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You Only Get A Few - Upstate
Features, Interviews, Music, Track-by-TrackApril 19, 2023<April 30, 2023

‘You Only Get a Few’: The Raw Humanity of Upstate’s Beautiful Third Album

by Mitch Mosk
Bekah Bossard © Sequoia Ziff
Artist to Watch, Columns, Debut, Music, Today's SongApril 19, 2023<October 20, 2023

Artist to Watch: “Four Walls” Is Bekah Bossard’s Intimate & Achingly Raw Ode to Their Own Anxiety & Depression

by Mitch Mosk
joan © Jacob Ruth
Debut, Music, ReviewsApril 19, 2023<April 30, 2023

Pop/Rock Duo joan Repair Shattered Emotions with Debut Album ‘superglue’

by Julius Robinson
PJ Frantz © Samuel Fisher
Artist to Watch, Features, Interviews, MusicApril 19, 2023<April 30, 2023

Interview: Artist-to-Watch PJ Frantz Brings Comfort & Candor to a Generation of Kids Trying to Find Happiness

by Nick Polak
Bad Bunny at Coachella 2023 © Courtesy of Coachella
Concerts, Music, ReviewsApril 19, 2023<April 30, 2023

Bad Bunny Returns to His Gulf Gas Station Roots at Coachella ’23

by Julia Dzurillay
NEWSKI © Kelly Bolter
Features, Interviews, Music, Track-by-TrackApril 18, 2023<April 30, 2023

Fun Times with Friends: NEWSKI’s Spirited ‘Friend Rock’ Embraces Music’s Human Element

by Mitch Mosk
Chappaqua Wrestling © Henry Dean
Debut, Features, Interviews, MusicApril 18, 2023<April 30, 2023

“We love ‘90s dreamy rock”: Chappaqua Wrestling Talk Through the Release of Their Debut Album ‘Plus Ultra’

by Guest Writer
BAYEM © Anna Powell Denton
Columns, Music, Today's SongApril 18, 2023<April 30, 2023

Today’s Song: Basking in BAYEM’s Upbeat and Enamored “Starstruck”

by Mitch Mosk
Brian Dunne © Alana Urcia
Features, Interviews, MusicApril 18, 2023<May 17, 2023

“A Celebration of Failure”: Brian Dunne Shines on New Album ‘Loser on the Ropes’

by Mitch Mosk
MUNA "One That Got Away" © Sam Muller
Columns, Music, This Just In, Today's SongApril 17, 2023<April 30, 2023

Today’s Song: MUNA Return with a Vengeance in Irresistible Single “One That Got Away”

by Freya Rinaldi
Abraham Alexander © Molly Dickson
Features, Interviews, MusicApril 17, 2023<April 30, 2023

“It’s more important to be open than it is to be ready”: Abraham Alexander on His Reflective & Powerful Debut Album ‘SEA/SONS’

by Rachel Leong
Atwood Magazine's Weekly Roundup | April 14, 2023
Columns, Features, Music, Weekly RoundupApril 14, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: April 14, 2023

by Atwood Magazine Staff
Bodywash © Kristina Pedersen
Features, Interviews, Music, Track-by-TrackApril 14, 2023<April 30, 2023

Decay, Renewal, & Release: Inside Bodywash’s Dark, Cathartic Fever Dream ‘I Held the Shape While I Could’

by Mitch Mosk
Fruit Bats © Chantal Anderson
Features, Interviews, MusicApril 14, 2023<April 30, 2023

Fruit Bats’ ‘A River Running to Your Heart’: A Journey of Geographical Emotion

by Miles Campbell
Eloise © Charlotte Patmore
Features, Interviews, MusicApril 14, 2023<April 30, 2023

“I feel bang on path”: Eloise Beams at the Heights She’s Reached on Debut Album, ‘Drunk on a Flight’

by Brianna Corrine
Posts pagination
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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