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Future Someone © Laur Loncar
Music, PremieresFebruary 16, 2023<February 16, 2023

Premiere: NYC’s Future Someone Contends with Closure in His Beautiful & Bittersweet “I Hope You Find Whatever You Are Looking For”

by Mitch Mosk
YVY MARAEY "Water" music video screenshot
Music, PremieresFebruary 16, 2023<February 16, 2023

Premiere: YVY MARAEY’s Roots Run Deep in Soul-Stirring Single “Water” ft. Raiza Biza

by Mitch Mosk
lonely bitch - Bea Miller
MusicFebruary 16, 2023<February 16, 2023

Today’s Song: Bea Miller’s “lonely bitch” Is a Thrilling Alt-Pop Anthem

by Lauren Turner
Comforts © Rob Green (@robspeaking)
Music, PremieresFebruary 16, 2023<February 16, 2023

Premiere: Brighton’s Comforts Settle into “The City” with a Dreamy, Vulnerable Charm

by Mitch Mosk
PVRIS © VESSED
Columns, Music, Today's SongFebruary 15, 2023<February 15, 2023

Today’s Song: PVRIS Sets Flames Ablaze and Defiantly Bites Back on “GODDESS”

by Isabella Le
Bob Weir and Wolf Bros @ The Capitol Theatre, February 2023 © Geoff Tischman
Concerts, MusicFebruary 14, 2023<May 11, 2023

Live Review: Bob Weir & Wolf Bros Wrap Up a Four-Night Run at The Capitol Theatre

by Max Kalnitz
Tunes & Tumblers x Anna of the North 2023
Music, Podcast, Tunes & TumblersFebruary 14, 2023<April 30, 2023

Podcast: Tunes & Tumblers Features Anna of the North and a Crazy Sour

by Atwood Magazine Staff
Valentine's Day 2023 | Atwood Magazine
Features, Music, PlaylistsFebruary 14, 2023<January 17, 2024

Our Favorite New Love Songs: A Valentine’s Day Music Celebration!

by Atwood Magazine Staff
Grant Gordy © Jacob Blickenstaff
Interviews, MusicFebruary 14, 2023<February 14, 2023

Interview: Guitar Extraordinaire Grant Gordy Discusses His Genre-Breaking Album, ‘Peripheral Visions’

by Guest Writer
Nite Bjuti © Candice Hoyes
Columns, Debut, Music, Today's SongFebruary 14, 2023<February 14, 2023

Today’s Song: Afro Caribbean Trio Nite Bjuti Examine a Collective Life Cycle in Debut Single “Mood (Liberation Walk)”

by Chloe Robinson
Hot Moms Club © Jonah Reenders
Music, PremieresFebruary 13, 2023<February 13, 2023

“You loved me all way”: Hot Moms Club Premieres “i love you, mom,” a Beautiful, Dreamy Ode to Mothers

by Mitch Mosk
Dror © Nikoli Partiyeli
Features, Interviews, MusicFebruary 13, 2023<February 14, 2023

Feature: Indie Pop Artist Dror Embraces Change in the New Year

by Ankita Bhanot
Brian Dunne © Lukasz Palka
Columns, Music, Today's SongFebruary 13, 2023<February 13, 2023

Artist to Watch: Brian Dunne Accepts “Bad Luck” in His Liberating & Lively New Anthem

by Mitch Mosk
Pearla © Tonje Thilesen
Debut, Features, Interviews, MusicFebruary 13, 2023<February 19, 2023

Feature: Traveling into the Imaginary Universe of Pearla with Her Debut Album, ‘Oh Glistening Onion, The Nighttime Is Coming’

by Frankie Rose
Ghosts Again - Depeche Mode
Columns, Music, Today's SongFebruary 11, 2023<February 10, 2023

Today’s Song: The Sublime Reveal of Depeche Mode’s Joyfully Melancholic “Ghosts Again”

by David Buyze
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Brand New

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem

:: discover something new ::

Recent Posts

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
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