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AHI © Caitlin Cronenberg
Features, Music, Reviews, Track-by-TrackNovember 5, 2021<February 7, 2022

“Reassuring, Honest, & Powerful”: AHI Goes Track-by-Track Through ‘Prospect,’ a Work of Human Depth & Spiritual Wonder

by Mitch Mosk
Atwood Magazine's Weekly Roundup | November 5, 2021
Columns, Features, Music, Weekly RoundupNovember 5, 2021<November 5, 2021

Atwood Magazine’s Weekly Roundup: November 5, 2021

by Atwood Magazine Staff
Lucy Park © Lena Noguchi
Columns, Music, Today's SongNovember 5, 2021<November 5, 2021

Today’s Song: Lucy Park Basks in the Good on Warm & Wondrous “Brighter Days”

by Mitch Mosk
Sloppy Jane © Sara Cath
Features, Interviews, MusicNovember 5, 2021<February 7, 2022

Interview: Sloppy Jane Erects a Monument of Emotion with ‘Madison’

by Sophie Prettyman-Beauchamp
Neev © 2021
Music, ReviewsNovember 5, 2021<November 5, 2021

There’s Only Love to Come: Neev Releases Wholehearted Sophomore EP ‘Currants’

by Coco Rich
This Here Feels Good - Kay Young
Artist to Watch, Features, Music, Reviews, Track-by-TrackNovember 4, 2021<November 4, 2021

“This Here Feels Good”: Kay Young Delves into Her Intimate, Vulnerable, & Inspiring Third EP

by Mitch Mosk
Birdtalker © Jeremy Cowart
Features, Music, Reviews, Track-by-TrackNovember 4, 2021<November 4, 2021

Track-by-Track: Inside Birdtalker’s Radiant & Irresistible Self-Titled Sophomore Album

by Mitch Mosk
Constant Smiles © Julian Master
Columns, Music, Today's SongNovember 4, 2021<November 4, 2021

Today’s Song: Constant Smiles Pick Up the Pieces in Poignant, Heavy “The Things I Miss”

by Mitch Mosk
Outside Lands 2021
Festival, Music, ReviewsNovember 4, 2021<November 16, 2021

Review: Outside Lands 2021 Delivers on the Hype as the Year’s Best Festival

by Beau Hayhoe
Well Kept © Kyler Vollmar
Music, PremieresNovember 4, 2021<November 4, 2021

Premiere: Well Kept’s Alternative Rom-Com Anthem “Hammerhead Corvette”

by Mitch Mosk
ForEver - Joshua Crumbly
Features, Music, Reviews, Track-by-TrackNovember 3, 2021<November 3, 2021

“A Warm Hug”: Joshua Crumbly Embraces Space, Stillness & Solitude in ‘ForEver’

by Mitch Mosk
Columns, Music, Today's SongNovember 3, 2021<November 3, 2021

Today’s Song: Diving Into the Folly of the High Life with Ellie Bleach’s “Doing Really Well Thanks”

by Adrian Vargas
Year of the Locust - Elisa Nicolas
Debut, Music, Premieres, Reviews, Track-by-TrackNovember 3, 2021<November 3, 2021

Track-by-Track: Elisa Nicolas Premieres Her Warm & Wondrous Album ‘Year of the Locust’

by Mitch Mosk
Mumble Tide © 2021
Columns, Music, Today's SongNovember 2, 2021<November 2, 2021

Today’s Song: Mumble Tide’s Intimate & Grooving “On My Deathbed There’s a Full Page (You Don’t Get To Read It)”

by Mitch Mosk
Manuel the Band [L-R]: Matt Kalin, George Madrid, Brandon Charlesworth, Manuel Grajeda, Kevin Nowacki, Richard Fernandez © Cesar Sanchez
Music, PremieresNovember 2, 2021<November 2, 2021

Premiere: Manuel the Band’s “Love But Don’t Need You” Paints our Drives with a Folk Rock Brush

by Mitch Mosk
Posts pagination
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Brand New

  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”

:: discover something new ::

Recent Posts

  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
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