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Chad Price © Jenalle Los
Features, Interviews, Music, Track-by-TrackSeptember 27, 2022<September 29, 2022

“These hearts are heavy, but they’re not broken”: Toronto’s Chad Price Dwells in Vulnerability & Intimacy on Soul-Stirring ‘Introversion’ LP

by Mitch Mosk
Los Saints © Stu Alfano
Columns, Editorials, Music, National Hispanic Heritage MonthSeptember 27, 2022<September 27, 2022

“Ties that Bind”: Why Hispanic Heritage Month has Special Meaning for Los Saints

by Guest Writer
Atwood Magazine's Editors Picks 74
Columns, Editor's Picks, Features, MusicSeptember 27, 2022<March 11, 2023

Editor’s Picks 74: L.S. Dunes, Charlotte Lawrence, Peace Ritual, Sadurday, Dear Boy, & Abby Sage!

by Mitch Mosk
the Mountain Goats © Spence Kelly
Columns, Music, Reviews, Today's SongSeptember 27, 2022<September 27, 2022

Today’s Song: The Mountain Goats Revel in Villainy with Their Action Movie Ode “Hostages”

by James Crowley
Timothy Edward Carpenter © Samuel Greenhill
Artist to Watch, Features, Interviews, Music, Track-by-TrackSeptember 26, 2022<September 26, 2022

Feature: Timothy Edward Carpenter’s Brutally Honest & Breathtakingly Vulnerable ‘PREP SCHOOL’ EP

by Mitch Mosk
Why Bonnie © Alec Castillo
Debut, Features, Interviews, Music, Track-by-TrackSeptember 26, 2022<September 26, 2022

“Lonely times are louder in the Lone Star State”: The Reckoning & Raw Reflection of Why Bonnie’s Standout Debut ’90 in November’

by Mitch Mosk
Asylums © Alistair Underwood
Artist to Watch, Music, PremieresSeptember 26, 2022<September 26, 2022

Premiere: Asylums’ Spirited “Instant Coffee” Is a Highly Caffeinated, Deeply Cathartic Anthem for the Broken & Bitter

by Mitch Mosk
Tim Bernardes © Tim Bernardes @ Marco Lafer and Isabela Vdd|
Columns, Music, Today's SongSeptember 26, 2022<September 26, 2022

Today’s Song: Tim Bernardes Poetically Defines the Meaning of Life with “Nascer, Viver, Morrer”

by Frankie Rose
Portola Music Festival 2022 lineup
A Casual Ramble, Music, Previews, ReviewsSeptember 23, 2022<September 23, 2022

A Casual Portola Festival Preview: Charli XCX, Yves Tumor, Jamie xx, Kelly Lee Owens, L’Impératrice, & More!

by Ben Niesen
Talk Show © Stewart Baxter
Features, Interviews, Music, Track-by-TrackSeptember 23, 2022<March 14, 2024

Touch the Ground: London’s Talk Show Kiss the Sky with Feverish Industrial Post-Punk EP

by Mitch Mosk
Editors © Rahi Rezvani
Music, ReviewsSeptember 23, 2022<September 23, 2022

Potency & Emancipation: The Wonders of Editors’ 7th Album, ‘EBM’

by David Buyze
Atwood Magazine's Weekly Roundup | September 23, 2022
Columns, Features, Music, Weekly RoundupSeptember 23, 2022<September 25, 2022

Atwood Magazine’s Weekly Roundup: September 23, 2022

by Atwood Magazine Staff
Tamino © Jeton Bakalli
Features, Interviews, MusicSeptember 23, 2022<March 11, 2023

Feature: Tamino’s Sophomore Album ‘Sahar’ Mediates the Intersection Between Light & Dark, Love & Pain

by Lilly Eason
Corey Harper © Harper Smith
Debut, Features, Interviews, MusicSeptember 23, 2022<September 29, 2022

Interview: Corey Harper Talks Embracing Change, Hope, & Comfort in the Storm on His Debut Album ‘Future Tense’

by Rachel Leong
Slaney Bay © Henry Ager
Artist to Watch, Debut, Features, Interviews, MusicSeptember 22, 2022<November 11, 2022

“Where the Horror Meets the Healing”: A Conversation with London Indie Rock Trio Slaney Bay

by Mitch Mosk
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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