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Lauren Turner
Columns, Meet Our WritersJune 10, 2023<June 10, 2023

Meet Our Writers: Los Angeles’ Lauren Turner!

by Lauren Turner
BTS © BIGHIT MUSIC
Music, ReviewsJune 10, 2023<June 13, 2023

Forever 7: BTS Release Single “Take Two” As a Full Group for Their 10-Year Anniversary

by Freya Rinaldi
Joshua Idehen 'Learn To Swim' © Agatha Powa
Debut, Features, Interviews, Music, Track-by-TrackJune 9, 2023<July 21, 2023

“The ways and hows of healing”: Inside Joshua Idehen’s Spoken Word Dance Album, ‘Learn To Swim, A Mixtape’

by Mitch Mosk
Joya © Stephanie Teng
Columns, Music, Today's SongJune 9, 2023<June 9, 2023

Today’s Song: Joya’s “If Ever She Goes” Aches with the Heartrending Beauty & Power of Love

by Mitch Mosk
DOV © Oscar Ouk
Columns, Essays, Music, Pride MonthJune 9, 2023<June 9, 2023

“Toxic Masculinity in the Queer Community, Our Own Worst Enemies”: A Pride Month Essay by DOV

by Guest Writer
Sarah Kinsley © Julia Khoroshilov
Features, Interviews, MusicJune 9, 2023<June 9, 2023

Interview: Sarah Kinsley Tackles Spirituality, Personified Objects, & Late ’70s Rock with ‘Ascension’ EP

by Julia Dzurillay
Atwood Magazine's Weekly Roundup | June 9, 2023
Columns, Features, Music, Weekly RoundupJune 9, 2023<June 10, 2023

Atwood Magazine’s Weekly Roundup: June 9, 2023

by Atwood Magazine Staff
Bob Moses © Zackery Michael
Features, Interviews, MusicJune 9, 2023<June 9, 2023

Feature: Bob Moses on the Ambient Psychic Unrest of ‘The Silence in Between’

by Anthony Kozlowski
Atwood Magazine's Editor's Picks 101!
Columns, Editor's Picks, Features, MusicJune 8, 2023<June 14, 2023

Editor’s Picks 101: Sydney Sprague, The Aces, Bear’s Den, Bleach Lab, Pacifica, & Eyedress!

by Mitch Mosk
Bishop Briggs © Ashley Osborn
Columns, Music, Today's SongJune 8, 2023<June 8, 2023

Today’s Song: Bishop Briggs Owns Her Mess in “Baggage,” an Impassioned Anthem of Empowerment & Acceptance

by Mitch Mosk
Governors Ball Music Festival
Festival, Music, Preview, Previews, ReviewsJune 8, 2023<June 8, 2023

2023 Governors Ball Music Festival Preview: The Premier East-Coast Party Featuring Lizzo, Kendrick Lamar, & Odesza!

by Nick Polak
J Lind © Torrey Lind
Music, PremieresJune 8, 2023<June 8, 2023

Premiere: J Lind Reminds Us to Unplug & Live in the Moment on “Oxford Sweater”

by Mitch Mosk
Tunes & Tumblers x BottleRock Napa Valley 2023
Music, Podcast, Tunes & TumblersJune 7, 2023<June 7, 2023

Podcast: Tunes & Tumblers’ Great BottleRock Adventure!

by Atwood Magazine Staff
joan © Jacob Ruth
Debut, Features, Interviews, Music, Track-by-TrackJune 7, 2023<June 7, 2023

“Life, death, and everything between”: joan Go Track-by-Track Through ‘superglue,’ Their Intimately Cinematic Debut Album

by Mitch Mosk
Babe Rainbow © Maclay Heriot
Features, Interviews, MusicJune 7, 2023<June 7, 2023

Interview: Babe Rainbow’s “Super Ego” Is a Summer Psychedelic Masterpiece

by Miles Campbell
Posts pagination
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Brand New

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP

:: discover something new ::

Recent Posts

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
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