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Chemistry - Timi Afilaka
Music, PremieresMay 18, 2022<May 18, 2022

Premiere: Timi Afilaka Inspires Positive Vibes with Sunny, Seductive Single “Chemistry”

by Mitch Mosk
Prince Daddy & The Hyena © Brooke Marsh
Columns, Music, Today's SongMay 18, 2022<May 18, 2022

Today’s Song: Prince Daddy & The Hyena Bring Car Crash Intensity to Their Self-Titled Album

by James Crowley
Ellevator © Stephanie Montani
Debut, Features, Interviews, Music, Track-by-TrackMay 17, 2022<May 19, 2022

“World’s Hardest Soft Rock”: Ontario’s Ellevator Ignite on Debut ‘The Words You Spoke Still Move Me’

by Mitch Mosk
Wy © Lamia Karic
Columns, Music, Today's SongMay 17, 2022<May 17, 2022

“And it’s you who’s turning out the lights”: Wy’s Raw “Teeth” Is an Achingly Heartfelt & Helpless Reckoning

by Mitch Mosk
bedroom walls - November Ultra
Debut, Features, Interviews, Music, Track-by-TrackMay 16, 2022<May 16, 2022

“Ultra, Intimate, & Layered”: November Ultra Breaks Down Her Debut Album ‘bedroom walls’

by Mitch Mosk
Benjamin Carter © Abraham Azab
Music, Music Videos, PremieresMay 16, 2022<May 16, 2022

Video Premiere: “Lost Control” Is Benjamin Carter’s Feverish Cry for Help

by Mitch Mosk
Bears Den © Bennie Curnow
Features, Interviews, MusicMay 16, 2022<September 29, 2022

“Blue Hours felt like a name for my own depression”: An Interview with Bear’s Den’s Andrew Davie

by Mitch Mosk
My Chemical Romance © Devin Sarno
Columns, Music, Today's SongMay 16, 2022<May 16, 2022

Today’s Song: My Chemical Romance’s “The Foundations of Decay” Announces a Larger-Than-Life Rebirth

by Sophie Prettyman-Beauchamp
Mild West © Charlie Hardy
Debut, Features, Interviews, Music, Track-by-TrackMay 13, 2022<May 16, 2022

“Digital Age Ruminations”: Inside Mild West’s Dark & Cinematic Debut Album, ‘Machine Learning’

by Mitch Mosk
Charlie Collins © She Is Aphrodite
Features, Interviews, Music, Track-by-TrackMay 13, 2022<June 2, 2022

“Heartbreak in its purest form”: Charlie Collins Is ‘Undone’ But Triumphant in Unfiltered, Cathartic & Charged Sophomore LP

by Mitch Mosk
Superbloom © Nia Garza
Columns, Music, Today's SongMay 13, 2022<May 13, 2022

Today’s Song: Brooklyn’s Superbloom Release a Fast n’ Feverish Grunge Upheaval in “Falling Up”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | May 13, 2022
Columns, Features, Music, Weekly RoundupMay 13, 2022<May 13, 2022

Atwood Magazine’s Weekly Roundup: May 13, 2022

by Atwood Magazine Staff
Max Frost © JT Boehme
Features, Interviews, Music, Track-by-TrackMay 12, 2022<June 29, 2022

“Electric Love Nostalgia”: Max Frost Dreams Big & Soars on Irresistible, Free-Spirited ‘Flying Machines’ EP

by Mitch Mosk
Pictoria Vark © Sophie Prettyman-Beauchamp
Debut, Features, Interviews, MusicMay 12, 2022<May 16, 2023

Interview: Pictoria Vark Opens Up a World of Possibility with Debut ‘The Parts I Dread’

by Sophie Prettyman-Beauchamp
Valley © Becca Hamel
Columns, Music, Today's SongMay 12, 2022<May 12, 2022

Today’s Song: Valley’s Buoyant & Bubbly “CHAMPAGNE” Is the Anthem We All Need Right Now

by Mitch Mosk
Posts pagination
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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