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Irene Diaz © 2023
Columns, Essays, Music, Women's History MonthMarch 31, 2023<April 30, 2023

“Lost and Found: A Los Angeles Story”: An Essay by Irene Diaz for Women’s History Month

by Guest Writer
Anna of the North © Robin Bøe
Music, PremieresMarch 31, 2023<April 30, 2023

Premiere: Anna of the North’s Funky, Feel-Good “Try My Best”

by Kelly McCafferty Dorogy
Cliffs + Caves © Kirby Trapolino
Music, PremieresMarch 30, 2023<April 30, 2023

Conspiracy & Catharsis: Cliffs + Caves Search for Truth in Achingly Raw “Mint Gum” ft. David Ramirez

by Mitch Mosk
Meris Gantt © Enowen Photography
Columns, Essays, Music, Women's History MonthMarch 30, 2023<April 30, 2023

“Overcoming the Patriarchy Effect”: An Essay by Meris Gantt for Women’s History Month

by Guest Writer
How To Lose A Girl in 7 Songs - Knox
Debut, Features, Interviews, Music, Track-by-TrackMarch 30, 2023<April 30, 2023

Feature: Knox’s Debut EP ‘How to Lose a Girl in 7 Songs’ Is a Passion-Fueled Pop/Rock Frenzy

by Mitch Mosk
Foley © Jack Pompe
Music, PremieresMarch 30, 2023<April 30, 2023

Premiere: Brooklyn’s Foley Lay Down a Smoldering, Dreamy Groove on “Hold Within”

by Mitch Mosk
Sondre Lerche © Hilde Solli
Music, PremieresMarch 30, 2023<April 30, 2023

Premiere: Sondre Lerche Channels Pain & Grief into Musical Beauty on “The Most Savage Joke”

by Mitch Mosk
MisterWives © Matty Vogel
Columns, Music, Today's SongMarch 30, 2023<April 30, 2023

Today’s Song: MisterWives Enter a New Era with Punk Rock Rager, “Out of Your Mind”

by Kelly McCafferty Dorogy
B-Drop
Features, Music, PremieresMarch 29, 2023<April 30, 2023

Premiere: B-Drop Worldwide Showcases Coline Creuzot & Lucius Arthur

by Mitch Mosk
Atwood Magazine's Editor's Picks 94
Columns, Editor's Picks, Features, MusicMarch 29, 2023<March 29, 2023

Editor’s Picks 94: Hana Eid, Raia Was, Kate Davis, Robyn Froese, Jealous of the Birds, & Why Bonnie!

by Mitch Mosk
Tunes & Tumblers x mazie 2023
Music, Podcast, Tunes & TumblersMarch 29, 2023<April 30, 2023

Podcast: Tunes & Tumblers Features Mazie and a Kaleidoscopic Journey

by Atwood Magazine Staff
Gracie Abrams live © Joey Brodnax
Concerts, Music, ReviewsMarch 29, 2023<April 30, 2023

Lightning in a Bottle: Gracie Abrams, Live from Austin

by Kelly McCafferty Dorogy
Noah Kahan © Patrick McCormack
Features, Interviews, MusicMarch 29, 2023<March 2, 2025

Interview: Noah Kahan on Third LP ‘Stick Season’, Embracing His Roots, & Finding Happiness in Being Himself

by Mitch Mosk
Wednesday © Zachary Chick
Columns, Music, Today's SongMarch 29, 2023<April 30, 2023

Wednesday’s “TV in the Gas Pump” Paints an Honest, Irreverent Picture of Life on the Road

by Kylie Gurewitz
ISHAN © Marcello Anthony
Columns, Music, Today's SongMarch 28, 2023<April 30, 2023

Today’s Song: Melbourne Singer/Songwriter ISHAN Sings His “Apologies” with an Intimate, Buoyant Bounce

by Mitch Mosk
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Brand New

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP

:: discover something new ::

Recent Posts

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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