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WILSN © She Is Aphrodite
Debut, Features, Interviews, Music, Track-by-TrackFebruary 10, 2023<February 18, 2023

Feature: WILSN Is Unleashed on ‘Those Days Are Over,’ a Debut Full of Confidence, Raw Energy, & Smoldering Soul

by Mitch Mosk
Jasmine Jethwa © Daniel A Harris
Artist to Watch, Columns, Music, Today's SongFebruary 10, 2023<April 2, 2023

Artist to Watch: South London’s Jasmine Jethwa Lights a Fire Inside with “Money to Burn”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | February 10, 2023
Columns, Features, Music, Weekly RoundupFebruary 10, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: February 10, 2023

by Atwood Magazine Staff
Mathew V © Matthew Miller
Features, Interviews, MusicFebruary 10, 2023<February 10, 2023

Mathew V’s Anything Goes: A Journey via Jazz

by Andrew Daly
Michal Leah © Willie Jane
Artist to Watch, Features, Interviews, MusicFebruary 9, 2023<February 9, 2023

Artist to Watch Michal Leah on the Ups, Downs, & Laughs of Her Journey So Far: A Conversation with an Old Friend

by Nick Polak
Silver Line - Hayden Everett © Ethan Porter
Features, Interviews, Music, Premieres, Track-by-TrackFebruary 9, 2023<March 26, 2024

Coarse, Reflection, Breathe: Hayden Everett Premieres His Beautifully Iridescent & Introspective ‘Silver Line’ EP

by Mitch Mosk
Indigo De Souza © Angella Choe
Columns, Music, Today's SongFebruary 9, 2023<February 9, 2023

“A Love Letter to Everyone’s Inner Child”: Indigo De Souza Mourns Lost Youth in “Younger & Dumber”

by Sophie Severs
The Cure © Magali Girardin
Columns, Features, MusicFebruary 8, 2023<February 8, 2023

Living The Cure, Pt. 1

by David Buyze
Atwood Magazine's Editor's Picks 87
Columns, Editor's Picks, Features, MusicFebruary 8, 2023<August 13, 2024

Editor’s Picks 87: Slow Fiction, M.A.G.S., Sofia Monroy, The Rocket Summer, Steady Holiday, & Roo Panes!

by Mitch Mosk
Pierce The Veil © Celina Kenyon
Features, Interviews, MusicFebruary 8, 2023<March 11, 2023

“More simplified, but more powerful”: Jaime Preciado of Pierce The Veil Unhinges ‘The Jaws of Life’

by Isabella Le
Katie Boeck © Josh Kranich
Music, PremieresFebruary 8, 2023<February 8, 2023

Premiere: Nashville’s Katie Boeck Makes Peace with the Past in Smoldering Song, “Over Again”

by Mitch Mosk
Vagabon - "Carpenter" © Ace Amir & Alexa Viscius
Columns, Music, Today's SongFebruary 8, 2023<February 8, 2023

Today’s Song: Vagabon’s “Carpenter” Captures the Beauty of Growth, Learning, and Complete Understanding

by Lauren Turner
Tunes & Tumblers x Stacey Ryan, 2023-02-07
Music, Podcast, Tunes & TumblersFebruary 7, 2023<April 30, 2023

Podcast: Tunes & Tumblers Features Stacey Ryan and a Love Life Story

by Atwood Magazine Staff
Virginia Sweet © Andrew Kuykendall
Debut, Features, Interviews, Music, Track-by-TrackFebruary 7, 2023<February 7, 2023

Feature: Virginia Sweet’s Debut EP ‘The Revival’ Soars with Feverish, Smoldering Southern Rock Charm

by Mitch Mosk
Personal Trainer © 2022
Features, Interviews, Music, Track-by-TrackFebruary 7, 2023<February 7, 2023

Feature: Indie Pop Duo Personal Trainer Shine on Cinematic, Evocative, & Cathartic ‘Reflex’ EP

by Mitch Mosk
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Brand New

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem

:: discover something new ::

Recent Posts

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
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