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Atwood Magazine's Weekly Roundup | Songs of Protest & Empowerment
Columns, Features, Music, Weekly RoundupJuly 1, 2022<July 1, 2022

Atwood Magazine’s Weekly Roundup: Songs of Protest & Empowerment

by Atwood Magazine Staff
Thee Sacred Souls © Gustavo Olivares
Columns, Music, Today's SongJuly 1, 2022<June 30, 2022

Today’s Song: Sweet Soul & Gentle Grooves in Thee Sacred Souls’ Newest Single, “Easier Said Than Done”

by Lauren Hicks
Noah Reid © Eric Hobbs
Features, Interviews, MusicJune 30, 2022<September 29, 2022

‘Adjustments’: Noah Reid Opens Up About His Intimate, Epic, & Stirring Third Album

by Mitch Mosk
Éclo © Akvilė Bukauskaite
Debut, Music, PremieresJune 30, 2022<June 30, 2022

“Pine, Glimmer, Butterscotch”: Éclo (Hibou’s Peter Michel) Hatches with Wondrous Indie Folk on Self-Titled Debut

by Mitch Mosk
Jada Michael © 2022
Columns, Essays, Music, Pride MonthJune 30, 2022<June 30, 2022

“Ready to GO”: A Pride Month Essay by Jada Michael

by Guest Writer
Agender © Lindsey Byrnes
Columns, Essays, Music, Pride MonthJune 30, 2022<June 30, 2022

“QUEER CORE”: A Pride Month Essay by Agender’s Romy Hoffman

by Guest Writer
globe - carwash
Columns, Music, Today's SongJune 30, 2022<June 30, 2022

Today’s Song: DIY Darling carwash Breathes Summer Nostalgia into “globe”

by Jamie Kahn
Tunes & Tumblers x Max Frost 2022
Music, Podcast, Tunes & TumblersJune 29, 2022<April 30, 2023

Podcast: Tunes & Tumblers Features Max Frost and a Flying Machine

by Atwood Magazine Staff
Atwood Magazine's Editors Picks 69
Columns, Editor's Picks, Features, MusicJune 29, 2022<September 29, 2022

Editor’s Picks 69: James Bay, Ashe, Djo, Lissy Taylor, Braxton Cook, & MYTBE!

by Mitch Mosk
The Rare Occasions © Alex Justice
Music, PremieresJune 29, 2022<August 29, 2024

Premiere: The Rare Occasions Surf Stormy Waves on Spirited New Single “Seasick”

by Mitch Mosk
McCall © Haley Minyoung Kreofsky
Columns, Essays, Music, Pride MonthJune 29, 2022<January 20, 2023

“Corporate Pride: Selling Our Identity Back to Us”: A Pride Month Essay by McCall

by Guest Writer
Long Neck © 2022
Columns, Music, Today's SongJune 29, 2022<June 28, 2022

Today’s Song: Long Neck Revisits the Tensions of Being an ‘Essential Worker’ on “558”

by Kevin Krein
KEZRA © Corey Adams
Music, Music Videos, PremieresJune 28, 2022<June 28, 2022

Premiere: Dwelling in the Dark, Distorted Depths of KEZRA’s “Back Home”

by Mitch Mosk
Geese © Daniel Topete
Features, Interviews, MusicJune 28, 2022<June 28, 2022

Opportunity’s Knocking: A Conversation with New York City’s Geese

by Ben Niesen
LonelyTwin © Märta Thisner
Columns, Essays, Music, Pride MonthJune 28, 2022<May 27, 2024

“What Coming Out Made Me Realize”: A Pride Month Essay by LonelyTwin’s Madelene Eliasson

by Guest Writer
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Brand New

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters

:: discover something new ::

Recent Posts

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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