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The Brazen Youth © 2022
Features, Interviews, Music, Track-by-TrackOctober 20, 2022<October 20, 2022

Refuge and Raw Reckoning: The Brazen Youth’s ‘Eagle, Idaho’ Is a Breathtaking Soundtrack to Tragedy, Grief, & Growth

by Mitch Mosk
FVNERAL © Jay Wennington
Debut, Features, Interviews, Music, Track-by-TrackOctober 20, 2022<October 20, 2022

Bathtub Stoner Blues: FVNERAL’s ‘WHEN I GET SOBER’ EP Is an Achingly Vulnerable “Bruce Springsteemo” Debut

by Mitch Mosk
Daisy the Great © Kristen Jan Wong
Features, Interviews, MusicOctober 20, 2022<October 20, 2022

Interview: Daisy the Great Explore the Size of Their Sound with Sophomore Album ‘All You Need Is Time’

by Michael Greco
Gabriels' Jacob Lusk © Melodie McDaniel
Debut, Features, Interviews, MusicOctober 20, 2022<October 23, 2022

Interview: Gabriels Remind Us We’re All Spiritual Beings with ‘Angels & Queens’

by Jamie Kahn
Frances Luke Accord © Luke Jackson
Music, PremieresOctober 20, 2022<October 20, 2022

Premiere: Frances Luke Accord Rise with Warm Folk-Fueled Call to Action, “Window”

by Mitch Mosk
Tyson Motsenbocker © 2022
Features, Interviews, Music, Track-by-TrackOctober 19, 2022<October 19, 2022

Milk Teeth: Tyson Motsenbocker Reckons with Childhood vs. Adulthood in His Achingly Tender, Beautifully Raw & Dreamy Third LP

by Mitch Mosk
"My perspective, it's the best seat in the house!" The Killers' Ronnie Vannucci Jr. © Chris Phelps
Features, Interviews, MusicOctober 19, 2022<October 19, 2022

Interview: The Killers’ Ronnie Vannucci Jr. Talks Springsteen, Pressure Machine, Legacy, Tour, & More

by Mitch Mosk
Atwood Magazine Editor's Picks 77
Columns, Editor's Picks, Features, MusicOctober 18, 2022<March 11, 2023

Editor’s Picks 77: Wheelwright, Sam Austins, Morning Midnight, zzzahara, Mary Anne’s Polar Rig, & Lexi Jayde!

by Mitch Mosk
Ship Wrek © Zach Scheibel
Interviews, MusicOctober 18, 2022<October 18, 2022

Interview: LA Duo Ship Wrek Discuss Touring, Collaborations, and New EP ‘Metaphysical’

by Michael Greco
"Letter to My Ex (Thank You, Goodbye)" music video still - Sohodolls
Music, Music Videos, PremieresOctober 18, 2022<October 18, 2022

Premiere: Sohodolls Get the Last Word with Stunning “Letter to My Ex (Thank You, Goodbye)”

by Mitch Mosk
BLOODMOON © James Adams
Debut, Features, Interviews, MusicOctober 17, 2022<January 12, 2023

Interview: Dougy Mandagi Makes a Fresh Start with BLOODMOON’s Breathtaking Debut EP, ‘Giving Up Air’

by Mitch Mosk
Wild Pink 'ILYSM' © Mitchell Wojcik
Features, Interviews, MusicOctober 17, 2022<March 30, 2024

Interview: Wild Pink’s John Ross Talks Gorgeous New LP ‘ILYSM,’ Beating Cancer, & the Frightening Realities of Touring

by Beau Hayhoe
Tribe Friday © Miranda Fredricksson
Debut, Features, Interviews, Music, Track-by-TrackOctober 14, 2022<October 14, 2022

‘bubblegum emo’: Sweden’s Tribe Friday Debut with Style, Drive, & Raw Passion

by Mitch Mosk
Atwood Magazine's Weekly Roundup | October 14, 2022
Columns, Features, Music, Weekly RoundupOctober 14, 2022<June 15, 2023

Atwood Magazine’s Weekly Roundup: October 14, 2022

by Atwood Magazine Staff
Betty Who © Kate Biel
Features, Interviews, MusicOctober 14, 2022<March 11, 2023

Interview: Betty Who is Ready to Dance in a ‘BIG!’ Way

by Audrey Steeves
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Brand New

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters

:: discover something new ::

Recent Posts

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
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