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Debut, Features, Interviews, MusicJanuary 18, 2023<March 11, 2023

Empowerment, Liberation, & Self-Acceptance: How Charli Adams Hit the ‘Bullseye’ While Learning to Live Unapologetically

by Mitch Mosk
Hazlett "Bloom Mountain" © Olof Grind
Debut, Features, Interviews, Music, Track-by-TrackJanuary 18, 2023<January 18, 2023

“Warm, Hope, & Wonder”: Hazlett Soars to Stirring Heights on ‘Bloom Mountain,’ a Beautifully Intimate Debut

by Mitch Mosk
Redbud © Ismael Quintanilla
Music, PremieresJanuary 18, 2023<January 18, 2023

Premiere: Redbud’s “Sad on the North Side” Sends Us into Summery Dreaminess

by Frankie Rose
Daughter (L-R: Igor Haefeli, Elena Tonra, Remi Aguilella) © Marika Kochiashvili
Columns, Music, Today's SongJanuary 18, 2023<January 17, 2023

Today’s Song: Daughter Embrace Connection in Return Single “Be on Your Way”

by Rachel Leong
Gabrielle Aplin © Matt Healy
Features, Interviews, MusicJanuary 18, 2023<March 11, 2023

Phosphorescent: Gabrielle Aplin’s Honest & Reflective Fourth Album Explores the Physicality of Life

by Lauren Turner
Upstate © Bridget Badore • @bridgetbadore • www.bridgetbadore.com
Music, PremieresJanuary 17, 2023<January 17, 2023

Premiere: Hudson Valley Band Upstate Invite Us to “Befriend” the Enemy on Smoldering New Song

by Mitch Mosk
Flowers - Miley Cyrus
Columns, Music, Today's SongJanuary 17, 2023<January 17, 2023

Today’s Song: Miley Cyrus’ Self-Empowering & Inspiring “Flowers” Introduces a New Era

by Lauren Turner
Circa Waves © Lewis Vorne
Columns, Music, Today's SongJanuary 16, 2023<January 16, 2023

Today’s Song: Circa Waves Take Aim at Climate Change & an Uncertain Future with “Never Going Under”

by Beau Hayhoe
The Horn 'Do It Now' © 2022
Features, Interviews, Music, Track-by-TrackJanuary 13, 2023<January 13, 2023

“Welcome to the Power Show”: The Horn ‘Do It Now’ (and Do It Well) on Catchy, Punchy, & Unapologetic Debut

by Mitch Mosk
Jessie Reid © Emilie Cotterill
Music, PremieresJanuary 13, 2023<January 13, 2023

Premiere: Jessie Reid Brings Us “A Little Closer” with Achingly Intimate & Breathtakingly Beautiful New Single

by Mitch Mosk
Callie Reiff © Bellamy Brewster
Interviews, MusicJanuary 13, 2023<January 13, 2023

“Watch Out, It’s a Chain Reaction”: A Conversation with Soaring EDM Talent Callie Reiff

by Josh Weiner
The Sarandons © Steph Montani
Columns, Music, Today's SongJanuary 13, 2023<January 13, 2023

Today’s Song: Canadian Heartland Rockers The Sarandons Get Introspective with “Sightlines”

by Beau Hayhoe
Circa Waves © Lewis Vorne
Features, Interviews, MusicJanuary 13, 2023<March 11, 2023

“An Act of Resilience”: Circa Waves Cling to Optimism in Fifth Album ‘Never Going Under’

by Anthony Kozlowski
Good Karma - J French
Features, Interviews, Music, Track-by-TrackJanuary 12, 2023<March 2, 2025

“These are not just songs; these are mantras.”: J French Finds His Light in Uplifting, Hopeful, & Soulful ‘Good Karma’ LP

by Mitch Mosk
High Tea © Robin Siddall
Debut, Interviews, Music, Reviews, Track-by-TrackJanuary 12, 2023<January 12, 2023

Track-by-Track: The Simple Untamed Wanderlust of High Tea’s ‘Old Cowboy’

by Mitch Mosk
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Brand New

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem

:: discover something new ::

Recent Posts

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
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