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boygenius (L-R: Phoebe Bridgers, Lucy Dacus & Julien Baker) © Harrison Whitford
Columns, Music, Reviews, Today's SongJanuary 30, 2023<January 30, 2023

Review: boygenius Are Back with “$20,” “Emily I’m Sorry,” & “True Blue” Off New Album, ‘the record’

by Nasim Elyasi
Atwood Magazine's 2023 Artists to Watch
Artist to Watch, Features, Lists, MusicJanuary 30, 2023<February 4, 2025

Atwood Magazine’s 2023 Artists to Watch

by Atwood Magazine Staff
The Crystal Casino Band © Cagla Akcadag
Features, Interviews, Music, Track-by-TrackJanuary 27, 2023<January 29, 2023

Feature: ‘Maryland House’ Is The Crystal Casino Band’s Unconditional Triumph

by Mitch Mosk
Features, Interviews, Music, Track-by-TrackJanuary 27, 2023<January 27, 2023

Feature: Humanity’s Existential Crisis Shines on Tuomo & Markus’ ‘Game Changing’ New Album

by Mitch Mosk
Atwood Magazine's Weekly Roundup | January 27, 2023
Columns, Features, Music, Weekly RoundupJanuary 27, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: January 27, 2023

by Atwood Magazine Staff
Gatlin © Luke Rogers
Columns, Music, Today's SongJanuary 27, 2023<January 27, 2023

Today’s Song: Gatlin Wears Her Heart on Her Sleeve & Lets It All Go in New Single “Still Not Me”

by Rachel Leong
We're Here, My Dear - Ging
Debut, Features, Interviews, Music, Track-by-TrackJanuary 26, 2023<January 26, 2023

“Ode to a Love That’s Free”: Ging’s (ex-Frank Dukes) Debut Album ‘We’re Here, My Dear’ Is a Breathtakingly Raw Reckoning

by Mitch Mosk
Abby Holliday © Luke Holliday
Columns, Music, Today's SongJanuary 26, 2023<May 18, 2023

Today’s Song: “Ohio Laundry Room” Is Abby Holliday’s Beautiful, Raw Reckoning with Grief, Love, & Death

by Mitch Mosk
James Crowley © 2023
Music, PremieresJanuary 26, 2023<January 26, 2023

Premiere: James Crowley Lets the Light in on “By You,” a Raw Reckoning Wrapped in Indie Folk Dreams

by Mitch Mosk
L.S. Dunes © Mark Beemer
Debut, Features, Interviews, MusicJanuary 26, 2023<January 26, 2023

Interview: Frank Iero & Tucker Rule Are “Reborn” in Emo Punk Group L.S. Dunes

by Mitch Mosk
Black Honey © Jamie Noise
Features, Interviews, MusicJanuary 26, 2023<January 26, 2023

Sinfully Sweet: Black Honey’s Izzy B. Phillips & Tommy Taylor Recount Their Origins, New Music, and More

by Andrew Daly
the moss © Shervin Lainez
Features, Interviews, MusicJanuary 25, 2023<January 25, 2023

“The Most Honest Song I’ve Ever Written”: An Interview with the moss’ Tyke James

by Miles Campbell
Illiterate Light © Joey Wharton
Columns, Music, Today's SongJanuary 25, 2023<January 25, 2023

Today’s Song: Illiterate Light’s “Fuck LA” and the Endless Ache of Long Distance Love

by Mitch Mosk
Samia © Sophia Matinazad
Features, Interviews, MusicJanuary 25, 2023<January 27, 2023

Interview: Samia Is the Moment with Highly Anticipated Sophomore Album ‘Honey’

by Coco Rich
Cartoon Hearts © Natalia Neira
Debut, Music, PremieresJanuary 25, 2023<January 25, 2023

Premiere: Cartoon Hearts Go ‘All in’ on Debut Single “legs,” a Soaring Anthem of Love, Liberation & Hopeless Romance

by Mitch Mosk
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Brand New

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem

:: discover something new ::

Recent Posts

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
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