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Hippo Campus © Shervin Lainez
Columns, Music, Today's SongMarch 20, 2023<April 30, 2023

Sweet & Twangy, “Kick in the Teeth” Marks a New, Simpler Era of Music for Hippo Campus

by Claire Meyer
Atwood Magazine's Weekly Roundup | March 17, 2023
Columns, Features, Music, Weekly RoundupMarch 17, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: March 17, 2023

by Atwood Magazine Staff
Natalia Damini & Tito Jackson © 2023
Columns, Interviews, Music, Today's SongMarch 17, 2023<April 30, 2023

Natalia Damini Displays Her “Attitude” with Music Legend Tito Jackson (The Jackson 5)

by Julius Robinson
Cracker Island - Gorillaz 8.6
Music, Our Take, ReviewsMarch 17, 2023<April 30, 2023

Our Take: On ‘Cracker Island,’ Gorillaz’ Chest-Thumping Causes Major Waves 

by Josh Weiner
Atwood Magazine's Editor's Picks 92
Columns, Editor's Picks, Features, MusicMarch 17, 2023<March 17, 2023

Editor’s Picks 92: Gordi, Under the Rug, Tash Sultana, Karson., Stolen Jars, & girlhouse!

by Mitch Mosk
Hannah Jadagu © Axel Kabundji
Debut, Interviews, MusicMarch 16, 2023<April 30, 2023

“I want kids who grew up like me to see that you can make music”: An Interview with Hannah Jadagu

by Mitch Mosk
Jake Huffman © 2023
Interviews, MusicMarch 16, 2023<April 30, 2023

Interview: Singing Drummer Jake Huffman Speaks on New Single “Martyr” & Upcoming EP ‘Younger’

by Joe Beer
Death of a Cloud - Mereki
Essays, Music, Women's History MonthMarch 16, 2023<April 30, 2023

“On Never Allowing ‘Tall Poppy Syndrome’ to Hold a Woman Back”: An Essay by Mereki for Women’s History Month

by Guest Writer
Pam Risourié © Cédric Tessonneau
Debut, Features, Interviews, Music, Track-by-TrackMarch 16, 2023<April 30, 2023

‘days of distortion’: Parisian Band Pam Risourié Premiere Their Immersive, Hypersensitive, & Ambient Debut Album

by Mitch Mosk
'Inner Child Work Pt. 2' EP art - Alicia Blue
Features, Interviews, Music, Track-by-TrackMarch 16, 2023<April 30, 2023

Feature: Alicia Blue Delves into the Soul-Stirring Depths of Her Beautifully Cathartic ‘Inner Child Work’

by Mitch Mosk
JOSEPH © Shervin Lainez
Music, Reviews, This Just InMarch 16, 2023<April 30, 2023

“Feeling good doesn’t feel bad anymore”: JOSEPH Shine Like “The Sun” in Radiant & Empowering New Single

by Mitch Mosk
KTJ & CARLY © Joseph Lee
Columns, Music, Today's SongMarch 16, 2023<April 30, 2023

KTJ & CARLY Remind Us to Stop Stressing Over “Shitty People” in Lush, Haunting New Single

by Chloe Robinson
Bertie Newman © Anna Lowry
Columns, Music, Today's SongMarch 15, 2023<April 30, 2023

London’s Bertie Newman Spills His Worried Mind in “Wasted on Me,” an Achingly Intimate Indie Folk Confessional

by Mitch Mosk
Tonia © 2023
Debut, Features, Interviews, Music, Track-by-TrackMarch 15, 2023<April 30, 2023

“Dreamy, Cathartic, & Truthful”: Liverpool’s Tonia Stuns & Stirs on Soul-Soaked Debut EP ‘Afloat’

by Mitch Mosk
Bedroom © Alex Berger
Music, PremieresMarch 15, 2023<April 30, 2023

Premiere: Bedroom Finds a Beautiful Home in “Better Friends,” His Brutally Honest & Achingly Raw New Single

by Mitch Mosk
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Brand New

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP

:: discover something new ::

Recent Posts

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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