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Suki Waterhouse © Émilie Richard-Froozan
Features, Interviews, MusicNovember 10, 2022<November 10, 2022

Coolest Girl in the World: Suki Waterhouse Talks Nostalgia, Tour, and Her ‘Milk Teeth’ EP

by Nic Nichols
Inhaler © Lewis Evans
Columns, Music, Today's SongNovember 10, 2022<November 3, 2022

Today’s Song: “Love Will Get You There” in Inhaler’s Latest Track

by Isabella Le
Jagwar Twin © Josh Hubberman
Features, Interviews, MusicNovember 9, 2022<November 5, 2022

Interview: LA’s Own Jagwar Twin Breaks New Ground on Sophomore Album ‘33’

by Michael Greco
Atwood Magazine's Editor's Picks 79
Columns, Editor's Picks, Features, MusicNovember 9, 2022<March 11, 2023

Editor’s Picks 79: Overcoats, The Coronas, First Aid Kit, Liv.e, props, & Rocky Votolato!

by Mitch Mosk
Greyson Chance 'Palladium' © Broderick Baumann
Features, Interviews, MusicNovember 9, 2022<May 16, 2023

Interview: Greyson Chance Shows All His Layers on ‘Palladium,’ a Record of Growth, Pride, & Realization

by Lauren Hicks
Jaws of Love. © Joey Wasilewski
Columns, Music, Today's SongNovember 8, 2022<November 1, 2022

Today’s Song: Local Natives’ Kelcey Ayer Returns as Jaws of Love with Heartbreakingly Beautiful “Rainbow Baby”

by Beau Hayhoe
Emei © Ryan Clemens
Debut, Features, Interviews, MusicNovember 8, 2022<November 2, 2022

Interview: Emei Releases Debut EP, ‘End of an Era’ — But This Is Just the Beginning

by Sophie Severs
Goo Goo Dolls © Claire Marie Vogel
Features, Interviews, MusicNovember 7, 2022<March 11, 2023

“Just Keep At It, Man”: Goo Goo Dolls’ Robby Takac on Donuts, New York, & New Album ‘Chaos in Bloom’

by Madeleine Eggen
Waste My Time - Linebeck
Columns, Music, Today's SongNovember 7, 2022<October 30, 2022

Today’s Song: Linebeck’s Catchy “Waste My Time” Is a Cinematic & Hazy Dream Pop Tempest

by Mitch Mosk
B-Drop
Features, Music, PremieresNovember 4, 2022<November 4, 2022

Premiere: B-Drop Worldwide Showcases KTJ & Carly and Stephanie Hatzinikolis

by Mitch Mosk
Teeyago © Jared Robinson
Interviews, Music, PremieresNovember 4, 2022<March 21, 2023

Premiere: Teeyago’s Unfiltered Visuals for His ‘D.R.U.G.S’ EP Construct a Crazy High

by Chloe Robinson
blink-182 © Jack Bridgland
Columns, Music, Today's SongNovember 4, 2022<November 3, 2022

Today’s Song: blink-182’s “EDGING” Kickstarts a New Era with High Spirits

by Isabella Le
Bleach Lab © Rory Dunn
Features, Interviews, Music, Track-by-TrackNovember 4, 2022<March 11, 2023

If You Only Feel It Once: London’s Bleach Lab Seduce the Heart with Hauntingly Beautiful, Nostalgic, & Brutally Raw Third EP

by Mitch Mosk
Atwood Magazine's Weekly Roundup | November 4, 2022
Columns, Features, Music, Weekly RoundupNovember 4, 2022<November 3, 2022

Atwood Magazine’s Weekly Roundup: November 4, 2022

by Atwood Magazine Staff
The Car - Arctic Monkeys © Matt Helders
Features, Music, Reviews, RoundtableNovember 3, 2022<March 2, 2025

Roundtable Discussion: A Review of Arctic Monkeys’ ‘The Car’

by Atwood Magazine Staff
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Brand New

  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie

:: discover something new ::

Recent Posts

  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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