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The Lemon Twigs © Eva Chambers
Columns, Music, Today's SongJanuary 4, 2023<January 4, 2023

Today’s Song: The Lemon Twigs Declare Love at Second Sight with New Single, “Corner of My Eye”

by Sophie Severs
Atwood Magazine's 2022 Albums of the Year
Features, Lists, MusicDecember 21, 2022<December 21, 2022

Atwood Magazine’s 2022 Albums of the Year

by Atwood Magazine Staff
SPIN - OTNES
Artist to Watch, Debut, Interviews, MusicDecember 20, 2022<April 26, 2023

Artist to Watch: OTNES Grieves & Glistens on Dreamy, Dazzling Debut Single “SPIN”

by Mitch Mosk
Andy Frasco & The U.N. © Andrew Hutchins
Columns, Interviews, Music, Today's SongDecember 20, 2022<December 20, 2022

“I’m trying to keep rock and roll alive”: Andy Frasco on the Most Important Song He’s Ever Written

by Nick Polak
Atwood Magazine's 2022 Songs of the Year
Features, Lists, MusicDecember 19, 2022<March 11, 2023

Atwood Magazine’s 2022 Songs of the Year

by Atwood Magazine Staff
Algiers © Ebru Yildiz
Columns, Music, Today's SongDecember 19, 2022<December 18, 2022

Today’s Song: Algiers Get Collaborative & Team with Zack de la Rocha for “Irreversible Damage” Off 4th LP, ‘Shook’

by Beau Hayhoe
Atwood Magazine's Mistletones 2022, Pt. 3
Features, Interviews, Lists, Mistletones, MusicDecember 19, 2022<January 7, 2023

Atwood Magazine Presents Mistletones: 2022’s Best New Holiday Songs, Pt. 3

by Atwood Magazine Staff
Crowder's Milk & Cookies: A Merry Crowder Christmas © Mary Caroline Russell 5a
Features, Interviews, Mistletones, MusicDecember 16, 2022<December 16, 2022

Interview: Crowder Gets into the Holiday Spirit with Festive, Faithful, & Funny Christmas Album, ‘Milk & Cookies: A Merry Crowder Christmas’

by Mitch Mosk
Atwood Magazine's Best Shows of 2022
Concerts, Features, Lists, MusicDecember 16, 2022<December 20, 2022

Atwood Magazine’s Best Concerts of 2022!

by Atwood Magazine Staff
Atwood Magazine's Weekly Roundup | December 16, 2022
Columns, Features, Music, Weekly RoundupDecember 16, 2022<December 16, 2022

Atwood Magazine’s Weekly Roundup: December, 16, 2022

by Atwood Magazine Staff
Mannequin Pussy © Phobymo
Features, Interviews, MusicDecember 15, 2022<December 15, 2022

“There’s no better time to be in a punk band”: Mannequin Pussy’s Marisa Dabice Talks Generational Anger, Music, & More

by Michael Greco
Atwood Magazine's Top Artist Discoveries of 2022
Features, Lists, MusicDecember 15, 2022<March 11, 2023

Atwood Magazine’s Top Artist Discoveries of 2022

by Atwood Magazine Staff
Jasmine Star © 2022
Interviews, MusicDecember 14, 2022<December 28, 2023

Wembley Dreams: Young Shredder Jasmine Star on Guitar, TikTok, New Music & More

by Andrew Daly
Atwood Magazine's Mistletones 2022, Pt. 2
Features, Interviews, Lists, Mistletones, MusicDecember 14, 2022<March 11, 2023

Atwood Magazine Presents Mistletones: 2022’s Best New Holiday Songs, Pt. 2

by Atwood Magazine Staff
Day Wave © Nikoli Partiyeli
Columns, Music, Today's SongDecember 14, 2022<December 14, 2022

Today’s Song: Day Wave Returns with New Track “Cold Like Me” on Deluxe Edition of 2nd LP ‘Pastlife’

by Beau Hayhoe
Posts pagination
1 … 216 217 218 219 220 … 727

Brand New

  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through

:: discover something new ::

Recent Posts

  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
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