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Sea Lemon © Eleanor Petry
Columns, Today's SongJuly 5, 2023<July 5, 2023

Today’s Song: Sea Lemon’s “Cellar” and the Fear of Being Human

by Dimitra Gurduiala
Tunes and Tumblers x Fourth of July Roundtable!
Music, Podcast, Tunes & TumblersJuly 4, 2023<July 12, 2023

Podcast: Tunes & Tumblers’ Fourth of July Roundtable!

by Atwood Magazine Staff
Rachel Min Leong
Columns, Meet Our WritersJuly 1, 2023<July 18, 2023

Meet Our Writers: Singapore’s Rachel Min Leong!

by Rachel Leong
Sierra Ferrell © Jay Strausser
Features, Interviews, MusicJune 30, 2023<June 16, 2023

A Star On The Rise: Sierra Ferrell, From Busking in West Virginia to the Spotlight

by Christopher Snyder
Xana © Lindsey Blane
Features, Interviews, Music, Today's SongJune 29, 2023<June 16, 2023

Interview: Xana Reflects on Fading Friendships & the Closing of Chapters in “Babyblue”

by Joe Beer
Flesh Eater © Mariana Souza
Columns, Essays, Music, Pride MonthJune 29, 2023<June 16, 2023

“In Fostering Community, We Find Our Voice”: A Pride Month Essay by Flesh Eater’s Zwil AR

by Guest Writer
Mike Maimone
Columns, Essays, Music, Pride MonthJune 28, 2023<June 16, 2023

“Pride and Privilege”: A Pride Month Essay by Mike Maimone

by Guest Writer
The Voidz © Cheryl Georgette
Columns, Music, Today's SongJune 28, 2023<June 16, 2023

Today’s Song: The Voidz Uncover the “Prophecy of the Dragon” With Galactic Groove, Grit, & Glamour

by Isabella Le
CLAY © Jamie-Lee B.
Columns, Essays, Music, Pride MonthJune 27, 2023<June 15, 2023

“All My Friends Are Queer”: A Pride Month Essay by CLAY

by Guest Writer
AlienBlaze © 2023
Columns, Music, Today's SongJune 27, 2023<June 15, 2023

Today’s Song: AlienBlaze Creates a Fusion of Rock, Rap, & Raw Emotions in “Lovesick”

by Joe Beer
Movements © Anthony Purcella
Columns, Music, Today's SongJune 26, 2023<June 16, 2023

Today’s Song: Movements Dissolve the Line Between Nightmare & Reality on Fierce, Fiery “Fail You”

by Isabella Le
Mike Taylor © Catie Laffoon
Columns, Essays, Music, Pride MonthJune 26, 2023<June 15, 2023

“Pride Unconfined – Navigating Identity, Representation, and Liberation as a Queer Artist of Color”: A Essay by Mike Taylor

by Guest Writer
Kevin Krein
Columns, Meet Our WritersJune 24, 2023<June 15, 2023

Meet Our Writers: Minnesota’s Kevin Krein!

by Kevin Krein
RAEGAN © Louis Browne
Columns, Essays, Music, Pride MonthJune 23, 2023<July 3, 2023

“The Artistic Mirror – How Music Reflects My Identity”: A Pride Month Essay by RAEGAN

by Guest Writer
Dizzy's Katie Munshaw © Boy Wonder
Columns, Music, Today's SongJune 23, 2023<June 13, 2023

Today’s Song: Dizzy Yearn to Keep Their Loved Ones “Close”

by Brendan Le
Posts pagination
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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