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Debut, Features, Music, Reviews, Track-by-TrackMarch 9, 2022<March 15, 2022 “Emotional, Impactful, & Honest”: Toronto’s Adria Kain Shares Her Soulful & Stunning Debut Album ‘When Flowers Bloom’ by Mitch Mosk
Music, Premieres, Track-by-TrackMarch 9, 2022<June 13, 2022 “My Whole Heart”: Jack Carty Shines Like the Sun on ‘Wake to a Bright Morning’, His Intimate & Radiant 6th LP by Mitch Mosk
Music, ReviewsMarch 9, 2022<March 9, 2022 Album Review: The Pure Love & Existential Fear of Big Thief’s Magical ‘Dragon New Warm Mountain I Believe in You’ by Nasim Elyasi
Music, PremieresMarch 9, 2022<April 3, 2022 Premiere: Farees Brings the Melody and the Message on Funk Banger “Bad Apples” by Oliver Crook
Columns, Music, Today's SongMarch 8, 2022<March 8, 2022 Today’s Song: ANIQO’s Visceral “Vivre Libre” Basks in a Hard-Won Sense of Freedom & Redemption by Mitch Mosk
Music, PremieresMarch 8, 2022<March 8, 2022 Premiere: Liverpool’s RVHEEM Embraces Vulnerability in Achingly Intimate “For You” by Mitch Mosk
Columns, Music, Women's History MonthMarch 8, 2022<March 8, 2022 Essay: Country Singer/Songwriter Casi Joy on Women’s History Month by Guest Writer
Columns, Music, Today's SongMarch 7, 2022<March 7, 2022 Today’s Song: Clea Anaïs Explores Grief & Love in Beautifully Bittersweet “Stars Still Dying” by Mitch Mosk
Interviews, MusicMarch 7, 2022<March 6, 2022 Interview: Ryan Meeking Speaks About Aussie Life, New Roots in London & New Music by Joe Beer
Features, Music, Reviews, Track-by-TrackMarch 4, 2022<March 9, 2022 “Deep, Raw, & Rural”: Inside Rona Mac’s Intimately Enchanting ‘Shades of Ham’ EP by Mitch Mosk
Features, Interviews, MusicMarch 4, 2022<March 8, 2022 Third Time’s the Charm: LÉON Triumphs with Daringly Vulnerable Third Album ‘Circles’ by Coco Rich
Columns, Music, Today's SongMarch 4, 2022<March 4, 2022 Today’s Song: Noah Reid’s Dreamy “Everyday” Dwells in Raw Moments of Instability & Imbalance by Mitch Mosk
Columns, Features, Music, Weekly RoundupMarch 4, 2022<March 4, 2022 Atwood Magazine’s Weekly Roundup: March 4, 2022 by Atwood Magazine Staff
7.7 Music, Our Take, ReviewsMarch 3, 2022<March 3, 2022 Album Review: ‘Love Sux,’ But Avril Lavigne Still Rox by Josh Weiner
For the Love of Music
For the Love of Music
