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SongBook - The Lazy Eyes
Debut, Features, Interviews, Music, Track-by-TrackApril 21, 2022<April 21, 2022

“Explosive, Colourful, & Nostalgic”: The Lazy Eyes Deliver a Kaleidoscopic Psych Rock Revue in Debut ‘SongBook’

by Mitch Mosk
Jon Waltz © Marcus Menefee
Music, ReviewsApril 21, 2022<April 21, 2022

EP Review: On ‘My Golden Horse,’ Jon Waltz Represents the Memphis R&B and Hip-Hop Scene with Equal Finesse

by Josh Weiner
Deanna Petcoff © Nadia Doss
Debut, Features, Interviews, Music, Track-by-TrackApril 21, 2022<April 20, 2022

“Passionate, Cathartic, & Loving”: Deanna Petcoff Soars on Stunning Debut ‘To Hell With You, I Love You’

by Mitch Mosk
TBH - Bri Steves
Debut, Features, Music, Reviews, Track-by-TrackApril 20, 2022<April 20, 2022

“Raw & Unfiltered”: Philadelphia’s Bri Steves Dives into Her Uninhibited, Undeniable Debut Project, ‘TBH’

by Mitch Mosk
Paisley Black © 2022
Columns, Music, Today's SongApril 20, 2022<April 20, 2022

Today’s Song: Paisley Black’s “Bet You Wish” Showcases Heartache & Regret in a Seductive ’60s Sound

by Chloe Robinson
Kim Gordon at Treefort 10 © Sophie Prettyman-Beauchamp
Festival, Music, ReviewsApril 19, 2022<April 22, 2022

Roundtable Discussion: Treefort 10 Was a Choose-Your-Own-Adventure Spectacular

by Atwood Magazine Staff
Incubator - Primer
Features, Music, Reviews, Track-by-TrackApril 19, 2022<April 19, 2022

“Poignant Abject Pop”: Primer Dives into Her Stunning & Cinematic Synthpop LP, ‘Incubator’

by Mitch Mosk
Gregory Ackerman © Nell T Sherman
Features, Interviews, Music, ReviewsApril 19, 2022<April 19, 2022

“Pain, Hope, & Memoriam”: Gregory Ackerman Discusses His Beautifully Aching Sophomore Album ‘Still Waiting Still’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | April 15, 2022
Columns, Features, Music, Weekly RoundupApril 15, 2022<April 15, 2022

Atwood Magazine’s Weekly Roundup: April 15, 2022

by Atwood Magazine Staff
GRAE © Gemma Warren
Artist to Watch, Debut, Features, Interviews, Music, Reviews, Track-by-TrackApril 15, 2022<April 18, 2022

“Happy, Sad, & Nostalgic”: GRAE Dives Inside the ‘Whiplash’ of Her Dazzling, Undeniable Debut

by Mitch Mosk
Atwood Magazine Editor's Picks 59
Columns, Editor's Picks, Features, MusicApril 15, 2022<April 26, 2024

Editor’s Picks 59: BEL & girlhouse, Mt. Joy, Ken Yates, McCall, Typhoon, & Nora Mae

by Mitch Mosk
Altameda © Colin Medley a
Columns, Music, Today's SongApril 15, 2022<April 15, 2022

Today’s Song: “Sweet Susie” Showcases the Best of the Best from Altameda’s New Album ‘Born Losers’

by Beau Hayhoe
alt-J © 2022
Features, Interviews, MusicApril 14, 2022<April 14, 2022

Interview: alt-J Dig into New Album ‘The Dream’ and the Undefinability of Music

by Dimitra Gurduiala
Hayden James © 2022
Interviews, MusicApril 14, 2022<April 13, 2022

Interview: A Conversation with Hayden James, an EDM Star Ready to Be ‘LIFTED’ to New Heights

by Josh Weiner
Loui Sixteen © Chloe Cusimano
Interviews, MusicApril 14, 2022<April 13, 2022

Interview: LA’s Loui Sixteen Unleashes Her Wildly Thrilling Debut EP, ‘Ego Kills’

by Chloe Robinson
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Brand New

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters

:: discover something new ::

Recent Posts

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
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