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Maisie Peters © Sonny McCartney
Columns, Music, Today's SongAugust 18, 2022<September 29, 2022

Conflict Breeds Confidence with Maisie Peters’ “Good Enough” & “Blonde”

by Kelly McCafferty Dorogy
Pertinence © Isaiah Mirigian
Features, Interviews, MusicAugust 18, 2022<August 17, 2022

The Newest “Waterboy”: An Introduction to Rising Arizona Rapper Pertinence

by Lauren Hicks
Steven Malcolm © 2022
Columns, Music, Today's SongAugust 17, 2022<August 19, 2022

Today’s Song: How to Achieve a Scintillating “Summertime” with Steven Malcolm & Two Inspiring Guests

by Josh Weiner
Jukebox the Ghost © Shervin Lainez
Features, Interviews, MusicAugust 17, 2022<September 29, 2022

“We’re a Little Bit Ridiculous”: Jukebox the Ghost’s Ben Thornewill Talks Band’s Early Years, His Love for Chaos, & New Album ‘Cheers’

by Madeleine Eggen
Sean Marshall © 2022
Music, PremieresAugust 16, 2022<August 16, 2022

Premiere: The Charm, Charge, & Churn of Sean Marshall’s “Glucose”

by Mitch Mosk
Plastic Picnic © Bronson Snelling
Debut, Features, Interviews, Music, Track-by-TrackAugust 16, 2022<August 16, 2022

“Sunsets, Pain, Relinquish”: Brooklyn’s Plastic Picnic Uplift & Inspire on Debut LP ‘As Long As You Need’

by Mitch Mosk
Imaad Wasif © Sharon Lockhart, Alex Slade
Features, Interviews, Music, Track-by-TrackAugust 15, 2022<August 15, 2022

“I want to create magic”: Imaad Wasif Unveils His Intimate, Soothing & Regenerative Album, ‘So Long Mr. Fear’

by Mitch Mosk
Nick Leng © 2022
Features, Interviews, MusicAugust 15, 2022<August 15, 2022

Interview: Falling in Love with Nick Leng

by Nasim Elyasi
In My Car - Rat Tally
Debut, Features, Interviews, Music, Track-by-TrackAugust 15, 2022<September 29, 2022

“Anxiety, Nostalgia, & Failure”: Rat Tally Digs Through Trauma & Soars on Debut Album, ‘In My Car’

by Mitch Mosk
'Renaissance' Beyoncé © Carlijn Jacobs 9.3
Music, Our Take, ReviewsAugust 15, 2022<August 15, 2022

Our Take: The Queen Bee Beyoncé Stings Again on the Dazzling ‘Renaissance’

by Josh Weiner
Fantastic Cat © Shervin Lainez
Artist to Watch, Debut, Features, Interviews, Music, Track-by-TrackAugust 12, 2022<January 30, 2025

Folk Rock Supergroup Fantastic Cat Soar on Fun, Loose, & Honest Debut Album, ‘The Very Best of Fantastic Cat’

by Mitch Mosk
Cheekface © Miriam Brummel
Music, ReviewsAugust 12, 2022<August 12, 2022

Review: Cheekface Light It All Up with Irony & Fury On ‘Too Much To Ask’

by James Crowley
Kevin Holliday © Kisanet Bezabih
Interviews, MusicAugust 12, 2022<August 12, 2022

Interview: Brooklyn’s Kevin Holliday Pulls Musical Genres in & Pushes Romantic Feelings Out on New Single, “Out of Me”

by Josh Weiner
McCall © Ren Shelborne
Artist to Watch, Debut, Features, Interviews, Music, Track-by-TrackAugust 10, 2022<August 10, 2022

Lush, Gritty, & Confessional: McCall Captivates on Charged & Churning Debut Album, ‘…to be a dream…’

by Mitch Mosk
Rudy Lyle, The Unsung Hero of the Five-String Banjo - Max Wareham
Books, Music, ReviewsAugust 10, 2022<August 10, 2022

Review: Max Wareham’s Debut Book, “Rudy Lyle: The Unsung Hero of the Five-String Banjo”

by Guest Writer
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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