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Sohodolls' Maya Von Doll © Catherine Harder
Music, PremieresMarch 9, 2023<April 30, 2023

Premiere: Sohodolls Re-Write Their Viral “Bang Bang Bang Bang” In a Stand Against Gun Violence

by Mitch Mosk
Akira Galaxy © Noah Witt
Columns, Debut, Music, Today's SongMarch 9, 2023<April 30, 2023

Today’s Song: Akira Galaxy Delivers an Ode to Lost Perspective in Captivating Debut, “Virtual Eyes”

by Rachel Leong
DMA'S © Kalpesh Lathigra
Features, Interviews, MusicMarch 9, 2023<April 30, 2023

“An Evolution of DMA’S”: Aussie Trio Discuss the Making of New Album, ‘How Many Dreams?’

by Guest Writer
[mila] © Hunter Lenoir
Debut, Music, PremieresMarch 9, 2023<April 30, 2023

Premiere: [mila] Defeat Toxic Obstacles with Energized Debut Single “Thuong Qua Is Vietnamese For I Love You”

by Frankie Rose
Atwood Magazine's Editor's Picks 91
Columns, Editor's Picks, Features, MusicMarch 8, 2023<March 10, 2023

Editor’s Picks 91: Marlene Oak, Aistè, Alaska Reid, Joy Oladokun, Bleach Lab, & BEL!

by Mitch Mosk
Tunes & Tumblers x Transviolet 2023
Music, Podcast, Tunes & TumblersMarch 8, 2023<April 30, 2023

Podcast: Tunes & Tumblers Features Transviolet and a Crashed Breath of Fresh Air

by Atwood Magazine Staff
Svetlana © 2023
Essays, Music, Women's History MonthMarch 8, 2023<April 30, 2023

“Overcoming Mountains as a Woman in Music”: An Essay by Svetlana for International Women’s Day

by Guest Writer
Atwood Magazine Celebrates International Women's Day 2023!
Features, Music, Playlists, Women's History MonthMarch 8, 2023<March 8, 2023

Celebrating Women in Music for International Women’s Day 2023!

by Atwood Magazine Staff
"Nothing But Mine" - Billie Marten © Katie Silvester
Columns, Music, Today's SongMarch 8, 2023<April 30, 2023

Today’s Song: Billie Marten’s “Nothing But Mine” Is Wistful, Nostalgic, And Somehow, Hopeful

by Kylie Gurewitz
Handsome Ghost © Seb Keefe
Features, Interviews, Music, Track-by-TrackMarch 7, 2023<April 30, 2023

Track-by-Track: Handsome Ghost Find the Beauty in the Cracks on ‘To the Place Where We Met Last,’ a Hauntingly Human EP

by Mitch Mosk
The National Parks © Noah Tidmore
Features, Interviews, Music, Track-by-TrackMarch 7, 2023<April 30, 2023

A Soundtrack to Adventure: The National Parks’ ‘8th Wonder’ Is a Cinematic Road Trip Through Life, Love, & Nature

by Mitch Mosk
Tove Lo "Borderline" © 2023
Columns, Music, Today's SongMarch 7, 2023<April 30, 2023

Today’s Song: Tove Lo Sings About an Extreme Love in New Single “Borderline”

by Dimitra Gurduiala
Dr. Ushūu © 2023
Interviews, MusicMarch 6, 2023<April 30, 2023

Interview: Dr. Ushūu’s EDM Universe Knows No Bounds

by Josh Weiner
Lauren Lakis "Take My Hand" © 2023
Columns, Music, Today's SongMarch 6, 2023<April 30, 2023

Today’s Song: Lauren Lakis Reaches Out Through the Darkness with Lush Single, “Take My Hand”

by Beau Hayhoe
Lotus Glow - Adi Oasis
Debut, Features, Interviews, Music, Track-by-TrackMarch 3, 2023<August 16, 2024

“Being fearless pays off”: Adi Oasis Blooms on Empowering, Soul-Soaked & Seductive Debut Album ‘Lotus Glow’

by Mitch Mosk
Posts pagination
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Brand New

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP

:: discover something new ::

Recent Posts

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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