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Warpaint © 2022 7.5
Music, Our Take, ReviewsMay 27, 2022<May 27, 2022

Our Take: Warpaint Get Under Our Skin with ‘Radiate Like This’

by Ben Niesen
Jmsey © 2022
Asian American and Pacific Islander Heritage Month, Columns, MusicMay 27, 2022<May 27, 2022

The Media’s Portrayal of Asian Men Influences Self-Perception: An Essay by JMSEY

by Guest Writer
Brynn Cartelli © Elinor Kry
Columns, Music, Today's SongMay 27, 2022<May 27, 2022

Today’s Song: Brynn Cartelli Shines with Dreamy Pop Anthem “Gemini”

by Kelly McCafferty Dorogy
Atwood Magazine's Weekly Roundup | May 27, 2022
Columns, Features, Music, Weekly RoundupMay 27, 2022<May 27, 2022

Atwood Magazine’s Weekly Roundup: May 27, 2022

by Atwood Magazine Staff
Sophomore Slump - Daisy Grenade
Features, Interviews, Music, Track-by-TrackMay 26, 2022<June 5, 2022

(Don’t Call It a) ‘Sophomore Slump’: Brooklyn’s Daisy Grenade Shine on Glittery, Raw, & Cheeky Debut EP

by Mitch Mosk
Michelle Willis © Dave Goddard
Features, Interviews, Music, Track-by-TrackMay 26, 2022<May 26, 2022

Just One Voice: Inside Michelle Willis’ Cathartic, Groovy, & Triumphant Sophomore Album

by Mitch Mosk
Mr. Morale & the Big Steppers - Kendrick Lamar © Renell Medrano 8.7
Music, Our Take, ReviewsMay 26, 2022<May 26, 2022

Our Take: Kendrick Lamar Emerges Gloriously from Hiatus on ‘Mr. Morale & the Big Steppers’

by Josh Weiner
NoSo © Bella Rose Porter
Asian American and Pacific Islander Heritage Month, Columns, MusicMay 26, 2022<May 27, 2022

My Midwest Childhood As a Trans Korean-American: An Essay by NoSo

by Guest Writer
The Wonder Years © Kelly Mason
Columns, Music, Today's SongMay 26, 2022<May 27, 2022

Today’s Song: The Wonder Years Look Back on Sweet Beach Days with “Summer Clothes”

by James Crowley
Atwood Magazine's Editor's Picks 64
Columns, Editor's Picks, Features, MusicMay 25, 2022<September 29, 2022

Editor’s Picks 64: Mega, bLAck pARty, Florist, G Flip, Johnny Hunter, & Bobbing x Maddie Jay!

by Mitch Mosk
Bathe Alone © Nic Huey
Music, Music Videos, PremieresMay 25, 2022<May 25, 2022

Premiere: Bathe Alone’s Urgent & Inspiring “Animals & Trees” Is an Impassioned Dream Pop Upheaval

by Mitch Mosk
NoSo © Bella Rose Porter
Columns, Music, Today's SongMay 25, 2022<May 25, 2022

Today’s Song: NoSo’s Intimate Rebirth “Parasites” Is a Beautiful, Spiritual Celebration

by Mitch Mosk
Eliza & The Delusionals © Luke Henery
Debut, Features, Interviews, Music, Track-by-TrackMay 24, 2022<September 29, 2022

“Perspective & Nostalgia”: Eliza & The Delusionals Shine on Their Triumphant Coming-of-Age Debut, ‘Now and Then’

by Mitch Mosk
MYRNE © Jared Rezel
Features, Music, Reviews, Track-by-TrackMay 24, 2022<May 26, 2022

Finding Stillness in Turmoil: The Adventure & Emotion of MYRNE’s Soothing ‘Circles’ EP

by Mitch Mosk
The Darcys © Maya Fuhr
Columns, Music, Today's SongMay 24, 2022<May 24, 2022

Today’s Song: The Darcys’ “Washed Away” Is an Anthemic Reckoning with the Music Industry’s Constant Pressures

by Mitch Mosk
Posts pagination
1 … 247 248 249 250 251 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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