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Maya Elise & The Good Dream
Music, PremieresSeptember 8, 2022<September 8, 2022

Premiere: Maya Elise & The Good Dream Soar on “Mailman,” a Rich, Radiant Love Song of Connection & Trust

by Mitch Mosk
Kramies LP - Kramies
Features, Interviews, Music, Premieres, Track-by-TrackSeptember 8, 2022<September 29, 2022

Ghosts, Dreams, & Folklore: Kramies Stuns & Stirs on His Hauntingly Beautiful Self-Titled LP, ‘Kramies’

by Mitch Mosk
The 1975 "Part of the Band"
Columns, Music, Today's SongSeptember 8, 2022<October 24, 2022

“Enough about me now…”: The 1975’s “Part of the Band” Is a Homecoming From an Ego Trip

by Collin Leonard
FEELS © Ben Niesen
MusicSeptember 7, 2022<September 7, 2022

A Casual Ramble: The Hot, the Sweaty, and the Bittersweet FEELS at Pickathon 2022

by Ben Niesen
"Deer Song" still - Fauvely © Robin Elise Maaya
Music, Music Videos, PremieresSeptember 7, 2022<September 7, 2022

Closure, Catharsis, & Moving On: Fauvely Premieres Her Dream Folk Farewell, “Deer Song”

by Mitch Mosk
Tedo Stone © Sasha Stone
Music, PremieresSeptember 7, 2022<September 7, 2022

Premiere: Atlanta’s Tedo Stone Are Getting It Right & “Keeping It Tight” on Dynamic New Single

by Mitch Mosk
Tunes & Tumblers x flor
Music, Podcast, Tunes & TumblersSeptember 7, 2022<April 30, 2023

Podcast: Tunes and Tumblers Cheers to flor and an Emergency Blanket

by Atwood Magazine Staff
Duo Jatekok © Tina Dubrovsky
Interviews, MusicSeptember 7, 2022<September 6, 2022

Interview: Duo Jatekok Deliver The Most Elegant Rammstein You’ve Ever Heard

by Josh Weiner
Arctic Monkeys © Zackery Michael
Columns, Music, Today's SongSeptember 7, 2022<September 7, 2022

Today’s Song: Arctic Monkeys’ “There’d Better Be a Mirrorball” Is a Gentle Step in a New Direction

by Lilly Eason
Similar Kind © Sam Lockyer
Features, Interviews, Music, Track-by-TrackSeptember 6, 2022<April 21, 2023

“Eclectic, Electric, & Eccentric”: Similar Kind’s ‘Commercial Break’ Proves a Passion-Fueled Time Capsule

by Mitch Mosk
Cumulus © 2022
Music, Music Videos, PremieresSeptember 6, 2022<September 6, 2022

“The way you love me, it gets into my bloodstream”: Cumulus Returns with “Sunbeam,” a Radiant Ode to Love

by Mitch Mosk
Alvvays © Eleanor Petry
Columns, Music, Today's SongSeptember 6, 2022<September 5, 2022

Today’s Song: “Pharmacist” Signals an Impressive, Long-Awaited Return for Alvvays

by Beau Hayhoe
Karina Rykman © Steph Port
Features, Interviews, MusicSeptember 5, 2022<September 5, 2022

Bringing the Bass: An Interview with Karina Rykman

by Christopher Snyder
Claptrap - Duncan Sheik
Music, ReviewsSeptember 5, 2022<September 7, 2022

Duncan Sheik Continues His Efforts to Merge Electronic & Acoustic Worlds on ‘Claptrap,’ His First Pop Record in 7 Years

by Kevin Krein
Get a Job - Games We Play
Columns, Music, Today's SongSeptember 5, 2022<May 24, 2024

Today’s Song: Games We Play Delivers a Rebel Anthem with “Get a Job”

by Kelly McCafferty Dorogy
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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