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NOTD © 2022
Features, Interviews, MusicMarch 31, 2022<December 5, 2022

Interview: NOTD Perfect the Art of Cry Dancing on “about you” (ft. Nightly)

by Anthony Kozlowski
Agender © Lindsey Byrnes
Columns, Music, Women's History MonthMarch 31, 2022<March 31, 2022

Essay: Agender’s Romy on Creating Sustainable Change within the Feminist Movement Through Solidarity & Empathy for All Women

by Guest Writer
The Accidentals (L to R): Katie Larson Sav Buist, & Michael Dause
Columns, Music, Women's History MonthMarch 30, 2022<March 30, 2022

“Respect is a Well From Which Everyone Can Drink”: The Accidentals’ Sav Buist on Sexism in the Music Industry

by Guest Writer
Christina Wheeler © Shervin Lainez
Columns, Music, Women's History MonthMarch 30, 2022<March 30, 2022

Essay: Christina Wheeler on Intersectionality in the Music Industry & Beyond

by Guest Writer
LACES © Shari Hoffman
Columns, Music, Women's History MonthMarch 30, 2022<March 30, 2022

“Adventures of a Super Weirdo”: LACES’ Jessica Vaughn on Being a Woman in Music

by Guest Writer
Kris Angelis © Lee Holbrook
Interviews, MusicMarch 30, 2022<March 30, 2022

Interview: Kris Angelis Finds Solace From the Night in “Run”

by Chloe Robinson
Bestfriend © Mackenzie Walker
Music, PremieresMarch 29, 2022<March 30, 2022

Premiere: Bestfriend’s Beautifully Warm & Wistful Summer Song, “Someplace Else”

by Mitch Mosk
Jack Van Cleaf © Jacob Ruth
Debut, Features, Music, Premieres, Track-by-TrackMarch 29, 2022<March 30, 2022

“Colorful, Nostalgic, & Spacious”: Jack Van Cleaf Premieres His Radiantly Raw Debut Album, ‘Fruit from the Trees’

by Mitch Mosk
Methyl Ethel © Xan Thorrhhoea
Features, Interviews, Music, ReviewsMarch 29, 2022<March 31, 2022

Methyl Ethel’s Challenging, Neo-Romantic Question, ‘Are You Haunted?’

by Ben Niesen
Louien © Julia Marie Naglestad
Columns, Music, Women's History MonthMarch 29, 2022<March 29, 2022

Even Women in the Most Progressive Countries Are Fighting for Equality: Norway’s Live Miranda Solberg Reflects on Women’s History Month

by Guest Writer
Margot Jezerc © Zian Meng
Columns, Music, Women's History MonthMarch 29, 2022<March 29, 2022

“Radical Acceptance”: Buffalo Rose’s Margot Jezerc on Youth & Womanhood

by Guest Writer
lostboy © 2022
Columns, Music, Today's SongMarch 28, 2022<March 28, 2022

Today’s Song: Sheffield’s lostboy Ditch the “Weight” in Soaring & Cinematic Anthem

by Mitch Mosk
Gabriel Kahane © Jason Quigley
Features, Interviews, MusicMarch 28, 2022<March 2, 2025

Between Ecstasy and Grief: Gabriel Kahane Discusses ‘Magnificent Bird,’ Gift Economies, & Generosity

by Mariel Fechik
Secret Emchy Society © Margo Duane
Columns, Music, Women's History MonthMarch 25, 2022<March 25, 2022

“Put Her Name in Your Mouth”: Cindy Emch on the Importance of Recognizing & Honoring Women in Music & Beyond

by Guest Writer
'Lessons From Earth Part 1' - Sonia Stein
Features, Music, Reviews, Track-by-TrackMarch 25, 2022<March 31, 2022

Track-By-Track: Sonia Stein Dives into Her “Spiritual, Grooving, & Blooming” ‘Lessons From Earth, Pt. 1’

by Mitch Mosk
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Brand New

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters

:: discover something new ::

Recent Posts

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
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