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L'Imperatrice at Coachela 2022 © Mickey Pierre-Louis, Goldenvoice 2022
Interviews, Music, ReviewsMay 23, 2022<May 23, 2022

L’Impératrice: Shifting Pop Disco from Genre to Art Form

by Michael Greco
Andrew Combs © Alysse Gafkjen
Music, PremieresMay 23, 2022<May 23, 2022

Premiere: Singer/Songwriter Andrew Combs Finds Grace with “(God)less”

by Kelly McCafferty Dorogy
Debut, Music, Reviews, Track-by-TrackMay 23, 2022<May 23, 2022

A Place to Belong: A Track-by-Track Review of MOONWOOD’s ‘Everything We Once Knew’

by Joe Beer
Christian Lee Hutson © Jacob Boll
Features, Interviews, MusicMay 20, 2022<January 30, 2024

“Hope and Humor”: Christian Lee Hutson Dives into the Stories of New Album ‘Quitters’

by Nasim Elyasi
Sea Lemon © Raphael Gaultier
Debut, Features, Interviews, Music, Track-by-TrackMay 20, 2022<May 23, 2022

“Spiraling, Lush, & Bright”: Seattle’s Sea Lemon Is ‘Close Up’ & Personal on Dazzling, Dreamy Debut EP

by Mitch Mosk
Tamino © Jan Philipzen
Columns, Music, Today's SongMay 20, 2022<May 20, 2022

Today’s Song: Tamino’s “The First Disciple” Tells the Story of a Fallen Idol with Powerful Simplicity

by Lilly Eason
Atwood Magazine's Weekly Roundup | May 20, 2022
Columns, Features, Music, Weekly RoundupMay 20, 2022<May 20, 2022

Atwood Magazine’s Weekly Roundup: May 20, 2022

by Atwood Magazine Staff
Trousdale © Caity Krone
Features, Music, Reviews, Track-by-TrackMay 19, 2022<May 19, 2022

Embracing ‘What Happiness Is’: Indie Folk Trio Trousdale Shine on Truthful, Vulnerable, Optimistic Sophomore EP

by Mitch Mosk
II - Seafarers
Features, Interviews, Music, Track-by-TrackMay 19, 2022<May 19, 2022

“Lost & Searching, Small & Destructive”: The Unbearable, Hopeless Beauty of Seafarers’ Sophomore Album ‘II’

by Mitch Mosk
Bloc Party © Wunmi Onibudo
Features, Interviews, MusicMay 19, 2022<May 19, 2022

“Jaws Underneath Your Feet”: A Conversation with Bloc Party’s Kele Okereke

by Ben Niesen
Dru Cutler © Julia Fox
Columns, Music, Today's SongMay 19, 2022<May 19, 2022

Today’s Song: Brooklyn’s Dru Cutler Melts the Soul with Mellow “Vibrate”

by Chloe Robinson
Atwood Magazine's Editor's Picks 63
Columns, Editor's Picks, Features, MusicMay 18, 2022<September 29, 2022

Editor’s Picks 63: Phoebe Go, Charlie Burg, Tchotchke, Bartees Strange, Rozzi x Nile Rodgers, & Lizzie Reid!

by Mitch Mosk
Justin Christopher © 2022
Music, Music Videos, PremieresMay 18, 2022<May 18, 2022

Premiere: Justin Christopher Erupts with “Say,” a Smoldering & Searing Outpouring of the Soul

by Mitch Mosk
Delfest 2022
Festival, Music, ReviewsMay 18, 2022<May 19, 2022

Festival Preview: DelFest ’22 Brings Bluegrass & Roots Music Back to Cumberland, Maryland

by Guest Writer
Phantom Isle © Katie Willoughby
Music, ReviewsMay 18, 2022<May 18, 2022

Review: London’s Phantom Isle Bring a Sparkling Nostalgia with New EP ‘Out of Blue’

by Chloe Robinson
Posts pagination
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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