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Atwood Magazine's Weekly Roundup | April 28, 2023
Columns, Features, Music, Weekly RoundupApril 28, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: April 28, 2023

by Atwood Magazine Staff
Atwood Magazine's Editor's Picks 97
Columns, Editor's Picks, Features, MusicApril 28, 2023<May 4, 2023

Editor’s Picks 97: Scott Orr, deem spencer, Cosial, Lizzie Esau, The Maddocks, & Alma Mater!

by Mitch Mosk
The Japanese House © Jay Seba
Columns, Music, Today's SongApril 28, 2023<April 30, 2023

Today’s Song: The Japanese House Returns With Her Wistful Single “Sad to Breathe”

by Julia Dzurillay
Bec Stevens © Ian Laidlaw
Debut, Features, Interviews, Music, Track-by-TrackApril 27, 2023<April 30, 2023

Basking in ‘BIG WORRY’: Bec Stevens Opens Up About Her Emotionally Charged Debut Album

by Mitch Mosk
Kindelan © Mon Levčenkovaitė
Columns, Music, Today's SongApril 27, 2023<April 30, 2023

Today’s Song: “Feast” on Kindelan’s Smoldering, Spicy & Sultry Seduction

by Mitch Mosk
Ben Strawn © Willis Norman
Music, PremieresApril 27, 2023<April 30, 2023

Premiere: “Things I’ve Never Said” Is Ben Strawn’s Love-Soaked, Bittersweet Indie Folk Dream

by Mitch Mosk
Perfect Crimes - Ransom and the Subset
Interviews, MusicApril 27, 2023<April 30, 2023

Interview: Ransom and the Subset Return with ‘Perfect Crimes,’ Their Long-Overdue (But Worth the Wait) New Album

by Julius Robinson
Geographer © Brit O'Brien
Music, Music Videos, PremieresApril 27, 2023<April 30, 2023

Premiere: Geographer’s “One / Other” Is a Radiant Reckoning of Love & Power

by Mitch Mosk
Hayfitz © Sam Cope
Music, PremieresApril 27, 2023<April 30, 2023

Premiere: “Music Room” Is Hayfitz’s Achingly Intimate & Breathtakingly Beautiful Indie Folk Confessional

by Mitch Mosk
Ed Patrick © Piers McEwan
Music, PremieresApril 27, 2023<April 30, 2023

Premiere: The Tender Glow of Ed Patrick’s “Leaf,” a Sun-Kissed Whisper on the Wind

by Mitch Mosk
Moonatic © Cons Kaye
Features, Interviews, MusicApril 26, 2023<April 30, 2023

Moonatic’s ‘Music for Wandering’: A Brilliant Album That Isn’t Worried About Losing Our Attention

by Diego Morales
Noble Oak © Scott Wong
Music, PremieresApril 26, 2023<April 30, 2023

“With you by my side, I know I’ll find a way”: Noble Oak Premieres His Enchanting & Uplifting Anthem “Your Favourite Place” Off New LP, ‘When It Finds You’

by Mitch Mosk
Jimin © BIGHIT MUSIC 7.1
Music, Our Take, ReviewsApril 26, 2023<April 30, 2023

Our Take: Jimin Sheds His Skin with ‘FACE,’ His First Solo Project Outside of BTS

by Julia Dzurillay
Beale Street Music Festival Commemorative Poster © Danny Broadway
Festival, Music, PreviewsApril 26, 2023<May 1, 2023

2023 Beale Street Music Festival Preview: A Blending of Genres at Memphis’ Scenic Tom Lee Park

by Nick Polak
OTNES © Kirsten Barnett
Artist to Watch, Columns, Music, Today's SongApril 26, 2023<November 9, 2023

“LIGHT AS A FEATHER” Is OTNES’ Beautifully Cathartic Song of Loss, Grief, & Healing

by Mitch Mosk
Posts pagination
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Brand New

  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’

:: discover something new ::

Recent Posts

  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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