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Mya Byrne © Lauren Tabak
Columns, Essays, Music, Pride MonthJune 22, 2023<June 15, 2023

“Our Promised Land”: A Pride Month Essay by Mya Byrne

by Guest Writer
Miss Machina © 2023
Columns, Music, Today's SongJune 21, 2023<June 13, 2023

Today’s Song: Miss Machina’s “Like That” Has All the Shiny, Seductive Thrills We Crave

by Chloe Robinson
Tei Shi © Leeay
Features, Interviews, MusicJune 21, 2023<July 9, 2023

Interview: Tei Shi’s ‘BAD PREMONITION’ Sets Her Free

by Alex Killian
Donna Missal © Jasmine Rutledge
Columns, Essays, Music, Pride MonthJune 21, 2023<June 15, 2023

“What Queerness Means to Me”: A Pride Month Essay by Donna Missal

by Guest Writer
Jessye DeSilva © Emma Delevante
Columns, Essays, Music, Pride MonthJune 20, 2023<June 15, 2023

“I Am No Shrinking Violet”: A Pride Month Essay by Jessye DeSilva

by Guest Writer
The Backseat Lovers' Joshua Harmon at Hangout Music Fest 2023 © Alive Coverage
Features, Interviews, MusicJune 20, 2023<June 21, 2023

Finding Inspiration While Starstruck: A Conversation With The Backseat Lovers

by Nick Polak
Tomorrow Never Comes - Rancid
Music, ReviewsJune 20, 2023<June 16, 2023

Review: Rancid’s ‘Tomorrow’ Is Here, But Yesterday Sounded Better

by Kevin Krein
Richy Mitch & The Coal Miners
Columns, Music, Today's SongJune 20, 2023<June 16, 2023

“An Honest, Raw, Beautiful Folk Tune”: Mt. Joy Join Richy Mitch & The Coal Miners for “Lake Missoula”

by Miles Campbell
Julia Dzurillay
Columns, Meet Our WritersJune 17, 2023<July 18, 2023

Meet Our Writers: New Jersey’s Julia Dzurillay!

by Julia Dzurillay
Jo Hill © Charlotte Alex
Features, Interviews, Music, Track-by-TrackJune 16, 2023<June 16, 2023

Feature: Jo Hill Is Ready to Soundtrack the Summer With ‘Cinematic Baby’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | June 16, 2023
Columns, Features, Music, Weekly RoundupJune 16, 2023<June 16, 2023

Atwood Magazine’s Weekly Roundup: June 16, 2023

by Atwood Magazine Staff
Peach Music Festival 2023
Festival, Music, PreviewsJune 16, 2023<June 16, 2023

Preview: The 2023 Peach Music Festival Brings Music on the Mountain

by Christopher Snyder
Bonnaroo Music and Arts Festival 2022 © Taylor Regulski
Festival, Music, PreviewJune 16, 2023<July 10, 2023

2023 Bonnaroo Music & Arts Festival Preview: The Ultimate Camping Music Festival Featuring Odesza, Kendrick Lamar, Foo Fighters, & More!

by Nick Polak
Breakaway Kansas City stage view © Danilo Lewis, Kursza
Festival, Music, PreviewsJune 16, 2023<June 16, 2023

The Biggest Small EDM Festival in the World: A Preview of Breakaway Kansas City 2023!

by Nick Polak
Samantha Bowers © Mia Isabella Aguirre
Columns, Essays, Music, Pride MonthJune 16, 2023<June 15, 2023

“Permission to Be Exactly Who You Are”: A Pride Month Essay by Samantha Bowers of Sammy Rae & The Friends

by Guest Writer
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Brand New

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP

:: discover something new ::

Recent Posts

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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