-TrackAugust 1, 2023<August 4, 2023

“Letters to my future self”: Sofia Machray Speaks the ‘Language of Flowers’ on Her Delicate & Dynamic Debut EP

by Mitch Mosk
Misterwives 'Nosebleeds' © Matty Vogel
Features, Interviews, MusicAugust 1, 2023<August 1, 2023

Reclaiming Our Feelings: MisterWives Discuss Their 4th Studio Album, ‘Nosebleeds’

by Kelly McCafferty Dorogy
Tunes & Tumblers x Barbenheimer July 2023
Music, Podcast, Tunes & TumblersAugust 1, 2023<August 1, 2023

Podcast: Tunes & Tumblers’ Oops! All Barbenheimer!

by Atwood Magazine Staff
Curling © 2023
Columns, Music, Today's SongAugust 1, 2023<August 1, 2023

“Don’t be defined by these chains”: Curling’s Heated, Anthemic Alt-Rock Surrender, “Patience”

by Mitch Mosk
BAYEM © Owen Thomas
Features, Interviews, Music, Track-by-TrackJuly 31, 2023<July 31, 2023

Track-by-Track: BAYEM Embraces Life’s In-Betweens on Vaporwave-Inspired ‘OASIS’ EP

by Mitch Mosk
Nina de Vitry © Joseph Ross Photography
Music, PremieresJuly 31, 2023<July 31, 2023

Premiere: It’s the Right Time for Nina de Vitry’s Seductive & Liberating “Wrong Thing”

by Mitch Mosk
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Brand New

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning

:: discover something new ::

Recent Posts

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
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