Music, Music Videos, PremieresMarch 28, 2023<April 30, 2023 Premiere: DAMOYEE Faces Fear & Love in “Phobia,” Her Beautifully Vulnerable, Achingly Raw Ethereal Folk Song by Mitch Mosk
Essays, Music, Women's History MonthMarch 28, 2023<April 30, 2023 “The Importance of Empowering Young Women & Girls”: An Essay by Becca Bowen for Women’s History Month by Guest Writer
Music, PremieresMarch 28, 2023<April 30, 2023 Premiere: Au Gres Explores the Struggle Between Personal & Material Identity in “Leaving” by Isabella Le
Features, Interviews, Music, Track-by-TrackMarch 27, 2023<April 30, 2023 “A Beautiful Mess”: Mary Anne’s Polar Rig Dive into the Unapologetic Fever Dream of ‘Makes You Wonder’ by Mitch Mosk
Features, Interviews, Music, Track-by-TrackMarch 27, 2023<April 30, 2023 “Connection with Everything”: Darren Jessee Shines on ‘Central Bridge’, His Lyrical, Tuneful, & Captivating Third LP by Mitch Mosk
Features, Interviews, Music, Track-by-TrackMarch 27, 2023<April 30, 2023 “There isn’t a world you aren’t creating”: Tow’rs Explore Life Through an Intimate Lens on ‘Joy Alchemy’ by Mitch Mosk
Columns, Music, Today's SongMarch 27, 2023<April 30, 2023 Today’s Song: LØLØ’s “5,6,7,8” (ft. girlfriends) Fills the Gaps of Nostalgia and Desire by Rachel Leong
Debut, Features, Interviews, Music, Track-by-TrackMarch 24, 2023<April 30, 2023 “Harmonically Charged Tragicomedy”: Matt Pond Finds His Voice (Again) on The Natural Lines’ Soaring & Spirited Debut by Mitch Mosk
Columns, Features, Music, Weekly RoundupMarch 24, 2023<May 15, 2023 Atwood Magazine’s Weekly Roundup: March 24, 2023 by Atwood Magazine Staff
Features, Interviews, MusicMarch 24, 2023<April 30, 2023 Interview: NJ’s Phoneboy Are Moving Up & ‘Moving Out’ with Their Sophomore Album by Minna Abdel-Gawad
Essays, Music, Women's History MonthMarch 24, 2023<April 30, 2023 “The Elephant in the Room”: An Essay by Claire Guerreso for Women’s History Month by Guest Writer
Columns, Music, Today's SongMarch 24, 2023<April 30, 2023 Today’s Song: Pop Artist Yarin Glam Battles Mental & Emotional Demons in “Side Effects” by Julius Robinson
Columns, Music, Today's SongMarch 23, 2023<April 30, 2023 Today’s Song: Shayla McDaniel’s Invigorating “Awake” Is a Spirited & Rousing Ode to Sleep by Mitch Mosk
Columns, Editor's Picks, Features, MusicMarch 23, 2023<March 29, 2023 Editor’s Picks 93: Cafuné, Kay Young, Eliott, tinyumbrellas, Siena Streiber, & Aáyanna! by Mitch Mosk
Essays, Music, Women's History MonthMarch 23, 2023<April 30, 2023 “Women in Music”: An Essay by Brina Kabler for Women’s History Month by Guest Writer
For the Love of Music
For the Love of Music
