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Roanoke © Andrea Belk
Features, Interviews, Music, Reviews, Track-by-TrackJanuary 24, 2023<January 24, 2023

“Enchanting, Nostalgic, & Driving”: Roanoke Find Redemption on ‘Wolf Motel,’ a Stunning Soft Rock Reverie

by Mitch Mosk
Atwood Magazine's Editor's Picks 85
Columns, Editor's Picks, Features, MusicJanuary 24, 2023<March 11, 2023

Editor’s Picks 85: Jake Isaac, Softcult, DAMOYEE, Constant Smiles, Adi Oasis, & Neon Dreams!

by Mitch Mosk
Fireworks © Leah Castile
Columns, Music, Today's SongJanuary 24, 2023<January 24, 2023

Today’s Song: Fireworks Cope with Faith on “I Want to Start a Religion with You”

by James Crowley
Dana Why 'The Lyre' © 2023
Debut, Features, Interviews, Music, Track-by-TrackJanuary 24, 2023<January 24, 2023

“Even pain can feel good.”: Asbury Park’s Dana Why Erupts with Unapologetic Intensity on Debut Album ‘The Lyre’

by Mitch Mosk
The Coronas, from left: Danny O'Reilly, Conor Egan, Graham Knox © Lucy Foster
Features, Interviews, MusicJanuary 23, 2023<January 23, 2023

Interview: With ‘TIME STOPPED’, The Coronas Created a Beacon of Hope

by Mitch Mosk
JETPACK - Barny Fletcher
Interviews, MusicJanuary 23, 2023<January 23, 2023

Interview: British Rapper Barny Fletcher Wraps Up Inaugural Mixtape Trilogy with ‘JETPACK’

by Josh Weiner
Winkler © Rachel Owens
Columns, Music, Today's SongJanuary 23, 2023<January 23, 2023

Today’s Song: Winkler’s “Call it Good Times” Makes the Best of Life’s Ups & Downs

by Sophie Severs
Sunday Lendis © Maria Alzamora
Columns, Debut, Music, Today's SongJanuary 20, 2023<January 20, 2023

Today’s Song: Sunday Lendis Builds a Beautiful & Wondrous Cathartic Cacophony “With Ease”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | January 20, 2023
Columns, Features, Music, Weekly RoundupJanuary 20, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: January 20, 2023

by Atwood Magazine Staff
Lukas Graham © Petra Kleis
Features, Interviews, MusicJanuary 20, 2023<January 20, 2023

Interview: Lukas Graham Talks ‘The Pink Album,’ the Weight of Retrospection, & the Anticipation of Tomorrow

by Nick Polak
Lowertown © Shervin Lainez
Debut, Features, Interviews, MusicJanuary 19, 2023<January 23, 2023

Interview: Lowertown Share Their Raw, Unfiltered Truths in Debut Album ‘I Love to Lie’

by Minna Abdel-Gawad
Ruminating Thoughts - Chris Walton © J R Alexander
Debut, Music, Premieres, Today's Song, Track-by-TrackJanuary 19, 2023<January 19, 2023

Album Premiere: Boston’s Chris Walton Spills His Heart on Soul-Stirring Debut ‘Ruminating Thoughts’

by Mitch Mosk
April Marmara © Elisa Azevedo (@intowarmerair)
Music, PremieresJanuary 19, 2023<January 19, 2023

Premiere: Lisbon’s April Marmara Evokes Love’s Magic & Mystery in “Who Knows Where the Love Goes”

by Mitch Mosk
I Want It to Be Light So They Can See We Disappeared - Honeyyycrush
Music, PremieresJanuary 19, 2023<January 19, 2023

Premiere: Honeyyycrush’s Haunting & Fragile Alt-Folk Surrender, “I Want It to Be Light So They Can See We Disappeared”

by Mitch Mosk
Atwood Magazine's Editor's Picks 84
Columns, Editor's Picks, Features, MusicJanuary 19, 2023<March 11, 2023

Editor’s Picks 84: Vagabon, Quiet Houses, Somebody’s Child, Royel Otis, Florence Arman, & Matt Corby!

by Mitch Mosk
Posts pagination
1 … 213 214 215 216 217 … 727

Brand New

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem

:: discover something new ::

Recent Posts

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
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