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Stalking Gia © 2022
Columns, Music, Today's SongSeptember 15, 2022<September 14, 2022

Today’s Song: Stalking Gia Examines a Bliss Laced in Sorrow with “saddest happy girl”

by Chloe Robinson
Nitti Gritty © Koury Angelo
MusicSeptember 14, 2022<September 13, 2022

Interview: Nitti Gritti Will “Drive You Crazy” with Summer Lovin’ & Nostalgia on New Collab with Dylan Matthew

by Josh Weiner
Jenny Kern © Mara Rothman
Columns, Music, Today's SongSeptember 14, 2022<September 13, 2022

Today’s Song: Explore the Strength in Vulnerability with Jenny Kern’s “I Should Lose You”

by Joe Beer
Mellor © Alex Wickenden
Artist to Watch, Music, PremieresSeptember 13, 2022<September 14, 2022

Artist to Watch: UK Indie Rockers Mellor Roar on Stunning, Sardonic “Battle Hardened” Off Forthcoming Debut

by Mitch Mosk
Laufey © Gemma Warren 9.1
Debut, Music, Our Take, ReviewsSeptember 13, 2022<September 12, 2022

Our Take: Tender, Intimate, & Warm, Laufey Wears Her Heart on Her Sleeve in ‘Everything I Know About Love’

by Isabella Le
Bonny Light Horseman (Anaïs Mitchell, Eric D. Johnson, and Josh Kaufman) © D. James Goodwin
Columns, Music, Today's SongSeptember 13, 2022<September 12, 2022

Today’s Song: Healing in Retrospect with Bonny Light Horseman’s “Summer Dream”

by Collin Leonard
Calum Scott © Tom Cockram
Features, Interviews, MusicSeptember 12, 2022<September 29, 2022

“Honest, Brave & Liberating”: Building ‘Bridges’ with Calum Scott

by Mitch Mosk
Mad Cool Festival © Jaime Erice Torán
Festival, Music, ReviewsSeptember 12, 2022<September 16, 2022

Inside Mad Cool Festival 2022: Alt Rock, Tapas, and a New Beginning?

by Michael Greco
Vivi Rincon © Lucy Ketchum
Columns, Music, Today's SongSeptember 12, 2022<September 12, 2022

Today’s Song: Love & Lust in Vivi Rincon’s “can’t breathe”

by Kelly McCafferty Dorogy
Atwood Magazine's Editor's Picks 72
Columns, Editor's Picks, Features, MusicSeptember 9, 2022<September 29, 2022

Editor’s Picks 72: easy life & BENEE, PRONOUN, Darling Farm, Bleach Lab, Abby Holliday, & Jake Wesley Rogers!

by Mitch Mosk
Loviet © Leo Montero
Artist to Watch, Columns, Music, Today's SongSeptember 9, 2022<September 9, 2022

Artist to Watch: Toronto’s Loviet Returns with Bold, Breathtaking “Broken Lips”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | September 9, 2022
Columns, Features, Music, Weekly RoundupSeptember 9, 2022<September 29, 2022

Atwood Magazine’s Weekly Roundup: September 9, 2022

by Atwood Magazine Staff
mine © Jenny Schuster
Interviews, MusicSeptember 8, 2022<September 8, 2022

Interview: Indie Pop Artist mine Flourishes in Her Vibrant & Vulnerable Debut EP, ‘Bloom!’

by Chloe Robinson
Maya Elise & The Good Dream
Music, PremieresSeptember 8, 2022<September 8, 2022

Premiere: Maya Elise & The Good Dream Soar on “Mailman,” a Rich, Radiant Love Song of Connection & Trust

by Mitch Mosk
Kramies LP - Kramies
Features, Interviews, Music, Premieres, Track-by-TrackSeptember 8, 2022<September 29, 2022

Ghosts, Dreams, & Folklore: Kramies Stuns & Stirs on His Hauntingly Beautiful Self-Titled LP, ‘Kramies’

by Mitch Mosk
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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