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The Mars Volta © Fat Bob
Music, ReviewsNovember 21, 2022<November 21, 2022

Review: Revitalised with a Fresh Start, The Mars Volta Clean the Slate with First Album in a Decade

by Adam Davidson
Crumbs - Rebecca Black
Columns, Music, Today's SongNovember 21, 2022<November 21, 2022

Today’s Song: Rebecca Black Fiercely Enters the Future with “Crumbs”

by Frankie Rose
Connie Constance © Phoebe Fox
Features, Interviews, Music, Track-by-TrackNovember 18, 2022<March 11, 2023

“The power in you, it won’t go unnoticed”: Connie Constance Dives Inside Her Empowering, Cathartic & Catchy Sophomore LP, ‘Miss Power’

by Mitch Mosk
NEFFY © 2022
Features, Interviews, MusicNovember 18, 2022<November 18, 2022

Interview: With Head Held High, Neffy Confidently Loses Her Nerve

by Sophie Severs
Atwood Magazine's Weekly Roundup | November 18, 2022
Columns, Features, Music, Weekly RoundupNovember 18, 2022<November 18, 2022

Atwood Magazine’s Weekly Roundup: November 18, 2022

by Atwood Magazine Staff
Francesca Blanchard © 2022
Columns, Music, Music Videos, Today's SongNovember 18, 2022<November 18, 2022

Today’s Song: Francesca Blanchard’s “Je sais plus quoi te dire” Is a Caricatural, Playful Take on Rejection

by Frankie Rose
Taryn Faye Randall © Jen Trahan
Music, PremieresNovember 17, 2022<November 18, 2022

Premiere: Taryn Faye Randall’s Beautiful Song “Stride for Stride” Aches with the Strain of Love Out of Sync

by Mitch Mosk
Fontaines DC © Filmawi
Features, Interviews, MusicNovember 17, 2022<November 17, 2022

Interview: Fontaines D.C.’s ‘Skinty Fia’ Is a Tremendously Needed Album, and Here’s Why

by Dimitra Gurduiala
Last Dinosaurs © GAKU
Features, Interviews, Music, Track-by-TrackNovember 17, 2022<November 17, 2022

From Mexico with Love: Last Dinosaurs’ 4th Album Is a Post-Lockdown Era Celebration of Life

by Mitch Mosk
Natural Brown Prom Queen - Sudan Archives 9.4
Music, Our Take, ReviewsNovember 16, 2022<November 16, 2022

Our Take: Sudan Archives’ ‘Natural Brown Prom Queen’ Never Fails to Surprise

by Sam Franzini
Christian Leave © Zamar Velez
Features, Interviews, MusicNovember 15, 2022<November 15, 2022

Making Space for Gratitude: How Christian Leave Navigates Life, Remaining a ‘Superstar’ All the While

by Sophie Severs
TJ Stafford © Rowan Daly
Columns, Music, Today's SongNovember 15, 2022<November 15, 2022

Today’s Song: Singer/Songwriter TJ Stafford Displays a Sensitive Side in “The World’s Gonna Love Me”

by Chloe Robinson
Julie Aubé © JD Cool
Features, Interviews, MusicNovember 11, 2022<November 8, 2022

Interview: ’60s Nostalgia, Preservation, & Projecting Identity with Julie Aubé

by Frankie Rose
John Oates © Sean Hagwell
Features, Interviews, MusicNovember 11, 2022<November 6, 2022

Pushin’ That Rock: A Casual Conversation with John Oates

by Ben Niesen
Dizzy © Boy Wonder
Columns, Music, Today's SongNovember 11, 2022<May 18, 2023

Today’s Song: The Raw Vulnerability of Dizzy’s “Barking Dog”

by Frankie Rose
Posts pagination
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Brand New

  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie

:: discover something new ::

Recent Posts

  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
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