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Pride Month 2023 | Atwood Magazine
Features, Music, Pride MonthJune 15, 2023<June 16, 2023

Atwood Magazine Celebrates Pride Month 2023!

by Atwood Magazine Staff
Riverbend Festival 2023 crowd © Zoe Elizabeth Media
Festival, Music, ReviewsJune 15, 2023<June 15, 2023

Fans of Oldies & Indie, This One’s for You: A Review of Riverbend Festival 2023!

by Nick Polak
Atwood Magazine's Editor's Picks 102
Columns, Editor's Picks, Features, MusicJune 14, 2023<June 15, 2023

Editor’s Picks 102: Birthh, The Mysterines, Angie McMahon, Katelyn Tarver, Katherine Li, & The Japanese House!

by Mitch Mosk
Tunes and Tumblers x Ryan Ritual
Music, Podcast, Tunes & TumblersJune 14, 2023<July 14, 2023

Podcast: Tunes & Tumblers Features Ryan Ritual and a Love Lost

by Atwood Magazine Staff
BJ the Chicago Kid © Micaiah Carter
Features, Interviews, MusicJune 14, 2023<June 14, 2023

“A healed person will make better music”: BJ the Chicago Kid Leads With Self-Care

by Ankita Bhanot
Savannah Conley © Sophia Matinazad
Debut, Features, Interviews, MusicJune 13, 2023<June 14, 2023

“I’m a Romantic Nihilist”: Savannah Conley Discusses Songwriting, Mental Health, & Her Breathtakingly Vulnerable Debut Album

by Mitch Mosk
BTS © BIGHIT MUSIC
Features, MusicJune 13, 2023<June 13, 2023

Despite All Odds: BTS, the Underdogs Turned Biggest Boy Band in the World, Celebrate Their 10-Year Anniversary

by Freya Rinaldi
Mermaid Blues V1 - LAPêCHE
Columns, Music, Today's SongJune 13, 2023<June 13, 2023

Today’s Song: The Raw Verve & Vulnerability of LAPêCHE’s Seasonally-Charged “Mermaid Blues (V1)”

by Mitch Mosk
Christine and the Queens © Jasa Muller 8
Music, Our Take, ReviewsJune 13, 2023<June 13, 2023

Our Take: Christine and the Queens’ ‘ PARANOÏA, ANGELS, TRUE LOVE’ Tackles Self-Discovery, Love, & ‘Angels in America’

by Julia Dzurillay
Small Shake © Brady Harvey
Debut, Music, PremieresJune 13, 2023<June 13, 2023

Premiere: Seattle’s Small Shake Debuts with “Imposter,” a Grunge-Pop Anthem for the Uncool

by Mitch Mosk
Almost Sex © 2023
Features, Interviews, Music, Premieres, Track-by-TrackJune 12, 2023<June 12, 2023

EP Premiere: ‘Ever Better’ Is a Cathartic Indie Folk Triumph for Brooklyn’s almost sex

by Mitch Mosk
Dance Lessons © Craig Benson
Columns, Music, Today's SongJune 12, 2023<June 12, 2023

Today’s Song: London Trio Dance Lessons Seduce the Senses on Soul-Stirring “Good Enough”

by Mitch Mosk
Mainland Break © 2023
Music, PremieresJune 12, 2023<June 12, 2023

Premiere: Denver’s Mainland Break Deliver a Jangle-Pop Anthem of Star-Crossed Summer Love in “Calling After”

by Mitch Mosk
Rina Sawayama © Paigge Warton
Concerts, Music, ReviewsJune 12, 2023<June 12, 2023

Review: Rina Sawayama Moseys “Hold the Girl: Reloaded” Tour to New York City’s Governors Ball Music Festival

by Julia Dzurillay
Michael Greco
Columns, Meet Our WritersJune 11, 2023<June 11, 2023

Meet Our Writers: Philadelphia’s Michael Greco!

by Michael Greco
Posts pagination
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Brand New

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP

:: discover something new ::

Recent Posts

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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