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Älskar - Nina Nesbitt
Features, Interviews, MusicSeptember 2, 2022<March 11, 2023

Interview: Nina Nesbitt Finds Her Love Language on Third LP ‘Älskar’

by Mitch Mosk
Darcy Lane © Tara Johnson
Debut, Music, PremieresSeptember 1, 2022<September 1, 2022

EP Premiere: Sydney’s Darcy Lane Debuts with ‘Heartquakes,’ a Record of Young Love’s Turmoil

by Mitch Mosk
Editors © Rahi Rezvani
Columns, Music, Today's SongSeptember 1, 2022<September 1, 2022

Today’s Song: The Intense Empowerment of Editors’ “Kiss”

by David Buyze
Features, Interviews, Music, Track-by-TrackAugust 31, 2022<August 31, 2022

The Best She Can: Savannah Conley’s New EP is Eleven Minutes of Beautifully Charged Unapologetic Upheaval

by Mitch Mosk
SEVENTEEN © PLEDIS Entertainment
Concerts, Music, ReviewsAugust 31, 2022<August 31, 2022

Live Review: Rocking with SEVENTEEN at ‘BE THE SUN’ in Los Angeles

by Isabella Le
Motel Radio © Michael Tucker
Features, Interviews, MusicAugust 31, 2022<August 31, 2022

Feature: Coming Full Circle with Motel Radio

by Guest Writer
MisterWives © Matty Vogel
Columns, Music, Today's SongAugust 31, 2022<August 31, 2022

Today’s Song: Reveling in MisterWives’ Cathartic and Catchy “Wrongside”

by Kelly McCafferty Dorogy
Nataly Dawn © 2022
Features, Interviews, Music, Track-by-TrackAugust 30, 2022<August 31, 2022

“Pretty Damn Hopeful”: Pomplamoose’s Nataly Dawn Soars & Stirs on Beautifully Intimate ‘Gardenview’

by Mitch Mosk
2030 Revolution - Dylan Fraser © Ho Hai Tran
Features, Interviews, Music, Track-by-TrackAugust 30, 2022<August 30, 2022

“Swirly, Distorted, Ambience”: Basking in the Throes of Dylan Fraser’s Urgent & Unapologetic ‘2030 Revolution’

by Mitch Mosk
Christie Huff © Hazel Choo
Music, ReviewsAugust 30, 2022<August 30, 2022

Review: Christie Huff Peels Back Every Layer of Emotion in ‘Favorites Collection’

by Chloe Robinson
Freakscene - The Story of Dinosaur Jr.
A Casual Ramble, Columns, MusicAugust 30, 2022<March 2, 2025

A Casual Ramble: Mumbling Through a Freak Scene

by Ben Niesen
Indigo De Souza © Charlie Boss
Columns, Music, Today's SongAugust 30, 2022<August 30, 2022

Today’s Song: Indigo De Souza Finds Her Own Balance in “Hold U”

by Nic Nichols
Juliana Madrid © Benjamin Ruttner
Debut, Features, Interviews, Music, Track-by-TrackAugust 29, 2022<August 29, 2022

“A Giant Diary Entry”: Juliana Madrid’s Personal, Hot, & Exciting Coming-of-Age Debut EP

by Mitch Mosk
Darkbird © Dustin Cohen
Music, Music Videos, PremieresAugust 29, 2022<August 29, 2022

Premiere: Self-Love & Reckoning in Darkbird’s Visceral “3-2-Wake Up”

by Mitch Mosk
Columns, Music, Today's SongAugust 29, 2022<August 29, 2022

Today’s Song: The Emotional Encapsulation of Familial Adoration in Lisabel’s New Single “Flor de Louis”

by Joe Beer
Posts pagination
1 … 232 233 234 235 236 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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