• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
DPR LIVE & DPR IAN
Concerts, Music, ReviewsMay 3, 2023<June 2, 2023

Concert Review: DPR Live & DPR Ian Reign Supreme at Their Coachella ’23 Debut

by Freya Rinaldi
Photo Ops © 2023
Features, Interviews, Music, Track-by-TrackMay 2, 2023<May 2, 2023

Feature: Photo Ops ‘Burns Bright’ on His Iridescent, Honest & Melodic Fourth Album

by Mitch Mosk
Babygirl © Becca Hamel
Features, Interviews, MusicMay 2, 2023<May 3, 2023

“Both timely and timeless”: Babygirl Bridge Humanity & Musicianship on ‘Be Still My Heart’

by Isabella Le
A member of The Old 97’s and Chris Pratt as Peter Quill/Star-Lord in Marvel Studios' The Guardians of the Galaxy Holiday Special, exclusively on Disney+. Photo by Jessica Miglio. © 2022 MARVEL
Essays, MusicMay 2, 2023<May 2, 2023

‘Guardians of the Galaxy Vol. 3’ and Marvel’s Lessons in Music Therapy

by Julia Dzurillay
Everything But The Girl © Edward Bishop, 2022
Music, ReviewsMay 2, 2023<May 2, 2023

Album Review: Everything But The Girl’s ‘Fuse’ & the Weight of the World

by David Buyze
"Learn To Swim, Pt II" music video still - Joshua Idehen
Debut, Music, Music Videos, PremieresMay 2, 2023<June 9, 2023

Video Premiere: Joshua Idehen’s Moving “Learn to Swim Pt 2” Is Food for the Soul

by Mitch Mosk
Ryan Beatty © Lucas Creighton
Columns, Music, Today's SongMay 2, 2023<May 2, 2023

Today’s Song: Ryan Beatty’s “Ribbons” Marks a Delicate, Intimate Comeback

by Brendan Le
Breaking and Mending - Lisa/Liza
Features, Interviews, Music, Track-by-TrackMay 1, 2023<May 2, 2023

Feature: Lisa/Liza’s ‘Breaking and Mending’ Is an Album About Processing Trauma & Life Itself

by Mitch Mosk
Peso Pluma © 2023
Columns, Music, Music You Should KnowMay 1, 2023<May 1, 2023

Music You Should Know: Peso Pluma Fans Enter Their Corrido Era

by Julia Dzurillay
Wine Pride © Jeremy Spencer
Debut, Music, PremieresMay 1, 2023<May 1, 2023

Premiere: Wine Pride’s Shoegaze Anthem “Lone Flyer” Is an Ode to Alone Time

by Mitch Mosk
grentperez © Theo Batterham
Columns, Music, Today's SongMay 1, 2023<May 1, 2023

“I’m coming home to you”: grentperez’s Dance-Ready “When The Day Is Done” Is a Sun-Soaked Celebration of Love

by Mitch Mosk
First Two Pages of Frankenstein - The National 9.1
Music, Our Take, ReviewsMay 1, 2023<May 1, 2023

Our Take: The National Fight Through the Darkness to Deliver Stunning ‘First Two Pages of Frankenstein’

by Beau Hayhoe
Tunes & Tumblers x LØLØ
Music, Podcast, Tunes & TumblersApril 30, 2023<April 30, 2023

Podcast: Tunes & Tumblers Features LØLØ and a Life Cycle

by Atwood Magazine Staff
Hippo Campus © Shervin Lainez
Music, ReviewsApril 29, 2023<April 30, 2023

EP Review: Indie Rock Outlaws Hippo Campus Return with ‘Wasteland’

by Nasim Elyasi
Sophie Severs
Columns, Meet Our WritersApril 29, 2023<May 6, 2023

Meet Our Writers: Boston’s Sophie Severs!

by Sophie Severs
Posts pagination
1 … 193 194 195 196 197 … 727

Brand New

  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’

:: discover something new ::

Recent Posts

  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services