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Fell Off - Albert Newton © Ella Hermë
Music, Music Videos, PremieresSeptember 20, 2023<September 21, 2023

Premiere: Albert Newton’s Cinematic & Dreamy “Fell Off” Is a Radiant Reckoning with Change Off Debut Album

by Mitch Mosk
Movements © Anthony Purcella
Features, Interviews, MusicSeptember 20, 2023<September 20, 2023

“It’s noisy, it’s loud, it’s in your face”: How Movements’ Patrick Miranda Tackled Mental Illness, Stayed True to Himself, & Learned to Embrace the ‘RUCKUS!’

by Isabella Le
Tunes & Tumblers x Magnolia Park 2023
Music, Podcast, Tunes & TumblersSeptember 20, 2023<September 20, 2023

Podcast: Tunes & Tumblers Features Magnolia Park and a Passion Eater (ft. Tristan Torres)

by Atwood Magazine Staff
VARLEY © Paul Hepper
Artist to Watch, Columns, Music, Today's SongSeptember 19, 2023<September 19, 2023

Artist to Watch: VARLEY Spiral Out in “Hate Myself (So Much Sometimes),” a Seductive Anthem of Inner Reckoning

by Mitch Mosk
The Brook & The Bluff © Noah Tidmore
Features, Interviews, MusicSeptember 19, 2023<September 30, 2023

Interview: The Brook & The Bluff Chase Melancholic Joy on ‘Bluebeard,’ a Soulful, Swashbuckling Triumph

by Mitch Mosk
Telescreens © Matt Weinberger
Concerts, Essays, MusicSeptember 19, 2023<February 10, 2025

“Rock n’ Roll Lives in New York City”

by Noah Berghammer
somebody in hell loves you - Sydney Sprague
Music, ReviewsSeptember 19, 2023<September 19, 2023

Sydney Sprague Navigates Interpersonal Connections & the Anxieties of the Human Condition on ‘somebody in hell loves you’

by Kevin Krein
Phosphene © Jeffrey Placencia
Features, Interviews, Music, Track-by-TrackSeptember 18, 2023<September 19, 2023

“A technicolor hug”: Phosphene ‘Transmute’ Pain into Human Connection on Kaleidoscopic Third LP

by Mitch Mosk
Problématique - Kim Petras 6
Music, Our Take, ReviewsSeptember 18, 2023<September 20, 2023

Our Take: Kim Petras’ ‘Problématique’ Is a Self-Aware Fan Favorite Finally Released

by Julia Dzurillay
Frankie Bird © 2023
Music, PremieresSeptember 18, 2023<March 2, 2025

“Now I know to just go with the flow”: Frankie Bird Finds Herself Anew in “Float,” a Song of Renewal, Surrender, & Self-Love

by Mitch Mosk
Mitski © Ebru Yildiz
Columns, Music, Today's SongSeptember 18, 2023<September 18, 2023

Today’s Song: Mitski’s “Star b/w Heaven” Is a Symphonic Double Feature

by Sofia Sar
King Princess © Collier Schorr
Columns, Music, Today's SongSeptember 16, 2023<September 20, 2023

Today’s Song: King Princess’ “Let Us Die” Is a Love Song About Letting Go

by Eric Schuster
Atwood Magazine's Weekly Roundup | September 15, 2023
Columns, Features, Music, Weekly RoundupSeptember 15, 2023<September 16, 2023

Atwood Magazine’s Weekly Roundup: September 15, 2023

by Atwood Magazine Staff
Briscoe © Philip Lupton
Features, Interviews, Music, Track-by-TrackSeptember 15, 2023<September 15, 2023

Track-by-Track: Austin’s Briscoe Debut ‘West of It All’ With Warm Folk Rock Wonder & Spirited Passion

by Mitch Mosk
Anabella Paige © Sophie Hur
Columns, Music, Today's SongSeptember 15, 2023<September 15, 2023

Today’s Song: Opening a Time Capsule for Love in Anabella Paige’s “This I Miss”

by Lauren Hicks
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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