Features, Music, Reviews, Track-by-TrackMarch 25, 2022<March 31, 2022 Track-By-Track: Sonia Stein Dives into Her “Spiritual, Grooving, & Blooming” ‘Lessons From Earth, Pt. 1’ by Mitch Mosk
Debut, Features, Music, Reviews, Track-by-TrackMarch 25, 2022<April 3, 2022 “Hopeful, Sad, & Reminiscent”: Inside the Warm Wonder of elkyn’s Debut Album ‘holy spirit social club’ by Mitch Mosk
Columns, Music, Today's SongMarch 25, 2022<March 25, 2022 Today’s Song: Carter Vail Soars on Sun-Soaked & Sweetly Seductive “Nancy Again” by Mitch Mosk
Columns, Features, Music, Weekly RoundupMarch 25, 2022<March 25, 2022 Atwood Magazine’s Weekly Roundup: March 25, 2022 by Atwood Magazine Staff
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Columns, Music, Today's SongMarch 24, 2022<March 24, 2022 Today’s Song: KTJ & CARLY Tackle Entitlement in Empowering Anthem “Daddy’s Little Lawyer” by Mitch Mosk
Music, PremieresMarch 24, 2022<March 24, 2022 Premiere: Liverpool’s Euan Blackman Channels Anxiety-Fueled Nights in New Song “I’m Not Scared” by Mitch Mosk
Columns, Music, Women's History MonthMarch 24, 2022<March 24, 2022 “Too Old to Be an Ingenue, Too Young to Be an Icon”: Susan Cattaneo on the Shame Associated with Ageism in the Music Industry by Guest Writer
Columns, Music, Today's SongMarch 23, 2022<March 23, 2022 Today’s Song: Little Quirks’ “The Rain” Is an Exhilarating Chant of Freedom & Joy by Mitch Mosk
Music, PremieresMarch 23, 2022<March 23, 2022 Premiere: Benji Lewis Dives Inside His Beautifully Intimate & Vulnerable “Head Rush” by Mitch Mosk
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Festival, Music, PreviewsMarch 23, 2022<March 23, 2022 10 Things to Look Forward to at Treefort 10 by Atwood Magazine Staff
Music, ReviewsMarch 23, 2022<March 24, 2022 Del Water Gap Un-“Complicates” Avril in Stripped-Down Spotify Singles by Guest Writer
A Casual Ramble, Columns, MusicMarch 22, 2022<March 22, 2022 A Casual Ramble: Freaking Out Before, At, and By Treefort 2022 by Ben Niesen
For the Love of Music
For the Love of Music
