Features, Music, Reviews, RoundtableNovember 3, 2022<March 2, 2025 Roundtable Discussion: A Review of Arctic Monkeys’ ‘The Car’ by Atwood Magazine Staff
Columns, Music, Today's SongNovember 3, 2022<October 30, 2022 Former Jungle Vocalist ANDRO Opens Up in Soul-Stirring “Natural,” a Buoyant & Brooding Embrace of Intimacy by Mitch Mosk
Features, Interviews, MusicNovember 3, 2022<November 2, 2022 Waiting to Spill: Exploring Intention & Emotion with The Backseat Lovers by Jamie Kahn
Features, Interviews, Music, Track-by-TrackNovember 2, 2022<November 2, 2022 Feature: ella jane’s Coming-of-Age ‘Marginalia’ Is a Youthful, Melancholic, & Cinematic Masterpiece by Mitch Mosk
Debut, Features, Music, Reviews, Track-by-TrackNovember 2, 2022<November 2, 2022 From the Heart: Scotland’s Frankie Morrow Debut with Enchanting & Cathartic ‘Blue Parrot Backpackers Hostel’ EP by Mitch Mosk
Artist to Watch, Columns, Music, Today's SongNovember 2, 2022<November 2, 2022 Today’s Song: Loviet’s Searing “Wide Eyes” Is an Emotionally Charged Love Letter with Teeth by Mitch Mosk
Features, Interviews, MusicNovember 1, 2022<February 22, 2023 American Bollywood: Young the Giant’s Epic & Intimate Fifth Album Unpacks Identity, Belonging, Home, & the Immigrant Story by Mitch Mosk
Features, Interviews, Music, Track-by-TrackNovember 1, 2022<November 1, 2022 Feature: Stockholm’s Melby Dwell in the Past, Present, & Future on Stirring Sophomore LP ‘Looks like a map’ by Mitch Mosk
Features, Interviews, Music, Track-by-TrackNovember 1, 2022<November 1, 2022 “Big Feelings in Little Moments”: Daisy the Great Stun with Harmony & Hope on ‘All You Need Is Time’ by Mitch Mosk
Features, Interviews, MusicNovember 1, 2022<March 11, 2023 Interview: Built to Spill Embody the Indescribable on ‘When the Wind Forgets Your Name’ by Sophie Prettyman-Beauchamp
Artist to Watch, Features, Interviews, Music, Track-by-TrackNovember 1, 2022<March 11, 2023 Trauma, Defiance, & Hope: UK’s Asylums Soar Triumphant on 4th LP, ‘Signs of Life’ by Mitch Mosk
Columns, Music, Today's SongNovember 1, 2022<October 30, 2022 Olivia Dean’s “Danger” Ignites Lush Soundscapes & Self-Empowerment While Falling Straight into Love by Rachel Leong
Columns, Editor's Picks, Features, MusicOctober 31, 2022<March 11, 2023 Editor’s Picks 78: Connie Constance, Lyves, ToBy, Holly Humberstone, Hayden Everett, & Runnner! by Mitch Mosk
Debut, Features, Interviews, MusicOctober 31, 2022<October 31, 2022 Shades of Grief: Alison Sudol on the Inspirations Behind New Album ‘Still Come the Night’ & the Importance of Making Space for Loss by Emily Frances Algar
Debut, Music, ReviewsOctober 31, 2022<October 31, 2022 Review: Babehoven’s Debut Album ‘Light Moving Time’ Fearlessly Takes on Difficult Themes by Kevin Krein
For the Love of Music
For the Love of Music
