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The Happy Fits © Rahil Ashruff
Features, Interviews, Music, Track-by-TrackAugust 26, 2022<September 29, 2022

Feature: Embracing the End Times with The Happy Fits’ Dynamic, Feverish & Charged Third LP ‘Under the Shade of Green’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | August 26, 2022
Columns, Features, Music, Weekly RoundupAugust 26, 2022<August 26, 2022

Atwood Magazine’s Weekly Roundup: August 26, 2022

by Atwood Magazine Staff
The Howlers © Hattie Neate
Columns, Music, Today's SongAugust 26, 2022<August 26, 2022

Today’s Song: The Howlers Unapologetically Have “Nothing to Lose” in Their Soaring New Single

by Isabella Le
FUR © 2022
Features, Interviews, MusicAugust 26, 2022<August 26, 2022

(Re)setting Foundations and Coming Full Circle with FUR’s ‘Oldies & Goldies’

by Sophie Severs
Spring Summer © Mia Kirby
Debut, Features, Interviews, Music, Track-by-TrackAugust 25, 2022<August 25, 2022

“A Nostalgic Roller Coaster”: Spring Summer Shines on Glistening Debut “Midlife Crisis” Record, ‘T​.​E​.​A​.​R​.​S’

by Mitch Mosk
Ok Cowgirl © Max Brown
Music, PremieresAugust 25, 2022<August 25, 2022

Premiere: Ok Cowgirl Channel Romantic Frustration into Feverish & Spirited New Song “Just Friends”

by Mitch Mosk
CAAMP © Sophia Matinazad
Features, Interviews, MusicAugust 25, 2022<August 25, 2022

Interview: Enjoying the ‘Lavender Days’ with Ohio’s Caamp

by Kelly McCafferty Dorogy
Chris Lanzon © Lara Louise
Columns, Music, Today's SongAugust 25, 2022<August 25, 2022

Chris Lanzon’s “June” (ft. Eluera) Captures What It Means to Have a Love that Is So Close, Yet So Far

by Lauren Hicks
Orpheus - The Beaches © Becca Hamel
Columns, Music, Today's SongAugust 24, 2022<August 24, 2022

Today’s Song: Toronto’s The Beaches Captivate with a Dreamy, Enchanting & Emotional Ode to “Orpheus”

by Mitch Mosk
Blake Brown © Glenn Ross
Music, PremieresAugust 24, 2022<August 24, 2022

Premiere: Searching for Hope with Blake Brown & The American Dust Choir’s “Hold On”

by Mitch Mosk
Madeleine Mayi © 2022
Features, Interviews, Music, Track-by-TrackAugust 23, 2022<August 25, 2022

“Bittersweet, Wishful, & Blunt”: Madeleine Mayi Stirs the Soul with Intimate EP, ‘what happens when it hurts’

by Mitch Mosk
Mo Lowda & The Humble © Caleb Wilson
Features, Interviews, Music, Track-by-TrackAugust 23, 2022<June 25, 2025

“A musical deep breath”: Mo Lowda & the Humble’s Smoldering ‘Lily Pads / Snowbird’ EP

by Mitch Mosk
Christina Perri © Lauren Dunn
Features, Interviews, MusicAugust 23, 2022<August 23, 2022

“My Heartbreak Just Looks Different Now”: Christina Perri on How Her New Album Turned Her ‘A Lighter Shade of Blue’

by Emily Frances Algar
Elijah Wolf © Elle McLogan
Music, PremieresAugust 22, 2022<August 22, 2022

“Pain and Perspective”: Brooklyn’s Elijah Wolf Premieres Emotionally Charged New Single, “Holding This In”

by Mitch Mosk
Me Like Bees © 2022
Columns, Music, Today's SongAugust 19, 2022<August 18, 2022

Today’s Song: Me Like Bees Turn Up the Volume with Energetic Indie Rocker “Radio”

by Beau Hayhoe
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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