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Danna Paola © 2022
Columns, Music, Today's SongSeptember 22, 2022<September 22, 2022

Today’s Song: Danna Paola’s “XT4S1S” and the Ecstatic Ingenuity of Her Global Stage

by David Buyze
Bad Thing - Miya Folick
Columns, Music, Today's SongSeptember 21, 2022<September 21, 2022

Today’s Song: Miya Folick Grows Up Again in “Bad Thing” Off New EP ‘2007’

by Nic Nichols
Blond in Car
Features, Interviews, Music, Track-by-TrackSeptember 20, 2022<September 20, 2022

A Portrait of Devastation: Blond in Car’s Bittersweet, Dreamy, & Honest ‘Different Dream’ EP

by Mitch Mosk
Jackson Mico Milas © Max Fairclough
Music, Music Videos, PremieresSeptember 20, 2022<September 20, 2022

Premiere: The Warmth, Beauty, & Tranquility of Jackson Mico Milas’ Gently Stirring “The Bay Fire”

by Mitch Mosk
Dayglow © Dana Trippe
Columns, Music, Today's SongSeptember 20, 2022<September 20, 2022

Today’s Song: Dayglow’s “Then It All Goes Away” Captures an Elusive Recipe of All the Right Feelings

by Jamie Kahn
Firefly Music Festival 2022 preview
Festival, Music, PreviewsSeptember 19, 2022<September 19, 2022

2022 Firefly Music Festival Preview: Ten Years at the Woodlands

by Michael Greco
Maria Sanchez © 2022
Columns, Essays, Music, National Hispanic Heritage MonthSeptember 19, 2022<September 27, 2022

“Ponte las Pilas”: Maria Sanchez (Groovy MS) Shares Her Essay for National Hispanic Heritage Month

by Guest Writer
Ayla D'lyla © Malina Weissman
Columns, Music, Today's SongSeptember 19, 2022<September 19, 2022

Today’s Song: Ayla D’Lyla Pens a Love Letter to the Catskills on “Anywhere But Here”

by Josh Weiner
mx lonely © 2022
Columns, Music, Today's SongSeptember 17, 2022<September 15, 2022

Today’s Song: New York Rockers Mx Lonely Blend Post-Punk & Shoegaze on “Paper Cranes” & New LP ‘Cadonia’

by Beau Hayhoe
Atwood Magazine's Editor's Picks 73
Columns, Editor's Picks, Features, MusicSeptember 16, 2022<September 29, 2022

Editor’s Picks 73: Kramies, Maude Latour, The 1975, Jessie Reid, The Backseat Lovers, & milk.!

by Mitch Mosk
Atwood Magazine's Weekly Roundup | September 16, 2022
Columns, Features, Music, Weekly RoundupSeptember 16, 2022<September 29, 2022

Atwood Magazine’s Weekly Roundup: September 16, 2022

by Atwood Magazine Staff
Weyes Blood © Neil Krug
Columns, Music, Today's SongSeptember 16, 2022<September 15, 2022

Today’s Song: Everybody Splits Apart Sometimes; Weyes Blood Puts Back the Pieces with New Single “It’s Not Just Me, It’s Everybody”

by Sophie Severs
Kelsea Ballerini © Patrick Tracy
Features, Interviews, MusicSeptember 15, 2022<March 11, 2023

“An Open Heart”: Kelsea Ballerini on Finding Herself and Her Voice on New Album, ‘SUBJECT TO CHANGE’

by Emily Frances Algar
Gordi © Jess Gleeson
Features, Interviews, Music, Track-by-TrackSeptember 15, 2022<December 11, 2022

“Escape Outwards Inwards”: Gordi Discusses Her Beautifully Raw & Innately Human ‘Inhuman’ EP

by Mitch Mosk
Walker Landgraf © 2022
Music, PremieresSeptember 15, 2022<September 15, 2022

“Comfort, Community, and Making a Home”: Walker Premieres Soulful & Soothing New Single, “I’ll Be Right Here”

by Mitch Mosk
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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