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clide
Music, PremieresSeptember 30, 2021<September 30, 2021

Premiere: clide’s Intimate & Honest “come over” Is a Chilling Call for Connection

by Mitch Mosk
Features, Interviews, MusicSeptember 30, 2021<October 1, 2021

Interview: Nashville Artist Boon on Negative Relationships, His Striking Style, and His Father’s Influence

by Chloe Robinson
The State of Gold - matt pond PA
Features, Music, Reviews, Track-by-TrackSeptember 29, 2021<September 29, 2021

“Effervescence, Sunlight, Death”: Matt Pond PA Go Track-by-Track Through New Album ‘The State of Gold’

by Mitch Mosk
Slimdan © Zachary Blumner
Columns, Debut, Music, Today's SongSeptember 29, 2021<September 29, 2021

Today’s Song: Slimdan Comes Out Swinging on Debut Single “MVP”

by Mitch Mosk
Naomi Westwater © blahnik x westwater
Music, Reviews, Track-by-TrackSeptember 29, 2021<October 2, 2021

“Music You Should Feel in Your Bones”: Naomi Westwater Dives into Powerful New EP ‘Feelings’

by Dimitra Gurduiala
Harrison Storm & Enna Blake © Holly Kate
Music, PremieresSeptember 29, 2021<September 29, 2021

Premiere: Harrison Storm & Enna Blake’s “Under Dusk” Is an Indie Folk Anthem of Support & Connection

by Mitch Mosk
WHEN WE'RE FAR APART I FALL APART - Abby Holliday 9.4
Debut, Features, Music, Our Take, Reviews, Track-by-TrackSeptember 28, 2021<February 7, 2022

“Emotional, Raw, & Vulnerable”: Abby Holliday’s Breathtakingly Beautiful Debut Album ‘WHEN WE’RE FAR APART I FALL APART’

by Mitch Mosk
Future Islands © Beau Hayhoe
Concerts, Music, ReviewsSeptember 28, 2021<March 2, 2025

Future Islands Deliver Impassioned Synth Pop Amidst a Joyous Return to Live Music at Governors Ball 2021

by Beau Hayhoe
Marcus Atom
Debut, Features, Music, Reviews, Track-by-TrackSeptember 28, 2021<October 27, 2021

“Familiar, Smooth, & Chill”: Get Lost in Marcus Atom’s Intimate & Smoldering Debut Album, ‘Love vs. War’

by Mitch Mosk
The Franklin Electric © Levi Zortman
Features, Music, Reviews, Track-by-TrackSeptember 28, 2021<September 28, 2021

“Honest Raw Healing”: Inside The Franklin Electric’s Beautifully Vulnerable ‘This Time I See It’

by Mitch Mosk
Interviews, MusicSeptember 28, 2021<September 28, 2021

Interview: Dancing Through the Pains of Youth with Modernlove.

by Adrian Vargas
Glenn Echo © Ariana Dixon
Music, PremieresSeptember 28, 2021<September 27, 2021

Premiere: Embracing Vulnerability with Glenn Echo’s Soft & Stirring Alt-Folk Protest Song, “How Much Blood”

by Mitch Mosk
Mano Le Tough © Kostas Maros 8
Music, Our Take, ReviewsSeptember 28, 2021<September 27, 2021

Our Take: Mano Le Tough Opens Wide the Toy Chest for ‘At the Moment’

by Ben Niesen
FLOWVERS © Indy Brewer
Columns, Music, Today's SongSeptember 28, 2021<September 28, 2021

Today’s Song: FLOWVERS Return with Soaring & Searing Single “Far Away”

by Mitch Mosk
self-care - bad tuner
Debut, Interviews, MusicSeptember 27, 2021<September 29, 2021

Interview with bad tuner: A Brooklyn EDM Buff Practicing Proper ‘self-care’ on Debut EP

by Josh Weiner
Posts pagination
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Brand New

  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through

:: discover something new ::

Recent Posts

  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
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