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Tones and I © Giulia McGauran
Columns, Music, Today's SongDecember 13, 2022<December 13, 2022

Today’s Song: Tones and I’s “Eyes Don’t Lie” Is a Powerful Ode to Moving On

by Lauren Turner
The Prescriptions © Noah Tidmore
MusicDecember 12, 2022<December 12, 2022

Enjoy Some ‘Time Apart’: The Prescriptions Soar with Heartland Passion & Honest Charm on Intimate, Smoldering Sophomore LP

by Mitch Mosk
Aidan Bissett © Brooke James
Debut, Features, Interviews, MusicDecember 12, 2022<December 12, 2022

Interview: Aidan Bissett Discusses His Fun, Fiery & Heartfelt Debut EP ‘I’m Alright If You’re OK’

by Kelly McCafferty Dorogy
Atwood Magazine's 2022 EPs of the Year
Features, Lists, MusicDecember 12, 2022<March 11, 2023

The 22 Best EPs of 2022

by Atwood Magazine Staff
Atwood Magazine's Editor's Picks 82
Columns, Editor's Picks, Features, MusicDecember 9, 2022<March 11, 2023

Editor’s Picks 82: Ethel Cain, Christian Kuria, Sable, Kathleen, The Greeting Committee, & Blitz Vega!

by Mitch Mosk
Atwood Magazine's Weekly Roundup | December 9, 2022
Columns, Features, Music, Weekly RoundupDecember 9, 2022<December 9, 2022

Atwood Magazine’s Weekly Roundup: December 9, 2022

by Atwood Magazine Staff
The Veils © Matt Hollyoak
Columns, Music, Today's SongDecember 9, 2022<December 9, 2022

Today’s Song: Inside The Veils’ Misty, Mesmerizing & Utterly Seductive “Undertow”

by Chloe Robinson
Peter Stone © Dani Fresh
Columns, Music, Today's SongDecember 8, 2022<December 8, 2022

Today’s Song: Basking in the Beautiful Light of Peter Stone’s Intimate “Cogs”

by Mitch Mosk
Astronaut - Bailey Tomkinson © Lewis King
Music, PremieresDecember 8, 2022<December 8, 2022

Premiere: Cornwall’s Bailey Tomkinson Aches with Raw, Intimate, & Impassioned Song “Astronaut”

by Mitch Mosk
Jenny Kern - Your Heart Knows
Music, Reviews, Track-by-TrackDecember 8, 2022<December 8, 2022

Track-by-Track: Jenny Kern’s Emotionally Encapsulated EP ‘Your Heart Knows’ Soars with Unparalleled Confessionalism & Creativity Alike

by Joe Beer
Smut © Jaycee Rockhold
Debut, Features, Interviews, Music, Track-by-TrackDecember 7, 2022<December 7, 2022

“How the Light Felt”: The Radiant, Raw Glow of Smut’s Hopeful, Cathartic, & Dynamic Debut Album

by Mitch Mosk
Victoria Bigelow © Devan Skaggs
Artist to Watch, Columns, Music, Today's SongDecember 7, 2022<December 7, 2022

“I’ll never open myself up like this again”: Victoria Bigelow’s Beautifully Devastating “Song for No One” Is a Dreamy, Raw Reckoning

by Mitch Mosk
Wilby © Christina Coleman
Artist to Watch, Music, PremieresDecember 7, 2022<December 7, 2022

Premiere: Wilby’s Beautifully Vulnerable & Radiantly Raw “reach u” Reckons with Accountability and Acceptance

by Mitch Mosk
The Burma @ Ciara O'Toole
Features, Interviews, Music, Track-by-TrackDecember 6, 2022<December 6, 2022

Sucker for Stars: Ireland’s The Burma Soar with Cinematic & Sweltering Indie Rock Debut

by Mitch Mosk
Gable Price & Friends © 2022
Features, Interviews, MusicDecember 6, 2022<December 6, 2022

“Everything is contrast, and I find that beautiful”: Gable Price and Friends on ‘The Consequence of Being Alive’

by Rachel Leong
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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