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Anna Sun © Dylan Thomas
Columns, Music, Premieres, Today's SongFebruary 9, 2022<February 9, 2022

Premiere: Anna Sun Hits Like a Train on “What a Shame”

by Ben Niesen
treesreach © 2022
Columns, Music, Today's SongFebruary 8, 2022<February 8, 2022

Today’s Song: treesreach’s “How It Seems” Is an Anthem for The Great Resignation

by Mitch Mosk
Keb' Mo' © Jeremy Cowart
Features, Music, ReviewsFebruary 8, 2022<February 8, 2022

Review: Keb’ Mo’ Returns to – and Reimagines – Compton on New Album ‘Good to Be’

by Oliver Crook
Sooner © Jacquelyne Pierson
Music, PremieresFebruary 7, 2022<February 7, 2022

Premiere: Brooklyn Band Sooner Channel a Whisper & a Shout in Stirring New Single “Thursday”

by Mitch Mosk
Blonde Maze © 2022
Interviews, MusicFebruary 7, 2022<February 7, 2022

Interview with Blonde Maze: ‘Something Familiar,’ Yet Also Wildly Innovative, Out From EDM Auteure

by Josh Weiner
Interviews, MusicFebruary 7, 2022<February 8, 2022

Interview: The “Why” of Hippo Campus

by Nasim Elyasi
Allan Rayman
Columns, Music, Today's SongFebruary 7, 2022<February 7, 2022

Today’s Song: Allan Rayman Breaks into New Realms with “Rider”

by Joe Beer
Hembree © Jonny Marlow
Features, Music, Reviews, Track-by-TrackFebruary 4, 2022<February 4, 2022

“It’s a Dream!”: Inside Hembree’s Refreshingly Vibrant, Layered, & Ambitious Sophomore Album

by Mitch Mosk
The Slow Show © 2022
Features, Music, Reviews, Track-by-TrackFebruary 4, 2022<February 4, 2022

“STILL LIFE”: The Slow Show Create ‘Moments of Feeling’ in Beautifully Radiant & Resonant 4th Album

by Mitch Mosk
Hana Eid © Sam Wilson
Columns, Music, Today's SongFebruary 4, 2022<February 4, 2022

Today’s Song: Hana Eid Channels Young Love’s Passion in Cinematic Anthem “Dancing to The Smiths”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | February 4, 2022
Columns, Features, Music, Weekly RoundupFebruary 4, 2022<February 4, 2022

Atwood Magazine’s Weekly Roundup: February 4, 2022

by Atwood Magazine Staff
Peter Raffoul © Travis Latam
Columns, Music, Today's SongFebruary 3, 2022<February 3, 2022

Today’s Song: Peter Raffoul Is Barely Moving on in Radiant Second Single “cigarette holes”

by Mitch Mosk
MA/SA © Brittany Douziech
Music, Music Videos, PremieresFebruary 3, 2022<February 3, 2022

Premiere: MA/SA Dwells in Grief’s Void on Aching, Ethereal New Single “In My Breath”

by Mitch Mosk
Sun Room © 2022
MusicFebruary 3, 2022<August 12, 2025

Chasing the Sun: An Interview with Californian Surf Band Sun Room

by Lilly Eason
Palace © Daniel Harris
Features, Interviews, MusicFebruary 3, 2022<February 3, 2022

Interview: Palace Get Reflective and Deep on New Lockdown-Inspired Album, ‘Shoals’

by Beau Hayhoe
Posts pagination
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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