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A Different Kitchen © Felix Jordan
Debut, Music, PremieresMarch 15, 2023<April 30, 2023

Premiere: A Different Kitchen Serve Up Alternative Catharsis on Seismic Debut Single “I’m Fine I’m Fine”

by Mitch Mosk
Two Trains Left © Alexis Fontaine
Music, Music Videos, PremieresMarch 15, 2023<April 30, 2023

Premiere: Two Trains Left Ruminate on the Pursuit of Peace and Quietude in “Lack of Sleep”

by Isabella Le
Tunes & Tumblers x Quarters of Change 2023
Music, Podcast, Tunes & TumblersMarch 14, 2023<April 30, 2023

Podcast: Tunes & Tumblers Features Quarters of Change and a Tortured Heart

by Atwood Magazine Staff
Scott Matthews © Adam Bulley
Music, PremieresMarch 14, 2023<April 30, 2023

Premiere: The Fragile, Breathtaking Raw Beauty of Scott Matthews’ “My Selfless Moon” (Acoustic)

by Mitch Mosk
SUPERGLUE - Ella Vos
Features, Interviews, MusicMarch 14, 2023<April 30, 2023

Interview: Ella Vos Shines with Feminine Reclamation in Third Album, ‘SUPERGLUE’

by Rachel Leong
Beach Fossils © Sinna Nasseri
Columns, Music, Today's SongMarch 14, 2023<April 30, 2023

Today’s Song: Beach Fossils Return From Hiatus with Surf Rock Track, “Don’t Fade Away”

by Minna Abdel-Gawad
Royel Otis © Alex Wall
Columns, Music, Today's SongMarch 13, 2023<April 30, 2023

Today’s Song: “Sofa Kings” Is Royel Otis’ Gorgeous, Euphoric & Sunny Ode to Couch Royalty

by Mitch Mosk
Tommy Ashby © Matthew Bowen
Debut, Features, Interviews, Music, Track-by-TrackMarch 13, 2023<April 30, 2023

“Music Connects People”: Indie Folk Artist Tommy Ashby Shines on ‘Lamplighter,’ His Breathtaking Debut Album

by Mitch Mosk
Sophia Marie © Panav Gududuri
Essays, Music, Women's History MonthMarch 13, 2023<January 21, 2024

“Solo Travel Abroad, the Catalyst for a Music Career”: An Essay by Sophia Marie

by Guest Writer
Pax Cultura © Stéfan, The Photographer
Debut, Music, Music Videos, PremieresMarch 13, 2023<April 30, 2023

Premiere: South London’s Pax Cultura Debut with “Heavy Machinery,” a Cinematic & Emotionally Charged Indie Rock Eruption

by Mitch Mosk
Alaska Reid © Audrey Hall
Columns, Music, Today's SongMarch 11, 2023<April 30, 2023

Alaska Reid’s Dreamy “Back to This” Proves an Enchanting First Look at Debut Album, ‘Disenchanter’

by Mitch Mosk
On Fire - Sasha Atlas
Essays, Music, Women's History MonthMarch 10, 2023<April 30, 2023

“I’ve Signed Many NDAs, But None Like This”: An Essay by Sasha Atlas on the Finance & Music Industries for Women’s History Month

by Guest Writer
Daisy Jones & the Six © Pamela Littky
Music, Today's SongMarch 10, 2023<April 30, 2023

Today’s Song: Follow Daisy Jones & The Six Down “The River”

by Brianna Corrine
You'll Live Forever In My Songs - Paige Su
Features, Interviews, Music, Track-by-TrackMarch 9, 2023<April 30, 2023

An Achingly Beautiful Adventure: Paige Su Pours Her Heart & Soul into New LP, ‘You’ll Live Forever in My Songs’

by Mitch Mosk
Annie DiRusso © Neil Shukla
Debut, Music, ReviewsMarch 9, 2023<April 30, 2023

Review: Annie DiRusso’s Debut EP ‘God, I Hate This Place’ Is an Angst-Fueled Exploration of Identity

by Claire Meyer
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Brand New

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP

:: discover something new ::

Recent Posts

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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