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Not From England © Athena Merry
Interviews, MusicJanuary 10, 2022<January 10, 2022

Interview: LA’s Not From England Get Personal with Song Inspirations, Artists They Love, & New EP ‘for the second time’

by Chloe Robinson
Larkin Poe © Bree Marie Fish
Features, Interviews, MusicJanuary 10, 2022<January 7, 2022

Self-Made (Wo)Men: A Conversation with Larkin Poe

by Ben Niesen
Hippo Campus © Tonje Thilesen
Columns, Music, Today's SongJanuary 10, 2022<January 7, 2022

Today’s Song: Hippo Campus Celebrate Rebirth with “Semi Pro”

by Nasim Elyasi
ella jane © @rlyblonde
Columns, Music, Today's SongJanuary 7, 2022<January 7, 2022

Today’s Song: ella jane Indulges in Suspense & Seduction on Indie Pop Anthem “Calling Card”

by Mitch Mosk
Atwood Magazine's Artist Discoveries of 2021
Features, Lists, MusicJanuary 5, 2022<February 7, 2022

Atwood Magazine’s Top Artist Discoveries of 2021

by Atwood Magazine Staff
Atwood Magazine's 2021 Songs of the Year
Features, Lists, MusicDecember 31, 2021<February 7, 2022

Atwood Magazine’s 2021 Songs of the Year

by Atwood Magazine Staff
Atwood Magazine's 2021 Albums of the Year
Features, Lists, MusicDecember 30, 2021<January 4, 2024

Atwood Magazine’s 2021 Albums of the Year

by Atwood Magazine Staff
Foxtrails
Features, Music, Reviews, Track-by-TrackDecember 22, 2021<December 23, 2021

“Reflective, Meandering & Honest”: Inside Foxtrails’ Sun-Soaked & Cinematic Sophomore LP ‘Kaweah’

by Mitch Mosk
Atwood Magazine's Mistletones: Best New Holiday Music 2021
Features, Interviews, Lists, Mistletones, MusicDecember 21, 2021<November 30, 2022

Atwood Magazine Presents Mistletones: 2021’s Best New Holiday Songs

by Atwood Magazine Staff
Two Feet & grandson © Austin Cieszko
Features, Interviews, MusicDecember 21, 2021<December 21, 2021

Feature: Two Feet Says Hello to the Next Chapter on “Until I Come Home”

by Anthony Kozlowski
Caamp © Elli Lauren
Features, Interviews, MusicDecember 20, 2021<December 20, 2021

5 Years and No Setlist: A Conversation with CAAMP’s Evan Westfall

by Coco Rich
Questlove "Music Is History" © Daniel Dorsa
Books, Columns, MusicDecember 20, 2021<December 20, 2021

Book Review: Questlove Rolls Back the Years & Adds Context in Riveting ‘Music Is History’

by Oliver Crook
MisterWives © 2021
Columns, Music, Today's SongDecember 20, 2021<August 31, 2022

Today’s Song: MisterWives Triumph with Resilient Independent Single “Stepped on a Bee” and The Best Live Show You’ll See

by Kelly McCafferty Dorogy
Atwood Magazine's Weekly Roundup | December 17, 2021
Columns, Features, Music, Weekly RoundupDecember 17, 2021<December 17, 2021

Atwood Magazine’s Weekly Roundup: 2021’s Hidden Gems

by Atwood Magazine Staff
The O'My's © René Marban
Columns, Music, Today's SongDecember 17, 2021<December 17, 2021

Today’s Song: The O’My’s & Alex Banin Capture the Heartache of Letting Go in Soulful “Realistic”

by Mitch Mosk
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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