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MYRNE © Jared Rezel
Features, Music, Reviews, Track-by-TrackMay 24, 2022<May 26, 2022

Finding Stillness in Turmoil: The Adventure & Emotion of MYRNE’s Soothing ‘Circles’ EP

by Mitch Mosk
The Darcys © Maya Fuhr
Columns, Music, Today's SongMay 24, 2022<May 24, 2022

Today’s Song: The Darcys’ “Washed Away” Is an Anthemic Reckoning with the Music Industry’s Constant Pressures

by Mitch Mosk
L'Imperatrice at Coachela 2022 © Mickey Pierre-Louis, Goldenvoice 2022
Interviews, Music, ReviewsMay 23, 2022<May 23, 2022

L’Impératrice: Shifting Pop Disco from Genre to Art Form

by Michael Greco
Andrew Combs © Alysse Gafkjen
Music, PremieresMay 23, 2022<May 23, 2022

Premiere: Singer/Songwriter Andrew Combs Finds Grace with “(God)less”

by Kelly McCafferty Dorogy
Debut, Music, Reviews, Track-by-TrackMay 23, 2022<May 23, 2022

A Place to Belong: A Track-by-Track Review of MOONWOOD’s ‘Everything We Once Knew’

by Joe Beer
Christian Lee Hutson © Jacob Boll
Features, Interviews, MusicMay 20, 2022<January 30, 2024

“Hope and Humor”: Christian Lee Hutson Dives into the Stories of New Album ‘Quitters’

by Nasim Elyasi
Sea Lemon © Raphael Gaultier
Debut, Features, Interviews, Music, Track-by-TrackMay 20, 2022<May 23, 2022

“Spiraling, Lush, & Bright”: Seattle’s Sea Lemon Is ‘Close Up’ & Personal on Dazzling, Dreamy Debut EP

by Mitch Mosk
Tamino © Jan Philipzen
Columns, Music, Today's SongMay 20, 2022<May 20, 2022

Today’s Song: Tamino’s “The First Disciple” Tells the Story of a Fallen Idol with Powerful Simplicity

by Lilly Eason
Atwood Magazine's Weekly Roundup | May 20, 2022
Columns, Features, Music, Weekly RoundupMay 20, 2022<May 20, 2022

Atwood Magazine’s Weekly Roundup: May 20, 2022

by Atwood Magazine Staff
Trousdale © Caity Krone
Features, Music, Reviews, Track-by-TrackMay 19, 2022<May 19, 2022

Embracing ‘What Happiness Is’: Indie Folk Trio Trousdale Shine on Truthful, Vulnerable, Optimistic Sophomore EP

by Mitch Mosk
II - Seafarers
Features, Interviews, Music, Track-by-TrackMay 19, 2022<May 19, 2022

“Lost & Searching, Small & Destructive”: The Unbearable, Hopeless Beauty of Seafarers’ Sophomore Album ‘II’

by Mitch Mosk
Bloc Party © Wunmi Onibudo
Features, Interviews, MusicMay 19, 2022<May 19, 2022

“Jaws Underneath Your Feet”: A Conversation with Bloc Party’s Kele Okereke

by Ben Niesen
Dru Cutler © Julia Fox
Columns, Music, Today's SongMay 19, 2022<May 19, 2022

Today’s Song: Brooklyn’s Dru Cutler Melts the Soul with Mellow “Vibrate”

by Chloe Robinson
Atwood Magazine's Editor's Picks 63
Columns, Editor's Picks, Features, MusicMay 18, 2022<September 29, 2022

Editor’s Picks 63: Phoebe Go, Charlie Burg, Tchotchke, Bartees Strange, Rozzi x Nile Rodgers, & Lizzie Reid!

by Mitch Mosk
Justin Christopher © 2022
Music, Music Videos, PremieresMay 18, 2022<May 18, 2022

Premiere: Justin Christopher Erupts with “Say,” a Smoldering & Searing Outpouring of the Soul

by Mitch Mosk
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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