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Social Cinema © Justin Labadie
Features, Interviews, Music, Track-by-TrackMay 24, 2023<May 24, 2023

Track-by-Track: Social Cinema’s ‘Get Along’ EP Is a Chill, Easy, & Fun Alt-Rock Reverie

by Mitch Mosk
John Roberts © 2023
Interviews, MusicMay 24, 2023<May 24, 2023

Interview: Queer Synth Meets ’80s Electropop in John Roberts’ “DANGER”

by Julius Robinson
Roskamala © 2023
Asian American and Pacific Islander Heritage Month, Columns, Essays, MusicMay 24, 2023<May 24, 2023

“Feeling Like a Global Misfit as an AAPI Artist”: An Essay by Roskamala for AAPI Heritage Month

by Guest Writer
Santa Chiara © Zoe Salvucci
Music, PremieresMay 24, 2023<May 24, 2023

Premiere: Santa Chiara’s “Peach Tree” Is a Sun-Kissed Soundtrack to Sweet Summer Nostalgia

by Mitch Mosk
Scott Tyler Schwartz © 2023
Music, ReviewsMay 23, 2023<May 23, 2023

“The heat is rising”: The Shadowboxers’ Scott Tyler Schwartz Lights a Fire on “Time & Temperature”

by Mitch Mosk
Runnner's Noah Weinman © Seannie Bryan
Debut, Features, Interviews, MusicMay 23, 2023<May 23, 2023

Connection, Communication, and the Human Condition: A Conversation with Runnner’s Noah Weinman

by Mitch Mosk
Maggie Rogers © Ankita Bhanot
Concerts, Music, ReviewsMay 23, 2023<May 23, 2023

Concert Review: Maggie Rogers Lights Up San Francisco Stage on ‘Feral Joy’ Tour

by Ankita Bhanot
Curtis Waters © Callum Walker Hutchinson
Features, Interviews, MusicMay 23, 2023<May 24, 2023

Interview: Curtis Waters, a Nepali Native Escalating the American Alternative Scene

by Josh Weiner
Sarah Kinsley © Julia Khoroshilov
Columns, Music, Today's SongMay 23, 2023<May 23, 2023

Today’s Song: “Oh No Darling!” by Sarah Kinsley Has Listeners Screaming, “Oh Yes, Sarah Kinsley!”

by Julia Dzurillay
Gregory Alan Isakov © Glen Ross
Columns, Music, Today's SongMay 22, 2023<June 10, 2023

“We all break a little when we fall”: Folk Farmer Gregory Alan Isakov Returns with “The Fall,” a Hauntingly Beautiful Song of Life’s Trapeze Act

by Mitch Mosk
Bean Tupou © Celia Sagastume
Asian American and Pacific Islander Heritage Month, Columns, Essays, MusicMay 22, 2023<May 22, 2023

Essay: Try the Pie’s Bean Tupou on What AAPI Heritage Month Means to Them

by Guest Writer
Miles Campbell
Columns, Meet Our WritersMay 20, 2023<May 20, 2023

Meet Our Writers: Washington, DC’s Miles Campbell!

by Miles Campbell
Atwood Magazine's Editor's Picks 100, featuring Noah Kahan, Joy Oladokun, OTNES, BAILEN, Alexz Johnson, Young the Giant, Brian Dunne, Charli Adams, and Overcoats!
Columns, Editor's Picks, Features, MusicMay 19, 2023<May 19, 2023

Editor’s Picks 100: Noah Kahan, Joy Oladokun, OTNES, BAILEN, Alexz Johnson, Young the Giant, Brian Dunne, Charli Adams, & Overcoats!

by Mitch Mosk
Jarrod Dickenson © Patrick Glennon
Features, Interviews, MusicMay 19, 2023<May 19, 2023

Interview: Genuine & Composed, Jarrod Dickenson Takes a Stand in Third Album, ‘BIG TALK’

by Lauren Hicks
Atwood Magazine's Weekly Roundup | May 19, 2023
Columns, Features, Music, Weekly RoundupMay 19, 2023<May 19, 2023

Atwood Magazine’s Weekly Roundup: May 19, 2023

by Atwood Magazine Staff
Posts pagination
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Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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