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Atwood Magazine's Weekly Roundup | April 14, 2023
Columns, Features, Music, Weekly RoundupApril 14, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: April 14, 2023

by Atwood Magazine Staff
Bodywash © Kristina Pedersen
Features, Interviews, Music, Track-by-TrackApril 14, 2023<April 30, 2023

Decay, Renewal, & Release: Inside Bodywash’s Dark, Cathartic Fever Dream ‘I Held the Shape While I Could’

by Mitch Mosk
Fruit Bats © Chantal Anderson
Features, Interviews, MusicApril 14, 2023<April 30, 2023

Fruit Bats’ ‘A River Running to Your Heart’: A Journey of Geographical Emotion

by Miles Campbell
Eloise © Charlotte Patmore
Features, Interviews, MusicApril 14, 2023<April 30, 2023

“I feel bang on path”: Eloise Beams at the Heights She’s Reached on Debut Album, ‘Drunk on a Flight’

by Brianna Corrine
High & Low - Caitlyn Smith
Music, ReviewsApril 14, 2023<April 30, 2023

‘High & Low’ and Everything In-Between: Caitlyn Smith Journeys Through Darkness & Light on Self-Produced Third Album

by Emily Frances Algar
Atwood Magazine's Editor's Picks 95
Columns, Editor's Picks, Features, MusicApril 13, 2023<April 13, 2023

Editor’s Picks 95: boygenius, BAILEN, The Beths, spill tab, Nuovo Testamento, & Chessa Rich!

by Mitch Mosk
Andrew McMahon in the Wilderness © Lindsey Byrnes
Features, Interviews, MusicApril 13, 2023<April 30, 2023

Interview: Andrew McMahon Sets the Bar for Musical Storytelling with ‘Tilt At The Wind No More’

by Michael Greco
Alexz Johnson 'Seasons' © Jen Squires
Features, Interviews, MusicApril 13, 2023<April 30, 2023

Interview: Alexz Johnson Embraces the ‘Seasons’ of Life on Her Hopeful & Healing 5th Album

by Mitch Mosk
Bobby Bazini © Alexandre Couture
Music, Music Videos, PremieresApril 13, 2023<April 30, 2023

Premiere: The Intoxicating Flow & Smoldering Seduction of Bobby Bazini’s “Waterfallin’”

by Mitch Mosk
Self Esteem © Olivia Richardson
Features, Interviews, MusicApril 12, 2023<April 30, 2023

Interview: After Years of Uplifting Others, Feel-Good Superstar Self Esteem Knows She’s Gonna Be Okay Herself

by Sam Franzini
Truth Decay - You Me At Six
Features, Interviews, Music, Track-by-TrackApril 12, 2023<April 30, 2023

“Heartache in the making”: You Me At Six’s Feverish ‘Truth Decay’ Is a Pop-Punk Love Letter to the Lost

by Mitch Mosk
Michigander © Hannah Hall
Features, Interviews, Music, Track-by-TrackApril 12, 2023<April 30, 2023

“I am calm, I am the storm”: Michigander Soars & Stirs on Spirited EP, ‘It Will Never Be the Same’

by Mitch Mosk
Ayleen Valentine © Caity Krone
Columns, Interviews, Music, Today's SongApril 12, 2023<April 30, 2023

Ayleen Valentine Scores a Double Victory with “epitaph” & “i can’t stop dreaming of you”

by Josh Weiner
King Ivy 'Brown EP' © Darryl dela Cruz
Debut, Features, Interviews, Music, Track-by-TrackApril 11, 2023<April 30, 2023

Love, Hate, & Confusion: Brisbane’s King Ivy Stuns, Stirs, and Soars on Soulful Debut EP ‘Brown’

by Mitch Mosk
Did you know that there’s a tunnel under Ocean Blvd - Lana Del Rey
Features, Music, Reviews, RoundtableApril 11, 2023<June 29, 2024

Roundtable Discussion: A Review of Lana Del Rey’s ‘Did you know that there’s a tunnel under Ocean Blvd’

by Atwood Magazine Staff
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Brand New

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning

:: discover something new ::

Recent Posts

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
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© Atwood Magazine 2024 For the Love of Music
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