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Outer Ego - The fin.
Features, Music, Reviews, Track-by-TrackJanuary 27, 2022<January 27, 2022

“Universe, Pain, & Love”: A Track-by-Track Breakdown of The fin.’s Kaleidoscopic Album ‘Outer Ego’

by Mitch Mosk
Verb Tec © Sahar Coston-Hardy
Features, Music, Reviews, Track-by-TrackJanuary 27, 2022<February 7, 2022

“From the Muscle”: Verb Tec & Vanderslice’s ‘No Struggle No Progress’ Is an Undeniable Record of Ambition & Triumph

by Mitch Mosk
Jelani Aryeh © Natasha Tilly
Columns, Music, Today's SongJanuary 27, 2022<January 30, 2024

Today’s Song: Jelani Aryeh Offers a Coming-of-Age for All Ages with “I’ve Got Some Living to Do”

by Nasim Elyasi
Suki Waterhouse © Dana Trippe
Artist to Watch, Features, Interviews, MusicJanuary 27, 2022<May 11, 2022

Artist-to-Watch Suki Waterhouse is Letting Go and Opening Up

by Nicole Almeida
Olly Olly - Penny and Sparrow
Features, Music, Reviews, Track-by-TrackJanuary 26, 2022<January 26, 2022

“Being Here Now”: Penny and Sparrow Soar on ‘Olly Olly’, Their Free-Spirited & Triumphant 7th Album

by Mitch Mosk
Novaa © Rebecca Kraemer
Music, Music Videos, PremieresJanuary 26, 2022<January 26, 2022

Premiere: Novaa’s “The World’s Thing” Is a Mesmeric Alt-Pop Ode to Indifference & Apathy

by Mitch Mosk
Jessie Reid © Emilie Cotterill
Artist to Watch, Music, PremieresJanuary 26, 2022<January 26, 2022

Artist to Watch: Shropshire’s Jessie Reid Blooms in Soft, Stirring New Single “Other Hand”

by Mitch Mosk
Jimkata © 2021
Features, Interviews, MusicJanuary 26, 2022<January 26, 2022

Interview: 1 Track Per Month x 10 Months = A ‘Bonfires’ LP for Indie Rockers Jimkata

by Josh Weiner
Jake Benjamin © Rachel Rodgers
Music, PremieresJanuary 25, 2022<January 25, 2022

Premiere: Accepting Our Anxiety with Jake Benjamin’s Tender New Single, “It Comes As a Friend” (ft. Carey Clayton)

by Mitch Mosk
Features, Interviews, MusicJanuary 25, 2022<January 26, 2022

What Do You Want From Yourself: Aoife O’Donovan on Finding the Way Through Apathy

by Mariel Fechik
The Walters © Elena Kulikovaå
Features, Interviews, MusicJanuary 25, 2022<January 25, 2022

Feature: 2022 Belongs to The Walters

by Anthony Kozlowski
VHS Collection © Grant Spanier
Columns, Music, Today's SongJanuary 25, 2022<January 25, 2022

Today’s Song: VHS Collection Deliver Ode to the Human Spirit’s Tenacity with New Single “Survive”

by Beau Hayhoe
Glass Echoes © 2022
Debut, Features, Music, Reviews, Track-by-TrackJanuary 25, 2022<January 24, 2022

“Nebulous, Haven, Healing”: Glass Echoes Stun with Fragile & Cinematic Debut Album ‘Breathe’

by Mitch Mosk
Paul Weller (L) & Dave Gahan (R) © 2022
Features, Music, ReviewsJanuary 24, 2022<January 24, 2022

The Late Style of Dave Gahan & Paul Weller: Imprints of Bowie

by David Buyze
Star2 © Ted Emmons
Columns, Music, Today's SongJanuary 24, 2022<January 24, 2022

Today’s Song: Star2 Captures the Sunny Sensations of Romance with “Thinkin Bout You”

by Chloe Robinson
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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