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janney - JANNEY
Debut, Features, Interviews, Music, Track-by-TrackFebruary 7, 2023<February 7, 2023

Track-by-Track: JANNEY Dives into His Smoldering & Cinematic Self-Titled Debut Album

by Mitch Mosk
Billie Marten © Katie Silvester
Columns, Music, Today's SongFebruary 7, 2023<February 7, 2023

Today’s Song: Billie Marten Creates a Peaceful Safe Haven in “This Is How We Move”

by Minna Abdel-Gawad
Patrick James © 2022
Features, Interviews, Music, Track-by-TrackFebruary 6, 2023<February 6, 2023

Feature: Patrick James Embraces Self-Reliance on Nostalgic, Autobiographical, & Heartfelt Sophomore LP ‘I’ll Take Care of Myself, If You Take Care of Yourself’

by Mitch Mosk
What Kind Of Music Do You Like To Listen To? - Coconut Cream
Features, Music, Track-by-TrackFebruary 6, 2023<February 6, 2023

Feature: Sydney’s Coconut Cream Shine on Dreamy & Golden EP, ‘What Kind of Music Do You Like to Listen To?’

by Mitch Mosk
SYML © Sarah Cass
Features, Interviews, Music, Track-by-TrackFebruary 3, 2023<February 4, 2023

“Cozy, Honest, Imperfect”: SYML Dives into the Raw Depths of ‘The Day My Father Died,’ an Album of Grief & Love

by Mitch Mosk
Somebody's Child © Nicholas O'Donnell
Debut, Features, Interviews, Music, Track-by-TrackFebruary 3, 2023<February 3, 2023

Feature: Somebody’s Child Soars Triumphant on Urgent, Brutal, & Honest Self-Titled Debut

by Mitch Mosk
Atwood Magazine's Weekly Roundup | February 3, 2023
Columns, Features, Music, Weekly RoundupFebruary 3, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: February 3, 2023

by Atwood Magazine Staff
Cal in Red © 2023
Columns, Music, Today's SongFebruary 3, 2023<February 2, 2023

Today’s Song: Cal in Red Shift into Gear with “Corvette” Off New EP, ‘On the Dance Floor’

by Beau Hayhoe
Human - Signe Vange
Interviews, Music, Track-by-TrackFebruary 2, 2023<February 2, 2023

Track-by-Track: Signe Vange’s Softly Stirring, Achingly Raw, & Beautifully ‘Human’ EP

by Mitch Mosk
Cristóvam © Timothy Lima
Music, Reviews, Track-by-TrackFebruary 2, 2023<February 2, 2023

Track-by-Track: Cristóvam Delves into Emotive Catharsis & an Ever-Evolving Narrative with ‘Songs on a Wire’

by Joe Beer
Julia Michaels "Sorry To Me Too" © 2023
Columns, Music, Today's SongFebruary 2, 2023<February 2, 2023

Today’s Song: Julia Michaels’ “Sorry To Me Too” Is Vulnerable, Heartbreaking, & Filled with Self-Empowerment

by Lauren Turner
Atwood Magazine's Editor's Picks 86
Columns, Editor's Picks, Features, MusicFebruary 1, 2023<March 16, 2023

Editor’s Picks 86: Stephen Sanchez, Ken Yates, JOSEPH, Young Fathers, LULLANAS, & Hayfitz!

by Mitch Mosk
Evelyn Frances © Heather Skye photography
Columns, Music, Today's SongFebruary 1, 2023<February 1, 2023

Today’s Song: “Hold Yourself Together” Is Evelyn Frances’ Haunting Love Letter to New York City

by Mitch Mosk
Fly Yeti Fly © courtesy of the artist
Debut, Features, Interviews, Music, Track-by-TrackJanuary 31, 2023<January 31, 2023

Feature: Fly Yeti Fly’s ‘Make a Ring’ Is a Record of Honest, Hopeful, & Dreamy Folk Wonder

by Mitch Mosk
English Teacher © Tatiana Ponzuelo
Artist to Watch, Columns, Music, Today's SongJanuary 31, 2023<January 31, 2023

Artist to Watch: English Teacher Prove They’re Top of the Class on “Song About Love”

by Oliver Crook
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Brand New

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem

:: discover something new ::

Recent Posts

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
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