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Laura Niquay © Monse Muro
Columns, Music, Music You Should Know, ReviewsOctober 26, 2022<October 25, 2022

Music You Should Know: The Energy and Emotion of Laura Niquay’s ‘Waska Matisiwin’

by Frankie Rose
Samia © Sophia Matinazad
Columns, Music, Today's SongOctober 26, 2022<October 25, 2022

Today’s Song: Samia Returns on Angel Wings with “Kill Her Freak Out”

by Nasim Elyasi
Rosemary & Garlic © Gema Perez
Columns, Music, Today's SongOctober 25, 2022<October 26, 2022

Today’s Song: Cherishing Life’s Memories Through Rosemary & Garlic’s Achingly Beautiful “Television”

by Mitch Mosk
Big Wild © Gareth McConnell
Features, Interviews, MusicOctober 25, 2022<October 25, 2022

Being Here Now: Big Wild on Connection, Self-Discovery, and “The Efferusphere”

by Anthony Kozlowski
'Shame' album art - Fable
Features, Interviews, MusicOctober 25, 2022<October 25, 2022

Interview: Fable on Her Debut Album ‘Shame’ and the Fall of a Generation

by Nic Nichols
Workhorse © Jordanne Chant
Debut, Features, Interviews, MusicOctober 24, 2022<October 24, 2022

Interview: Adelaide’s Workhorse Debuts with Lush, Dreamy, & Messy LP ‘No Photographs’

by Mitch Mosk
Being Funny in a Foreign Language - The 1975 10
Music, Our Take, ReviewsOctober 24, 2022<October 24, 2022

The 1975’s ‘Being Funny in a Foreign Language’ Is a Softly Stunning Masterpiece

by Mitch Mosk
Zella Day © Elizaveta Porodina
Features, Interviews, MusicOctober 24, 2022<October 24, 2022

Interview: A Whimsical Peek into Zella Day’s Personal Heaven

by Sophie Severs
Kuri © Camille Candia
Features, Interviews, Music, Track-by-TrackOctober 21, 2022<June 20, 2024

‘I Love You, You’re Welcome’: Kuri’s Smoldering Sophomore Album Is a Deep Breath of Longing & Healing

by Mitch Mosk
"Sun Cancer" video still - Drew Beskin & The Sunshine
Music, Music Videos, PremieresOctober 21, 2022<October 21, 2022

Premiere: Drew Beskin & The Sunshine Shine on Heartwarming Reverie, “Sun Cancer”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | October 21, 2022
Columns, Features, Music, Weekly RoundupOctober 21, 2022<October 22, 2022

Atwood Magazine’s Weekly Roundup: October 21, 2022

by Atwood Magazine Staff
zzzahara © Melissa Crumby
Debut, Features, Interviews, Music, Track-by-TrackOctober 21, 2022<October 21, 2022

liminal spaces: zzzahara’s Driving & Dreamy Debut Dwells in a Nostalgia-Laced Indie Rock Haze

by Mitch Mosk
Frankie Cosmos © Pooneh Ghana
Features, Interviews, MusicOctober 21, 2022<October 21, 2022

Tender, Warm & Sincere: Frankie Cosmos Look Inward in Fifth Album, ‘Inner World Peace’

by Sophie Severs
Here Goes Nothing! album art - Adam Melchor
Debut, Features, Interviews, MusicOctober 21, 2022<March 11, 2023

Interview: Adam Melchor Talks Love, Collaboration, & Putting It All Out on the Line on ‘Here Goes Nothing!’

by Rachel Leong
The Brazen Youth © 2022
Features, Interviews, Music, Track-by-TrackOctober 20, 2022<October 20, 2022

Refuge and Raw Reckoning: The Brazen Youth’s ‘Eagle, Idaho’ Is a Breathtaking Soundtrack to Tragedy, Grief, & Growth

by Mitch Mosk
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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