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Cuffed Up © Ana Karotkaya
Music, PremieresOctober 26, 2022<October 26, 2022

Premiere: Cuffed Up’s Unapologetic New Post-Punk Song Is a Solid “10 for 10”

by Mitch Mosk
Laura Niquay © Monse Muro
Columns, Music, Music You Should Know, ReviewsOctober 26, 2022<October 25, 2022

Music You Should Know: The Energy and Emotion of Laura Niquay’s ‘Waska Matisiwin’

by Frankie Rose
Samia © Sophia Matinazad
Columns, Music, Today's SongOctober 26, 2022<October 25, 2022

Today’s Song: Samia Returns on Angel Wings with “Kill Her Freak Out”

by Nasim Elyasi
Rosemary & Garlic © Gema Perez
Columns, Music, Today's SongOctober 25, 2022<October 26, 2022

Today’s Song: Cherishing Life’s Memories Through Rosemary & Garlic’s Achingly Beautiful “Television”

by Mitch Mosk
Big Wild © Gareth McConnell
Features, Interviews, MusicOctober 25, 2022<October 25, 2022

Being Here Now: Big Wild on Connection, Self-Discovery, and “The Efferusphere”

by Anthony Kozlowski
'Shame' album art - Fable
Features, Interviews, MusicOctober 25, 2022<October 25, 2022

Interview: Fable on Her Debut Album ‘Shame’ and the Fall of a Generation

by Nic Nichols
Workhorse © Jordanne Chant
Debut, Features, Interviews, MusicOctober 24, 2022<October 24, 2022

Interview: Adelaide’s Workhorse Debuts with Lush, Dreamy, & Messy LP ‘No Photographs’

by Mitch Mosk
Being Funny in a Foreign Language - The 1975 10
Music, Our Take, ReviewsOctober 24, 2022<October 24, 2022

The 1975’s ‘Being Funny in a Foreign Language’ Is a Softly Stunning Masterpiece

by Mitch Mosk
Zella Day © Elizaveta Porodina
Features, Interviews, MusicOctober 24, 2022<October 24, 2022

Interview: A Whimsical Peek into Zella Day’s Personal Heaven

by Sophie Severs
Kuri © Camille Candia
Features, Interviews, Music, Track-by-TrackOctober 21, 2022<June 20, 2024

‘I Love You, You’re Welcome’: Kuri’s Smoldering Sophomore Album Is a Deep Breath of Longing & Healing

by Mitch Mosk
"Sun Cancer" video still - Drew Beskin & The Sunshine
Music, Music Videos, PremieresOctober 21, 2022<October 21, 2022

Premiere: Drew Beskin & The Sunshine Shine on Heartwarming Reverie, “Sun Cancer”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | October 21, 2022
Columns, Features, Music, Weekly RoundupOctober 21, 2022<October 22, 2022

Atwood Magazine’s Weekly Roundup: October 21, 2022

by Atwood Magazine Staff
zzzahara © Melissa Crumby
Debut, Features, Interviews, Music, Track-by-TrackOctober 21, 2022<October 21, 2022

liminal spaces: zzzahara’s Driving & Dreamy Debut Dwells in a Nostalgia-Laced Indie Rock Haze

by Mitch Mosk
Frankie Cosmos © Pooneh Ghana
Features, Interviews, MusicOctober 21, 2022<October 21, 2022

Tender, Warm & Sincere: Frankie Cosmos Look Inward in Fifth Album, ‘Inner World Peace’

by Sophie Severs
Here Goes Nothing! album art - Adam Melchor
Debut, Features, Interviews, MusicOctober 21, 2022<March 11, 2023

Interview: Adam Melchor Talks Love, Collaboration, & Putting It All Out on the Line on ‘Here Goes Nothing!’

by Rachel Leong
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Brand New

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters

:: discover something new ::

Recent Posts

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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