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The Hackles © Justin Ringle
Features, Interviews, Music, Track-by-TrackApril 11, 2023<April 30, 2023

‘What a beautiful thing I have made’: The Hackles Lay Fresh Folk Roots on Their Intimate, Warm & Wondrous Third Album

by Mitch Mosk
Tunes & Tumblers x Waterparks 2023
Music, Podcast, Tunes & TumblersApril 11, 2023<April 30, 2023

Podcast: Tunes & Tumblers Features Waterparks and a Red Drink

by Atwood Magazine Staff
LØREN © 88rising and The Black Label
Columns, Music, Today's SongApril 11, 2023<April 30, 2023

Today’s Song: Korean Alt-Rock Artist LØREN Breaks the Mold with “Folks”

by Freya Rinaldi
Depeche Mode © Anton Corbijn
Music, ReviewsApril 10, 2023<April 30, 2023

Album Review: Shimmering Epiphanies in Depeche Mode’s ‘Memento Mori’

by David Buyze
Matt Corby © Billy Zammit
Features, Interviews, MusicApril 10, 2023<April 30, 2023

Matt Corby & ‘Everything’s Fine’: Growth, Introspection, and the Age of Social Media

by Rachel Leong
Lyric Christian © Joe Walker
Columns, Music, Today's SongApril 10, 2023<April 30, 2023

Today’s Song: Lyric Christian Teams Up with Robert PM for Empowering “Hands Off (My Crown)”

by Chloe Robinson
Cub Sport © Diego Campomar 2023
Features, Interviews, Music, Track-by-TrackApril 7, 2023<April 30, 2023

Track-by-Track: Cub Sport Explore Love, Life, and a New Sound In ‘Jesus At The Gay Bar’

by Lauren Turner
Billie Marten © Katie Silvester
Features, Interviews, MusicApril 7, 2023<April 30, 2023

Interview: Billie Marten Is Radically Open in Her Fourth Album ‘Drop Cherries’

by Minna Abdel-Gawad
Rebounder © 2023
Columns, Music, Today's SongApril 7, 2023<April 30, 2023

Today’s Song: NYC Tastemakers Rebounder Realize Home Is Where the Heart Is on New Single “Dreamland”

by Beau Hayhoe
Allison Ponthier © Maris Jones
Columns, Music, Today's SongApril 6, 2023<April 30, 2023

Today’s Song: Allison Ponthier’s Main Character Anthem, “Character Development”

by Kelly McCafferty Dorogy
Hayden © Christie Greyerbiehl
Music, ReviewsApril 5, 2023<April 30, 2023

Are We Good? Canadian Folk Icon Hayden Desser Asks a Difficult Question on His First LP in 8 Years

by Kevin Krein
phem © Jason Puma
Columns, Music, Today's SongApril 5, 2023<April 30, 2023

Today’s Song: phem Sheds Her Old Masks with Explosive New Single “slippery slope”

by Rachel Leong
Sami Thompson © 2023
Columns, Essays, Music, Women's History MonthApril 5, 2023<April 30, 2023

“I Don’t Hate Men”: An Essay by Sami Thompson

by Guest Writer
Royel Otis © Alex Wall
Features, Interviews, Music, Track-by-TrackApril 4, 2023<December 19, 2023

All Hail the ‘Sofa Kings’: Royel Otis’ Euphoric Third EP Is Soaked in Freedom & Trust

by Mitch Mosk
Wallice © Le3ay
Features, Interviews, MusicApril 4, 2023<April 30, 2023

Protecting Her Peace: Wallice on Coming of Age in the Music Industry and What Defines ‘Success’

by Sophie Severs
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Brand New

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning

:: discover something new ::

Recent Posts

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
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