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Skyler Locatelli © Sunita Martini
Features, Interviews, MusicDecember 17, 2021<January 10, 2022

Going to the Neurolux: A Conversation with Freakout Records’ Skyler Locatelli

by Ben Niesen
elbé © 2021
Features, Music, Reviews, Track-by-TrackDecember 16, 2021<December 16, 2021

“Impassioned, Authentic, & Fresh” Inside elbé’s Stirring & Sweet Sophomore EP ‘Sonder’

by Mitch Mosk
Steph Green
Music, PremieresDecember 16, 2021<December 16, 2021

Premiere: Steph Green Delivers a Country Noir Tearjerker on “Devotion”

by Guest Writer
Sarah and the Sundays © 2021
Features, Music, Reviews, Track-by-TrackDecember 16, 2021<December 16, 2021

“The Living End”: Inside Sarah and the Sundays’ Radiant & Soaring Sophomore Album

by Mitch Mosk
The Velveteins © Evangeline Belzile
Columns, Music, Today's SongDecember 16, 2021<December 16, 2021

Today’s Song: The Velveteins Paint Color and Light in Hopeful New Track “Make It Through”

by Joe Beer
Dylan Sinclair © Norman Wong
MusicDecember 15, 2021<December 15, 2021

Review: Dylan Sinclair Radiates Heartache and “Regrets” in Smoldering New Single

by Mitch Mosk
Florian Ehrmann © Felix Birkenseer
Music, ReviewsDecember 15, 2021<December 15, 2021

Review: Soaking in the Wonder of Florian Ehrmann’s “Beautiful Day”

by Mitch Mosk
Features, Interviews, MusicDecember 15, 2021<December 16, 2021

Reflections: A Conversation with Justin Stanton & Gisela Joāo of Mirrors

by Mariel Fechik
Battle Ave. © Molly Doherty
Features, Music, Reviews, Track-by-TrackDecember 15, 2021<December 15, 2021

“We’re back, baby!”: Hudson Valley’s Battle Ave. Return with Cinematic & Sweeping Self-Titled EP

by Mitch Mosk
Michael J Woodard © Breyona Holt
Features, Interviews, MusicDecember 15, 2021<December 15, 2021

Interview: The Joy of Michael J Woodard

by Lilly Eason
rocco, © courtesy of the artist
Columns, Music, Today's SongDecember 15, 2021<December 15, 2021

Today’s Song: rocco, Takes on the Topic of Race & Our Unnecessary Divisions in “grey theory”

by Chloe Robinson
Mackin Carroll © @kugelmama
Debut, Features, Music, Reviews, Track-by-TrackDecember 14, 2021<December 14, 2021

“Contemplative, Eclectic, & Cerulean”: Inside Mackin Carroll’s Debut Album ‘Learning How to Swim’

by Mitch Mosk
Formula of Love - TWICE 8
Music, Our Take, ReviewsDecember 14, 2021<December 14, 2021

‘Formula of Love: O+T=<3’ Presents TWICE’s Most Progressive Release Yet

by Danny Vagnoni
'Rock Concert' book - Marc Myers
Books, Columns, MusicDecember 14, 2021<December 14, 2021

Book Review: Marc Myers Pulls the Curtain Back on the Live Music We Love So Much in ‘Rock Concert’

by Oliver Crook
mason jar / wannabe - BEL
Artist to Watch, Columns, Music, Today's SongDecember 14, 2021<December 14, 2021

Artist to Watch: BEL’s “mason jar” Dwells in a Moment of Reckoning & Vulnerability

by Mitch Mosk
Posts pagination
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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