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Danelle Sandoval © Anna Vorontsova
Interviews, MusicAugust 18, 2021<August 18, 2021

Interview: Los Angeles’ Danelle Sandoval on Not Being Defined by Others & New Single “Go”

by Chloe Robinson
The Steoples © Roman Koval
Interviews, Music, ReviewsAugust 17, 2021<August 18, 2021

“It’s those fleeting moments of transcendence”: Inside The Steoples’ Smoldering & Soulful LP ‘Wide Through The Eyes Of No One’

by Mitch Mosk
Hopefully Limitless by Ah-Mer-Ah-SuHopefully Limitless by Ah-Mer-Ah-Su
Features, Music, Reviews, Track-by-TrackAugust 17, 2021<August 19, 2021

“Crazy, Sexy, & Cool”: Ah-Mer-Ah-Su Shines on Radiant & Revelrous EP ‘Hopefully Limitless’

by Mitch Mosk
Twilight Driving ©️ Sam Shaw
Music, ReviewsAugust 17, 2021<August 17, 2021

Review: Twilight Driving Dwell on Life & Time in Radiant Anthem “Red Room”

by Mitch Mosk
Caroline Polachek © Aidan Zamiri
Columns, Music, Today's SongAugust 17, 2021<August 17, 2021

Today’s Song: Fasten Your Seatbelts, Caroline Polachek Returns with “Bunny Is a Rider”

by Nasim Elyasi
Violette © 2021
Features, Interviews, MusicAugust 17, 2021<August 16, 2021

Interview: Violette’s Mix of Escapism and Intimacy

by Lilly Eason
BUKVE © 2021
Columns, Music, Today's SongAugust 16, 2021<August 16, 2021

Today’s Song: BUKVE’s “Let me go Son” (ft. Firewoodisland) Is an Ethereal & Chilling Debut Single

by Mitch Mosk
Anderson East © Kat Irlin
Features, Interviews, MusicAugust 16, 2021<August 16, 2021

Songs for the End of the World: Searching for the Meaning of Life & Love with Anderson East

by Emily Frances Algar
Music, ReviewsAugust 16, 2021<August 16, 2021

Review: Black Sands Mourns the Loss of His Sister in ‘Afterglow’

by Joe Beer
Bendigo Fletcher © Richie Wireman
Debut, Features, Music, Reviews, Track-by-TrackAugust 13, 2021<August 13, 2021

“Attention. Deficit. Disorder.”: Bendigo Fletcher Enjoy ‘Fits of Laughter’ on Dazzling Debut Album

by Mitch Mosk
Atwood Magazine's Weekly Roundup | August 13, 2021
Columns, Features, Music, Weekly RoundupAugust 13, 2021<August 13, 2021

Atwood Magazine’s Weekly Roundup: August 13, 2021

by Atwood Magazine Staff
Music, ReviewsAugust 13, 2021<August 13, 2021

Review: Kississippi Will Show You Every Color Of The ‘Mood Ring’

by James Crowley
M.A.G.S.
Features, Music, Reviews, Track-by-TrackAugust 13, 2021<August 13, 2021

“A F*cking Classic”: M.A.G.S. Dives into His Fearless & Unapologetic Sophomore Album ‘Say Things That Matter’

by Mitch Mosk
Bean on Toast
Books, Music, ReviewsAugust 13, 2021<August 17, 2021

Book Review: Beans on Toast Brings Trademark Humility and Humour to the Page on Foolhardy Folk Tales

by Oliver Crook
Luke Hemmings © Davis Bates
Debut, Features, Interviews, MusicAugust 13, 2021<October 5, 2021

“Quite a drama”: 5SOS’s Luke Hemmings Shines on Intimate & Breathtaking Solo Album ‘When Facing the Things We Turn Away From’

by Mitch Mosk
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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