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Beau © Tara Gallagher
Features, Music, Reviews, Track-by-TrackFebruary 15, 2022<February 14, 2022

Track-by-Track: NYC’s Beau Radiate Raw Emotion on Stunning EP ‘Forever’

by Mitch Mosk
Bad Suns © Elizabeth Miranda
Features, Interviews, MusicFebruary 14, 2022<February 14, 2022

Interview: Bad Suns Show Life in a New Light on Cinematic 4th Album ‘Apocalypse Whenever’

by Nasya Blackshear
Haunted Summer © Nicole Rico
Columns, Music, Today's SongFebruary 14, 2022<February 14, 2022

Haunted Summer Tribute Daniel Johnston with Heartbreaking Valentine’s Cover “You Put My Love Out the Door”

by Beau Hayhoe
Atwood Magazine's Editor's Picks 55
Columns, Editor's Picks, Features, MusicFebruary 11, 2022<February 11, 2022

Editor’s Picks 55: Arlie, Selah Sue, Orion Sun, Sports, ginla, & Call Me Loop

by Mitch Mosk
Atwood Magazine's Weekly Roundup | February 11, 2022
Columns, Features, Music, Weekly RoundupFebruary 11, 2022<February 11, 2022

Atwood Magazine’s Weekly Roundup: February 11, 2022

by Atwood Magazine Staff
Aeon Station © Ebru Yildiz
Features, Interviews, MusicFebruary 11, 2022<February 11, 2022

Interview: Kevin Whelan on The Wrens, His New Aeon Station Record, and Embracing the Mists of Time

by Beau Hayhoe
Hand Habits © Jacob Boll
Features, Interviews, MusicFebruary 11, 2022<February 15, 2022

Interview with Hand Habits: Finding the Growth in Pain & Building a ‘Fun House’ of Emotion

by Jesse Herb
B-Drop
Features, Music, PremieresFebruary 11, 2022<February 14, 2022

Premiere: B-Drop Worldwide Showcases LA’s Mehro

by Mitch Mosk
Interviews, MusicFebruary 10, 2022<February 18, 2022

“Music Is My Mother Tongue”: A Conversation with Sofiane Pamart

by Adrian Vargas
Creature Canyon © Jordan Dudenhoeffer
Music, Music Videos, PremieresFebruary 10, 2022<February 10, 2022

Premiere: Creature Canyon Feel the “Pressure” with Smoldering Strength & Sweet, Soaring Grooves

by Mitch Mosk
Amy Jay © Katrina Sorrentino
Music, Premieres, Track-by-TrackFebruary 10, 2022<June 13, 2022

“Outer Calm and Inner Angst”: Amy Jay Premieres Her Ethereal & Existential Debut Album, ‘Awake Sleeper’

by Mitch Mosk
Partner Look © Jason Boltex
Debut, Features, Music, Reviews, Track-by-TrackFebruary 9, 2022<February 9, 2022

“It’s about friendship”: Melbourne’s Partner Look Debut with Warm, Fun, & Quirky Off-Kilter Pop Album, ‘By the Book’

by Mitch Mosk
Sam Weber © Jacob Boll
Features, Music, Reviews, Track-by-TrackFebruary 9, 2022<February 9, 2022

Track-by-Track: Sam Weber Dives into the Heartfelt Depths of ‘Get Free’

by Mitch Mosk
Fickle Friends © 2022
Interviews, MusicFebruary 9, 2022<February 9, 2022

Interview: Fickle Friends Explain Their Latest, Hedonistic Album ‘Are We Gonna Be Alright?’

by Dimitra Gurduiala
SPINN © Barnaby Fairley
Features, Music, Reviews, Track-by-TrackFebruary 9, 2022<February 9, 2022

“Outside of the Blue”: SPINN Harness the Power of Love on Seductive, Soaring Second Album

by Mitch Mosk
Posts pagination
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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