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Atwood Magazine's Weekly Roundup | February 25, 2022
Columns, Features, Music, Weekly RoundupFebruary 25, 2022<February 25, 2022

Atwood Magazine’s Weekly Roundup: February 25, 2022

by Atwood Magazine Staff
Miles Francis © Shervin Lainez
Music, Music Videos, PremieresFebruary 25, 2022<February 25, 2022

Premiere: Miles Francis Parts the Clouds with “Rainjacket”

by Nasim Elyasi
June Road © Charlene van Hall
Columns, Debut, Music, Today's SongFebruary 25, 2022<February 25, 2022

Today’s Song: June Road “Seize the Day” on Captivating, Spirited Indie Folk Debut

by Mitch Mosk
Liam Benzvi © 2022
Debut, Features, Music, Reviews, Track-by-TrackFebruary 24, 2022<February 24, 2022

“Swell, Hum, & Oops”: Liam Benzvi Charms with Dynamic & Dazzling Debut Album ‘Acts of Service’

by Mitch Mosk
Molly Burman © Sarah Beshiri
Music, PremieresFebruary 24, 2022<February 24, 2022

Premiere: Molly Burman Confronts Perfection on Beautiful, Empowered & Liberating “Pretty Girl”

by Mitch Mosk
Andy Zipf © Shervin Lainez
Music, PremieresFebruary 24, 2022<February 24, 2022

Premiere: Inside Andy Zipf’s Tranquil & Stirring New Single, “Did You Know I Was A Ghost?”

by Mitch Mosk
riela © Daniel Sanjur
Interviews, MusicFebruary 24, 2022<February 23, 2022

From Rags to Riches to Wand Swishes: Riela Channels Tarot Magic Themes In New Trilogy of EPs

by Josh Weiner
Earl Sweatshirt © Lindsay Ellary
Music, ReviewsFebruary 24, 2022<February 24, 2022

Reflection and Evolution: Earl Sweatshirt’s ‘SICK!’ Looks to the Future by Taking Stock of the Past

by Adam Davidson
Grow This Garden - For Tuesday, Emorie
Columns, Music, Today's SongFebruary 23, 2022<February 23, 2022

Today’s Song: For Tuesday & Emorie Evoke Quiet Indie Folk Wonder in “Grow This Garden”

by Mitch Mosk
Lawrence live in NYC © Deanie Chen
Features, Music, Reviews, Track-by-TrackFebruary 23, 2022<February 23, 2022

Track-by-Track: Lawrence’s ‘Hotel TV’ Is an Epic, Quirky & Soulful Soundtrack to Everyday Living

by Mitch Mosk
Zander Schloss © Geoff Moore
Features, MusicFebruary 23, 2022<October 12, 2022

Feature: The Story of Zander Schloss’ Life

by Lilly Eason
Melody Federer © 2022
Music, PremieresFebruary 23, 2022<February 23, 2022

Premiere: The Tender, Heartwrenching Ache of Melody Federer’s “Sometimes I Cry”

by Mitch Mosk
Erisy Watt © Hannah Garrett
Music, PremieresFebruary 22, 2022<February 22, 2022

Premiere: Singer/Songwriter Erisy Watt’s “Big Sky” Relishes the Warm Bliss of Freedom

by Mitch Mosk
Jared Lindbloom © Marcus Middleton
Music, PremieresFebruary 22, 2022<April 13, 2022

Premiere: Pink Honey Moan’s Dynamic “Make Believe” Is a Song of Truth, Layers, & Understanding

by Mitch Mosk
Self Saboteur - Davey Harris
Columns, Debut, Music, Today's SongFebruary 21, 2022<February 17, 2022

Today’s Song: Davey Harris’ Moody & Introspective Debut Single “Self Saboteur”

by Chloe Robinson
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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