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Tall Heights © Mitchell Wojcik
Features, Interviews, MusicJanuary 14, 2022<January 15, 2022

Isolated In Space and Time: Tall Heights Release Third Full-Length Album ‘Juniors’

by Coco Rich
morgxn © Nolan Knight
Features, Music, Reviews, Track-by-TrackJanuary 13, 2022<January 14, 2022

“Change, Pressure, & Release”: The Achingly Intimate Depths of morgxn’s ‘MERIDIAN: vol 2’

by Mitch Mosk
The Lumineers' Wesley Schultz (right) and Jeremiah Fraites (left) © Danny Clinch
Features, Interviews, MusicJanuary 13, 2022<March 7, 2023

A Thesis of Heat: The Lumineers Dive into Hopeful & Cathartic 4th Album ‘BRIGHTSIDE’

by Kelly McCafferty Dorogy
San Fermin © 2021
Columns, Music, Today's SongJanuary 13, 2022<January 13, 2022

Today’s Song: San Fermin and The Districts Explore Emptiness with “Nothingness”

by Nasim Elyasi
Music, Reviews, Track-by-TrackJanuary 13, 2022<January 13, 2022

An Emotional Awakening : A Track-by-Track Review of Nightshifts’ ‘Stir’

by Joe Beer
Sammy Rae © 2021
Features, Music, Reviews, Track-by-TrackJanuary 13, 2022<January 13, 2022

“Chaotic, Hopeful, & Defiant”: Inside Sammy Rae & The Friends’ Smile-Inducing ‘Let’s Throw a Party’ EP

by Mitch Mosk
Joshy Soul © Danni Ordoñez
Columns, Music, Today's SongJanuary 12, 2022<January 12, 2022

Today’s Song: Long Beach’s Joshy Soul Gets His Funk On in Fresh Single “New Lover”

by Mitch Mosk
Atwood Magazine Editor's Picks 52
Columns, Editor's Picks, Features, MusicJanuary 12, 2022<February 7, 2022

Editor’s Picks 52: The Killers, Keir, Indoor Fins, FACESOUL, Oh Wonder, & fanclubwallet

by Mitch Mosk
In The Aftermath - Hollis Brown
Music, PremieresJanuary 12, 2022<January 12, 2022

Premiere: Hollis Brown Honor The Rolling Stones’ Raw, Bluesy Jam “Don’tcha Bother Me” Ahead of ‘In the Aftermath’ Covers Album

by Mitch Mosk
Cy Dune © 2022
Music, ReviewsJanuary 11, 2022<January 11, 2022

Review: Cy Dune Kicks 2022 Off Right with Raucous, Explosive Release “Against Face”

by Mitch Mosk
Pegasus Warning © Mary Rozzi
Music, PremieresJanuary 11, 2022<January 11, 2022

Video Premiere: Wrestling Reality with Pegasus Warning’s Glitchy, Groovy “Alllove”

by Mitch Mosk
Music, Reviews, Track-by-TrackJanuary 11, 2022<January 11, 2022

A Deep Dive into Another Dimension: A Track-by-Track Review of Ebony Buckle’s ‘Disco Lasers’

by Joe Beer
Victoria Dodson © 2022
Columns, Music, Today's SongJanuary 11, 2022<January 11, 2022

Today’s Song: Victoria Dodson’s “Goodnight” Is Buoyant, Bittersweet Bliss

by Mitch Mosk
Milan Ring © James Evans
Features, Music, Reviews, Track-by-TrackJanuary 11, 2022<January 11, 2022

“Love, Forgiveness, & Hope”: Inside Milan Ring’s Smoldering Debut Album ‘I’m Feeling Hopeful’

by Mitch Mosk
Not From England © Athena Merry
Interviews, MusicJanuary 10, 2022<January 10, 2022

Interview: LA’s Not From England Get Personal with Song Inspirations, Artists They Love, & New EP ‘for the second time’

by Chloe Robinson
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Brand New

  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward

:: discover something new ::

Recent Posts

  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
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