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Rachel Croft © Andy Little
Music, PremieresMay 17, 2023<May 17, 2023

Premiere: Rachel Croft’s Smoldering “I Won’t Turn You Away” Is a Cinematic Reckoning with Grief & Loss

by Mitch Mosk
Delfest 2023
Festival, Music, PreviewsMay 17, 2023<May 17, 2023

Preview: DelFest 2023 Features Some of the Brightest Stars in Bluegrass Today

by Christopher Snyder
Olivia Jean © Erica Salazar
Concerts, Music, ReviewsMay 17, 2023<May 17, 2023

Live Review: Olivia Jean’s ‘Raving Ghost’ Comes to NYC in a Heavy & Sophisticated Performance

by Jamie Kahn
Ithys © Francesca Sostar
Features, Interviews, MusicMay 17, 2023<May 17, 2023

Interview: Korean Rapper Ithys’ Artistic Identity Journey

by Lilly Eason
Moment - Gal Musette © Alex Justice
Columns, Music, Today's SongMay 16, 2023<May 16, 2023

Today’s Song: Processing Grief in the “Moment” with Gal Musette’s Achingly Beautiful Fever Dream

by Mitch Mosk
Auld © 2023
Music, PremieresMay 16, 2023<May 16, 2023

“This guilt-free fun don’t come around often”: Auld Premieres “I’m Exercising,” a Free-Spirited Song of Reverie & Reckoning

by Mitch Mosk
Pictoria Vark © Evan Parness
Features, Interviews, MusicMay 16, 2023<May 16, 2023

Interview: Making Peace with the Past & Looking to the Future with Pictoria Vark

by Sophie Severs
Housefires © 2023
Asian American and Pacific Islander Heritage Month, Columns, Essays, MusicMay 16, 2023<May 22, 2023

Essay: Housefires’ Ryan Ellis on What AAPI Heritage Month Means to Him

by Guest Writer
Chris Lanzon © 2023
Features, Interviews, MusicMay 15, 2023<May 16, 2023

The Creator and the Self: How Chris Lanzon’s ‘Dark Side’ Portrays the Duality of Human Nature and Artistry

by Lauren Hicks
Dark Corners and Alchemy - mehro
Debut, Features, Interviews, Music, Track-by-TrackMay 15, 2023<May 15, 2023

Feature: mehro Shines a Light on the Shadows in ‘Dark Corners and Alchemy,’ His Breathtaking Debut Album

by Mitch Mosk
coslee © Mariza Kapsambeli
Columns, Music, Today's SongMay 15, 2023<May 15, 2023

Today’s Song: Greece’s coslee & papatanice Get Freaky in Funk-Fueled Fever Dream “do_Fr3ak.wav”

by Mitch Mosk
Metallica © Tim Saccenti 8.5
Music, Our Take, ReviewsMay 15, 2023<May 15, 2023

Our Take: Metallica Return From Hiatus in Dark & Energetic Fashion on ’72 Seasons’

by Josh Weiner
Atwood Magazine's Editor's Picks 99
Columns, Editor's Picks, Features, MusicMay 12, 2023<May 16, 2023

Editor’s Picks 99: Jo Hill, BETWEEN FRIENDS, The Satellite Station, Harrison Storm, Chenayder, & Matilda Mann!

by Mitch Mosk
Matt Maltese © Reed Schick
Features, Interviews, MusicMay 12, 2023<May 12, 2023

“Just love alone isn’t enough”: Matt Maltese Talks Existence, Joy, and Emotional Authenticity on ‘Driving Just To Drive’

by Isabella Le
Lizzy McAlpine live in Philadelphia © 2023
Concerts, Music, ReviewsMay 12, 2023<May 12, 2023

Concert Review: Lizzy McAlpine Is Effortlessly Unbelievable

by Kelly McCafferty Dorogy
Posts pagination
1 … 190 191 192 193 194 … 727

Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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