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87 Nights
Interviews, MusicNovember 2, 2021<November 2, 2021

Interview: An Introduction to Charleston Band 87 Nights

by Lilly Eason
Yes © Gottlieb Bros
Features, Interviews, MusicNovember 2, 2021<November 1, 2021

“Music to My Ears”: A Conversation with Yes’ Alan White

by Ben Niesen
breaking point
Interviews, MusicNovember 1, 2021<November 1, 2021

Interview: Jackson+Sellers Talk About How Their Unique Chemistry Led to the Creation of Their New Album “Breaking Point”

by Dimitra Gurduiala
Atwood Magazine's Weekly Roundup | October 29, 2021
Columns, Features, Music, Weekly RoundupOctober 29, 2021<February 7, 2023

Atwood Magazine’s Weekly Roundup: October 29, 2021

by Atwood Magazine Staff
Hell Hath No Fury
Columns, Music, The Collab ColumnOctober 28, 2021<October 28, 2021

The Collab Column: Clipse and The Neptunes’ ‘Hell Hath No Fury’

by Leo Culp
ToBy © 2021
Debut, Features, Music, Reviews, Track-by-TrackOctober 28, 2021<February 7, 2022

“Vulnerable, Raw, Hopeful”: Inside ToBy’s Impassioned & Stirring Debut Album ‘L’esprit’

by Mitch Mosk
ROZET © 2021
Artist to Watch, Columns, Music, Today's SongOctober 28, 2021<October 28, 2021

Today’s Song: ROZET’s Wondrous “Cake Face” Is a Blueprint for a More Balanced Life

by Mitch Mosk
Interviews, MusicOctober 28, 2021<October 28, 2021

Interview: Banny Grove and the Gift of Play

by Sophie Prettyman-Beauchamp
The Drives © Jeff Lorch
Debut, Features, Music, Reviews, Track-by-TrackOctober 27, 2021<October 27, 2021

“Frustrated, Loud, & Manic”: LA’s The Drives Rev Their Engines with Debut EP ‘This Might Take a While’

by Mitch Mosk
If Orange Was a Place - Tems
Artist to Watch, Music, ReviewsOctober 27, 2021<October 27, 2021

EP Review: Tems’ ‘If Orange Was a Place’ Is a Hyper-Focused Snapshot of an Artist’s Burgeoning Voice

by Kosiso Ugwueze
Columns, Music, Today's SongOctober 27, 2021<October 27, 2021

Today’s Song: FEELS Seek Friends for The Apocalypse (And Bid Farewell) on “Night Walker”

by Sophie Prettyman-Beauchamp
"Delirium Passes" - Anand Wilder © Charles Vidal
Columns, Debut, Music, Today's SongOctober 26, 2021<October 26, 2021

Today’s Song: Anand Wilder’s Dazzling “Delirium Passes” Explores Escape & Perseverance, Family & Freedom

by Mitch Mosk
Outside Lands © Betsy Newman
Festival, Music, PreviewsOctober 26, 2021<November 16, 2021

Festival Preview: The Best Can’t-Miss Acts to See This Weekend at Outside Lands 2021

by Beau Hayhoe
Wilderado © Grant Spanier
Debut, Features, Music, Reviews, Track-by-TrackOctober 26, 2021<October 26, 2021

Track-by-Track: Inside Wilderado’s Hopeful, Charged & Charming Self-Titled Debut

by Mitch Mosk
Shannon Lay © Kai MacKnight
Features, Interviews, MusicOctober 26, 2021<October 26, 2021

Interview: Shannon Lay Finds Her Superpower on ‘Geist’

by Ben Niesen
Posts pagination
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Brand New

  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”

:: discover something new ::

Recent Posts

  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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