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Charlie Burg © Dannah Gottlieb
Columns, Music, Today's SongMay 30, 2022<May 30, 2022

Today’s Song: Charlie Burg’s Nostalgic “97 Avalon” Is a Heartfelt Letter to Life & Living

by Rachel Leong
Fergus © Matthew Thorne
Debut, Features, Interviews, Music, Track-by-TrackMay 27, 2022<May 27, 2022

‘Love Upside Down’ (and Inside Out): Fergus Dives into His Stunningly Beautiful Debut Album

by Mitch Mosk
Warpaint © 2022 7.5
Music, Our Take, ReviewsMay 27, 2022<May 27, 2022

Our Take: Warpaint Get Under Our Skin with ‘Radiate Like This’

by Ben Niesen
Jmsey © 2022
Asian American and Pacific Islander Heritage Month, Columns, MusicMay 27, 2022<May 27, 2022

The Media’s Portrayal of Asian Men Influences Self-Perception: An Essay by JMSEY

by Guest Writer
Brynn Cartelli © Elinor Kry
Columns, Music, Today's SongMay 27, 2022<May 27, 2022

Today’s Song: Brynn Cartelli Shines with Dreamy Pop Anthem “Gemini”

by Kelly McCafferty Dorogy
Atwood Magazine's Weekly Roundup | May 27, 2022
Columns, Features, Music, Weekly RoundupMay 27, 2022<May 27, 2022

Atwood Magazine’s Weekly Roundup: May 27, 2022

by Atwood Magazine Staff
Sophomore Slump - Daisy Grenade
Features, Interviews, Music, Track-by-TrackMay 26, 2022<June 5, 2022

(Don’t Call It a) ‘Sophomore Slump’: Brooklyn’s Daisy Grenade Shine on Glittery, Raw, & Cheeky Debut EP

by Mitch Mosk
Michelle Willis © Dave Goddard
Features, Interviews, Music, Track-by-TrackMay 26, 2022<May 26, 2022

Just One Voice: Inside Michelle Willis’ Cathartic, Groovy, & Triumphant Sophomore Album

by Mitch Mosk
Mr. Morale & the Big Steppers - Kendrick Lamar © Renell Medrano 8.7
Music, Our Take, ReviewsMay 26, 2022<May 26, 2022

Our Take: Kendrick Lamar Emerges Gloriously from Hiatus on ‘Mr. Morale & the Big Steppers’

by Josh Weiner
NoSo © Bella Rose Porter
Asian American and Pacific Islander Heritage Month, Columns, MusicMay 26, 2022<May 27, 2022

My Midwest Childhood As a Trans Korean-American: An Essay by NoSo

by Guest Writer
The Wonder Years © Kelly Mason
Columns, Music, Today's SongMay 26, 2022<May 27, 2022

Today’s Song: The Wonder Years Look Back on Sweet Beach Days with “Summer Clothes”

by James Crowley
Atwood Magazine's Editor's Picks 64
Columns, Editor's Picks, Features, MusicMay 25, 2022<September 29, 2022

Editor’s Picks 64: Mega, bLAck pARty, Florist, G Flip, Johnny Hunter, & Bobbing x Maddie Jay!

by Mitch Mosk
Bathe Alone © Nic Huey
Music, Music Videos, PremieresMay 25, 2022<May 25, 2022

Premiere: Bathe Alone’s Urgent & Inspiring “Animals & Trees” Is an Impassioned Dream Pop Upheaval

by Mitch Mosk
NoSo © Bella Rose Porter
Columns, Music, Today's SongMay 25, 2022<May 25, 2022

Today’s Song: NoSo’s Intimate Rebirth “Parasites” Is a Beautiful, Spiritual Celebration

by Mitch Mosk
Eliza & The Delusionals © Luke Henery
Debut, Features, Interviews, Music, Track-by-TrackMay 24, 2022<September 29, 2022

“Perspective & Nostalgia”: Eliza & The Delusionals Shine on Their Triumphant Coming-of-Age Debut, ‘Now and Then’

by Mitch Mosk
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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