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Doll Spirit Vessel © Doll Spirit Vessel
MusicJuly 7, 2022<July 7, 2022

Premiere: Doll Spirit Vessel’s Relaxing, Dreamy Sophomore Single “Something Small”

by Mitch Mosk
PRONOUN © 2021
Features, Interviews, Music, Track-by-TrackJuly 7, 2022<July 9, 2022

“The sound of depression trying to have a good time”: Pronoun’s Emotionally Charged ‘OMG I MADE IT’ EP

by Mitch Mosk
Atwood Magazine's Editor's Picks 70
MusicJuly 6, 2022<September 29, 2022

Editor’s Picks 70: Ash Grunwald, Sydney Sprague, Plastic Picnic, Louien, Motel Radio, & Georgie!

by Mitch Mosk
Eric Bolton © Gold House Studios
Columns, Essays, Music, Pride MonthJuly 6, 2022<July 6, 2022

“The Song or the Story?”: A Pride Month Essay by Eric Bolton

by Guest Writer
Little Fuss © Tori Spadaro
Music, Music Videos, PremieresJuly 6, 2022<July 6, 2022

Premiere: Little Fuss’ Dreamy & Energetic “20 Questions”

by Kelly McCafferty Dorogy
The Burma @ Ciara O'Toole
Music, Music Videos, PremieresJuly 6, 2022<July 6, 2022

Premiere: Irish Indie Rock Trio The Burma Uplift & Enchant with Spirited Anthem “Sleepers”

by Mitch Mosk
Vinyl Days - Logic 8
Music, Our Take, ReviewsJuly 6, 2022<July 2, 2022

Our Take: Logic Quickly Cuts His Retirement Short with the Poppin’ ‘Vinyl Days’

by Josh Weiner
Tunes & Tumblers x Djo & Maya Hawke
Music, Podcast, Tunes & TumblersJuly 6, 2022<April 30, 2023

Podcast: Tunes & Tumblers’ Century Club Celebrates Stranger Things and a Vecna’s Web (ft. Ruby Sparks)

by Atwood Magazine Staff
The Buckleys © Kimberley Vecsei
Columns, Music, Today's SongJuly 6, 2022<July 5, 2022

Today’s Song: “Oops I Love You,” The Buckleys’ Happy Little Accident

by Sophie Severs
French Cassettes (L-R): Scott Huerta, Rob Mills, Andy St. James, Mac Bunch
A Casual Ramble, Columns, Interviews, MusicJuly 5, 2022<July 5, 2022

A Casual Ramble: Summer, the California Sound, and French Cassettes’ ‘Rolodex’

by Ben Niesen
Matilda Bond © Maja Löfgren
Columns, Essays, Music, Pride MonthJuly 5, 2022<July 8, 2022

“Art Reflects the World Around the Artist”: A Pride Month Essay by Matilda Bond

by Guest Writer
Fab the Duo
Columns, Music, Today's SongJuly 5, 2022<July 4, 2022

Today’s Song: Fab the Duo’s Resonant, Ambitious Alt-Rock Anthem “Chill Pill”

by Joe Beer
Superpoze © François Quillacq
Interviews, MusicJuly 4, 2022<July 2, 2022

Piano, Philosophy, & Penmanship: A Conversation with French Artist Superpoze

by Josh Weiner
Carla Morrison © Esteban Calderón
Music, ReviewsJuly 1, 2022<July 1, 2022

Carla Morrison Across Borders: A Review of ‘El Renacimiento’

by David Buyze
RY X © Clifford Usher
Features, Interviews, Music, Track-by-TrackJuly 1, 2022<July 1, 2022

‘Blood Moon’: RY X Dwells in Raw Depths on His Honest, Expansive, & Hauntingly Beautiful Third Album

by Mitch Mosk
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Brand New

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters

:: discover something new ::

Recent Posts

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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